ATLRetro’s Haunted & Hellacious Halloween Guide 2016

Posted on: Oct 26th, 2016 By:

by Melanie Crew
Managing Editor

Calling all ghouls and gals! Come see why we think you should raise hell in ATLRetro this Halloween season!

1. Head Rolling Tunes! Get sinister All Hallows Eve weekend with a helluva lot of rancid rock ‘n roll! Rock out10.29StarBar ghoul-style at The Star Bar with Elzig (Elvis meets Danzig), The Crush and B.S.O.L. (Oct. 27)! Or celebrate 25 hellacious years with their 25th Anniversary Bash rocking out with Pretty Vacant (Sex Pistols tribute); Horror Business (Misfits tribute); and Nameless Nameless (Nirvana tribute) (Oct. 28)! And you must boogie on down during their 25th Anniversary Rock and Roll ‘70s Disco Party & Halloween Bash featuring The Biters (as The Disco Bitches), Dinos Boys, Bad Spell and Gunpowder Gray (Oct. 29)! Get horrorified at the Clermont Lounge  as Captain & Maybelle present a Halloween Shock ‘n’ Roll Sideshow featuring terrifying tunes by Fiend Without A Face, Kool Kats the Casket Creatures and special guest Reggie Bugmuncher (Oct. 27)! Or get rocked with Mac Sabbath and Black Juju at The Loft (Oct. 29)! The BadAsh Allstar Team hosts a Halloween Monster Jam at 5 Seasons Brewing (Oct. 29)! Get monstrous and go, go Godzilla on down to the Variety Playhouse for a night with the Blue Oyster Cult (10/29)! The Earl gets sinister and delivers a night of honkytonk rock ‘n ‘roll with their Halloween Party featuring The Goddamn Gallows, Gallows Bound, The Vaginas and Stump Tail Dolly (Oct. 31)!

2. Fangtastic Films!  Catch RiffTrax Live’s screening of Herk Harvey’s CARNIVAL OF SOULS (1962) at theatres across Atlanta at 8pm [Avalon Stadium 12 (Alpharetta); Perimeter Pointe 10; Hollywood Stadium 24 (Chamblee); AMC Barrett Commons 24 (Kennesaw); Regal McDonough Stadium 16 (McDonough); Carnival of SoulsCinemark Tinseltown 17 (Fayetteville); and Georgian Stadium 14 (Newnan)] (Oct. 27 & 31)! It’s a night of ectoplasmic proportions at Venkman’s with a free screening of Ivan Reitman’s GHOSTBUSTERS (1984) at 7pm (Oct. 27)! Or make your way to ASO Symphony Hall for a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) with a live performance of the award-winning soundtrack by the Atlanta Symphony Orchestra at 8pm (Oct. 28)! Venkman’s dishes out a Cartoon Brunch featuring a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) (Oct. 29)! Or spend the evening with Vincent Price with a screening of Andre DeToth’s HOUSE OF WAX (1953) at The Plaza Theater, running Oct. 28 through Oct. 29! And don’t forget to Time-Warp it up with some uber musically-inclined transsexual aliens at as they continue their tradition of screening THE ROCKY HORROR PICTURE SHOW (1975), featuring the live cast of Lips Down on Dixie at midnight, with special Halloween treats (Oct. 28-29)! Get bewitched with a screening of Kenny Ortega’s HOCUS POCUS (1993) at dusk at Atlantic Station during their “Spooky Film Fest” (Oct. 28)! Videodrome and JavaVino (JavaDrome) present another rare treat with a screening of David A. Prior’s SLEDGEHAMMER (1983) at 8:30pm (Oct. 28)! Get twisted with Kool Kats, The Hess Family with a complimentary screening of Horror Hotel Season 2’s “LIFE AFTER MEN” at Studio Movie Grill in Alpharetta from 6pm to 12am (Oct. 27)!

