The Sixth Annual Chattanooga Film Festival Gets Bizarre and Unearths Four Killer Days of Movie Madness & Mayhem, April 11-14!

Posted on: Apr 8th, 2019 By:

by Melanie Crew
Managing Editor

The Chattanooga Film Festival kills it again during its 6th year invading downtown Chattanooga (Chattanooga Theatre Centre (CTC), The Moxy Chattanooga and Miller Park) this Thursday-Sunday April 11-14. CFF has way more to offer than your average film festival and promises a weekend chock full of killer films (features and shorts blocks), workshops, presentations, podcasts and parties! CFF prides itself in sharing films with the masses that are “unique, challenging, critically significant, and a helluva lot of fun!” This year’s festival showcases films ranging from monsters, rockin’ tunes, geek magic, sinister good times and homages to classic films and bizzaro television series. Here are our top 10 reasons to high tail it on up to our wonderfully weird little sister city to the north for the Chattanooga Film Festival!

1) MALLORY O’