3. Dance with the Dead and BOOgie down!  It’s Halloween hysteria at Avondale Towne Cinema during Kool Kat Shane Morton, a.k.a. ghost host with the most, Prof. Morte’s Monsters of Mock Dance Party featuring Stephen Skipper’s Rolling Stones Tribute, Van Heineken and OC/DC at 8pm (Oct. 28)! Or rattle 10.28Avondaleyour bones during Fernbank Museum of Natural History’s Martinis and IMAX’s Fright Night Halloween Party, dripping with devilish drinks, costume contests and more (Oct. 28)! Spook on down to The Beacon’s Halloween Haunted House Warming Party featuring a haunted house, costume contest, food trucks and rockin’ tunes with Smithsonian (Smiths tribute), Anna Kramer & The Lost Cause and the Rock*A*Teens (Oct. 29)! Make your way to The Howard House in Kirkwood for the 11th Annual Scarendipity Halloween Bash featuring Voodoo Visionary, Mayhayley’s Grave and so much more (Oct. 29)! Rock on down to the Masquerade for their 6th Annual Boos & Brews Halloween Party (Oct. 29)! Make your way to Club Famous for Coffin Classics Halloween: Goth, Darkwave, Industrial with Kool Kat VJ Anthony (Oct. 29)! Grab your favorite boil or ghoul and rock on down to the Red Light Café’s Halloween Prom featuring Roadkill Debutante, Burning Truck and Till Someone Loses an Eye (Kool Kat Aileen Loy) (Oct. 30)! Radio Cult dishes out a “Japanese-Anime” themed Halloween bash at Deep South Deli & Pub (Oct. 28)! Get your ghouls, goblins and ghosts fix at Skyline Park ATL’s Haunted Heights Halloween Bash featuring acrobatics, THRILLER zombies, live DJ, themed cocktails, midway games and more from 8pm-12am (Oct. 29)! Boogie down to Opera Nightclub for their Atlanta Horror Story Halloween Spectacular, featuring costume contests, special drinks, prizes and more (Oct. 29)! Do the Monster Mash at the Euclid Avenue Yacht Club’s annual Halloween Dance Party (Oct. 29)!

4. Gothic & Ghastly.  DJ Silkwolf and DJ Merlot will drag you to Hell at Mary’s during their Goth Nite Printfeaturing death rock, post punk, goth anthems and more at 9pm (Oct. 27)! The Atlanta Symphony Orchestra gets phantasmal with their Phantom of the Orchestra event at 3pm (Oct. 30)! Haunt on down to the Historic Oakland Cemetery for their annual hour-long Capturing the Spirit of Oakland 2015 Ghost Tours, featuring music, a fortune teller and more! Come on out and tiptoe through the graves, make a few new spirited friends and hear the hallowed tales of some of their eternal residents, running from 5:30pm to 10:30pm, through Oct. 30! Or spook on down to the Fox Theatre as they get haunted during their annual Fox Theatre Ghost Tours, chilling your bones through Oct. 30!

5. Horrifying Hikes ‘n’ Haunts.  Nightmares are what this season’s9.23 all about! So, spook on down to Netherworld Haunted House in Norcross and spook it up through Nov. 1 (7:30pm-10:30pm week days; 7pm-midnight weekends)! Get terrified at Sinister Suites Hotel of Horror in Griffin, GA, spooking through Oct. 31! A little blood splatter never hurt ya, so trek on down to Carrolton, GA for a helluva lot of haunted hillbillies ‘n’ dead rednecks at Camp Blood, horrifying through Oct. 31! Put on your horrorific hiking boots and make your way to the Dolls Head Danse Macabre Halloween Hike at Constitution Lakes, hosted by The Georgia Conservancy from 7-11pm (Oct. 30)!

6. Thrilling and Chilling Theatrics, Art ‘n’ Parades.  Creep on down to The B Complex for the Art Exhibition and Performance sleepy hollowReception for “Will You Be My Nightmare” at 6:30pm (Oct. 27)! Or wake the dead at the Michael C. Carlos Museum’s Mummies & Mixers event featuring music, costumes, as classic Boris Karloff film and more from 7-9pm (Oct. 27)! Be the Headless Horseman’s next victim and get your bones chilled at Serenbe Playhouse’s thrilling presentation of their immersive spooky attraction and show, THE SLEEPY HOLLOW EXPERIENCE, haunting through Nov. 6 (Wed-Sun at 8pm; Fri-Sat at 10:30pm)! It’s a night of murderous clowns and gut splitting laughter as 1Up Comedy presents the Roast of Pennywise the Clown/Stephen King’s IT at the Highland Inn Ballroom Lounge (Oct. 27)! Spook on down to the Buford Highway Halloween Parade and Pop-Up, from 5-8pm (Oct. 29) Make your way to the Atlanta History Center for the Day of the Dead Festival featuring traditional dance, crafts, authentic Mexican food and more (Oct. 30)! Terminus City Tattoo (Duluth) delivers a day full of tricks, treats and tattoos with their 2016 Halloween Bash featuring $50 Halloween tattoos (12-7pm), followed by a killer bash kickin’ off at 8pm, with a costume contest and more (Oct. 29)! Or catch “The Ghastly Dreadfuls” spooking it up with creepy stories, frightful songs and devilish dances at the Center for Puppetry Arts, haunting through Oct. 29!10.27Clermont

7. Tricks, Treats & A Witchin’ Good Time! Cast a spell and make your way to the Mable House Arts Center’s Hogwarts Halloween at 6pm and 8pm (Oct. 28)! Spook on down to Callanwolde Fine Arts Center for their “Halloween Night on Callanwolde Mountain” family-friendly party featuring trick-or-treating, live music with the Callanwolde Concert Band featuring Matthew Kaminski, costume contests and more (Oct. 28)! Maniacal laughter ensues during The Village Theatre’s Halloween Improv House Party featuring an improvised Salem Witch Trial and more (Oct. 29)! Spook on down to the Ponce City Market for their A Haunting on Ponce: Eat, Drink and Be Scary, horrifying through Oct. 31!

8. Decaying Eighties.  Eighties it up at Venkman’s with a Totally ‘80s Costume 10.29TerminalParty featuring Members Only (Oct. 27)! Get strange at Criminal Records during their “Stranger Things: Vol. 1 Soundtrack” Listening Party with special guest Randall P. Havens (Mr. Clarke), a costume contest and more at 7pm (Oct. 28)! BOOgie on down to The Music Room for DJ Jaycee’s Edgewood “Thriller” Michael Jackson Tribute and costume party (Oct. 28)! ATL Collective delivers an evening of rotting flesh as they raise the dead with their performance of Michael Jackson’s Halloween classic, “Thriller” at Terminal West (10/29)! Kool 10.29BasementKat Becky Cormier Finch and Denim Arcade deliver a rockin’ ‘80s Halloween Party, featuring a costume contest, a “Thriller” dance class and more at the Wild Wing Café in Suwannee (Oct. 29)!

9. Get Funky and Groove Like a Ghoul!  Put on those dancin’ shoes groove like a ghoul at The Basement as they get down with forty thousand years of funk during their Keep on Movin’ Halloween Dance Party (10/29)! Get terrified from beyond the grave with Here Come the Mummies at City Winery (Oct. 31)!

 

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Kool Kat of the Week: Horror Family Values – The Hess Family Gets Twisted, Raring to Spawn Season 2 of their Award-Winning TWILIGHT ZONE meets Alfred Hitchcock meets Ray Bradbury Web-Series, HORROR HOTEL!

Posted on: May 20th, 2015 By:

by Melanie Crew10888544_564774920288902_2843828761362776837_n
Managing Editor

Ricky Hess, local geek at heart, jack of all film-trades and series creator/director, has resurrected a living, breathing, monster of an award-winning web anthology series, HORROR HOTEL, where the only recurring character is a menacing dilapidated motor court hotel where “People check in, but they don’t always check out.”And he’s drug mom and dad along for the bloody ride! Inspired by the creepy fantastical worlds presented in THE TWILIGHT ZONE and ALFRED HITCHCOCK PRESENTS, HORROR HOTEL delivers that nostalgic deep-in-the-gut suspense and spine-chilling plot twisting angst that gained incredible popularity in the ‘50s and ‘60s, and has successfully seeped into the 21st century psyche with a raging resurgence. From what we hear, there’s always a vacancy at HORROR HOTEL, so check in if you dare and catch Season 2, filled to the bloody brim with aliens, androids, ghosts, psychotic killers – all invading your homes in the very near future!

Ricky, no film-school rookie, has dabbled in producing, directing, writing, SFX – all while creating shorts, web series, commercials and music videos. While brainstorming HORROR HOTEL, he gleaned the business knowledge of mom, Debbie Hess (executive producer) and writing/carpentry skills of dad, Al Hess (writer/set builder), to create one helluva horror filmmaking family and production team! Season 1 of the web series premiered in 2013, spanning 90 minutes of content in six twisted episodes, which can be purchased as a complete series, with each episode running 12-20 minutes in homage to THE TWILIGHT ZONE’s style and format. In 2014, the series garnered much attention from the L.A. Web Series Festival (LA Webfest), and won in four categories: Outstanding Directing, Outstanding Sound Design, Outstanding Series and Outstanding Score. And now, with Season 2 in post-production, you’ll have ample opportunity to catch a ghastly glimpse at Atlanta’s homegrown throwback to the masters of suspense and mystery! You owe it to yourself to take a step off the beaten path, check in to HORROR HOTEL and try to make it out alive!

"Aliens Stole My Boyfriend", Season 2

“Aliens Stole My Boyfriend”, Season 2

ATLRetro caught up with the Hess Family for a quick interview about HORROR HOTEL; the series’ homage to ‘50s and ‘60s horror television; and what it takes to create a successful web series. And while you’re daring to take a peek at our little Q&A, get a twisted taste of the making of Season 2’s “Coma Girl” and “Brain Robbers in Love.

ATLRetro: First off, your web-series, HORROR HOTEL is a perfect fit for ATLRetro! We love all things TWILIGHT ZONE, Alfred Hitchcock, Ray Bradbury and more! Can you tell our readers how HORROR HOTEL was born?

Ricky: I was attending a convention in another city and was seeking out an inexpensive place to stay. I ran across several suggestions but some contained warnings about the neighborhood and possible “risks” staying there, etc. I thought to myself, why would anyone want to stay someplace with such a dangerous reputation. The idea occurred to me that it would be fun to make a series about such a place and the odd, creepy kind of encounters that could occur there. The idea for HORROR HOTEL was born from that.

We see that HORROR HOTEL is a home-grown family affair, with Debbie Hess (mom) as Executive Producer, Al Hess (dad) as Writer and Ricky Hess (son) as Creator/Director. What’s it like to come from such a creative family working so closely with each other? And of course we’d like to know, who’s really the boss?

Ricky: It’s great getting to work with my family on the project. It is the most rewarding thing to me about producing the series actually. My mom and dad were somewhat new to the movie making business, but they each had skills that were needed to put a movie project together. My dad and I had for years enjoyed making up creepy stories on long road trips to amuse ourselves and he’s had some previous writing experience. Not to mention he is a great carpenter and builds all our custom props and set pieces. He’s also a good lighting technician from his years of photography. My mom, Debbie, has a pretty good business head on her and had dealt for years in the marketing world working at advertising agencies, newspapers, radio and television. She is a salesperson at heart and can endure the grueling job of marketing and promotion. I had worked for several years on other people’s projects doing everything from special effects to editing. I moved over to doing most of the directing on the series and do most of the editing as well. So together we make a pretty good, complete team.

Who’s the boss? Well, all our decisions are made together and there are always compromises that have to be made on everyone’s part to settle on a direction, but being family, this is probably a little easier since we know each other so well and have respect for each other.

You’ve stated the major influences for the series are THE TWILIGHT ZONE and Alfred Hitchcock. Are there any particular episodes of THE TWILIGHT ZONE or any particular Hitchcock tale that inspired you more than others?

Al: My favorite TWILIGHT ZONE episode is “Invaders” with Agnes Moorehead. Tiny aliens invade an old woman’s house and hurt her. My favorite Hitchcock episode is a Ray Bradbury tale, “The Jar,” where a farmer buys a creepy pickle jar from a side-show that’s got all this weird stuff floating around in it.

"Invader", Season 1 - Troy Halverson

“Invader”, Season 1 – Troy Halverson

Do you have any additional retro/vintage influences for this series or for other projects you are working on?

Al: I’d like to make something showing a near future world containing a utopian/dystopian conflict. Things that used to scare people during the times of Orwell and Huxley, like being controlled by machines, aren’t so scary now that it’s happened. Each new generation of communication devices and surveillance equipment gives everyone a sense of security even though it necessarily strips away individual human rights and privacy.

Since HORROR HOTEL is an anthology series, like THE TWILIGHT ZONE and ALFRED HITCHCOCK PRESENTS, would you say production is more or less difficult than a straight series, with recurring characters, etc.? What would you say are your biggest challenges?

Debbie: Horror works well in the anthology format because people are ok with a short story that is complete in itself and not continuing. Production-wise however, it definitely has its challenges. For starters, to tell a complete story circuit in each episode and do it well, requires a longer length episode which is always harder to do. HORROR HOTEL episodes tend to run longer than most web series, from 10-22 minutes. The first season contains over 90 minutes of content; the equivalent of a feature length film. We have to recast for each new episode, which takes time. With a serial series and recurring characters, this is faster and easier. We also have to retool the set for each new episode, completely redecorate a new hotel room specifically for that episode (new costumes, new props, new everything).

It’s like shooting a whole bunch of short films all the time. The advantage of shooting an anthology is that people can randomly pick out episodes to watch and don’t have to follow a story arch to know what’s happening. Probably the biggest challenge is simply wrangling all the different cast and crew it takes to do a series like this. First season alone took over 100 people to produce, which is a lot for a web series. It’s always a challenge to fit people into the schedule puzzle and keep a project moving forward to completion. Once we set a production schedule, we will do whatever necessary to keep that locked in and not postpone it. Too many independent film projects start but don’t finish. That’s not an option for us.

"Brain Robbers in Love", Season 2 (L-R) Phil Spartis and Deborah Childs

“Brain Robbers in Love”, Season 2 (L-R) Phil Spartis and Deborah Childs

What are some of the major differences between television/film formats and the web-series format?

Debbie: For a series produced for traditional television, there are specifically timed breaks (acts) to allow for commercials. The standard TV format calls for 22-24 minutes of actual story for a 30-minute program and anywhere from 44-46 minutes for an hour-long program. With a web series, they can be any length because primarily they are streamed online with no required commercial breaks, although many times they do have commercials depending on the platform. As far as the actual production, the same applies for traditional TV or a web series. You use all the same equipment, follow all the same procedures; everything is the same. The only difference is the viewing platform they will be primarily presented on.

Everyone making a web series should strive for as high a production value as you possibly can. With the advent of so many different ways to view digital series now, from your computer to your big screen TV, you want content that looks really good, with broadcast quality, high resolution, good filming techniques, etc. It’s the only way to have a series ever be seriously considered by higher caliber platforms.

What do you think separates HORROR HOTEL from other web series and makes it one-of-a-kind in the industry?

Ricky: Well, the fact that it is a true anthology sets it apart from the majority of web series out there, but we are not one-of-a-kind necessarily. We have tried to bring back old-school storytelling where the plot and story lines matter the most and we just try to fit in special or visual effects to enhance that. Sometimes filmmakers rely more on visual effects and some kind of “wow” factor to endear an audience but that gets numbing pretty fast without a decent story.

Can you tell our readers a little bit about your nominations and wins at the 2014 LA WebFest?

"Life After Men", Season 2 (L-R) Baby Norman, Deborah Childs and Anastasia Pekhtereva

“Life After Men”, Season 2 (L-R) Baby Norman, Deborah Childs and Anastasia Pekhtereva

Ricky: It was an honor to receive four nominations and wins at the 2014 LA Webfest for Outstanding Series, Outstanding Directing, Outstanding Score and Outstanding Sound Design. The decision came after a review of all episodes in the first season, but the two episodes that screened at the festival were “Tilt” and “Guillotine.

What was your process in obtaining the talent for the series? How did you snag up Grammy Award-winning Matt Still, who scored the music on the “Guillotine” episode and actor James Edward Thomas (Al Sharko), who also acted in the ‘80s television reboot of THE TWILIGHT ZONE?

Debbie: We cast for each new episode locally from the large, talented actor pool in Atlanta. We post audition notices first on our Facebook page to give our fans a chance to submit for an audition first. After that, we post on a number of casting sites primarily focused on Atlanta talent. We continue to be amazed and pleased at the truly talented group of local Atlanta actors we have been proud to work with. James Edward Thomas showed up to audition for episode “Houdini’s Hand” and was a perfect fit for the only recurring actor thus far in the series, Al Sharko. He is not only a fine actor, but a valued family friend. He also appears in episode “Invader” as sci-fi writer Rodney Silvers.

It was actually his connection to Matt Still that facilitated Matt scoring episode “Guillotine” which James is in as well. We were so honored and excited to have Matt work on an episode. His reputation as a premiere music producer working with mega stars like Elton John, Madonna and a who’s who of rock ‘n’ roll folks was just amazing and thrilling for us. He did a most excellent job on the scoring of “Guillotine” and obviously it caught the attention of LA Webfest judges. We have been fortunate to have a number of excellent musical artists work on the series including Royal Teague, Kenneth Singleton II and Quinton “Q” Amy in the first season alone.

"Four Eyes", Season 2 (L-R) Jeremy Michael Grey and Michael Gladden

“Four Eyes”, Season 2 (L-R) Jeremy Michael Grey and Michael Gladden

HORROR HOTEL currently has two complete seasons. How can our readers go about getting their grubby little hands on them?

Ricky: Currently the first season is released and can be seen on Hulu, AT&T U-verse, MSN Videos, and xfinity streaming platforms. It also broadcasts on the Shorts Network channel on DirectTV and AT&T U-verse. The new second season is working through post-production, releasing in the upcoming months.

What’s next for HORROR HOTEL and the Hess family? Are there more seasons in the works and if so, can you give our readers some juicy details (without giving away too many details)? Any other projects in the works?

Debbie: We are currently concentrating on post-production work for the second season and getting that distributed, but we are also kicking around some new ideas and worlds we would like to explore. But here’s a little tickler of upcoming second season episodes: Expect cute aliens that crash land their space buggy on the motel parking lot looking for Earth boyfriends; a macabre maintenance man at a convalescence home who falls in love with a comatose patient; a narcissistic businesswoman who swaps brains with a younger business associate; a family of female clones, one of whom has committed a murder; a paraplegic hit-man hired by a disgruntled ex-husband to take out his wife; and an Orwellian tale set in the near future where males are virtually extinct and women rule.

What question do you wish somebody would ask you in an interview but they never do, and what’s the answer?

"Houdini's Hand", Season 1

“Houdini’s Hand”, Season 1

Ricky: Q: What happens to the many props and costumes you have after each episode? A: I’m so glad you asked! We really like our custom props like the “Houdini’s Hand” ornate box, the brain swap machine from second season’s “Brain Robbers In Love,” the custom ham radio from “Invader,” the hand-carved space buggy from “Aliens Stole My Boyfriend,” and a host of other one-of-a-kind props. Not the least of which is our miniature motel model we built for miniature photography seen in episode “Invader” and “Aliens Stole My Boyfriend” to date. We like to display these for visitors to see, a sort of HORROR HOTEL mini museum if you will. Most of the costumes get saved as well, and we have even reused a couple, like the Nazi uniforms and the Rufus Bass costume because you never know when some of these characters might be resurrected!

All photos courtesy of Horror Hotel LLC and used with permission.

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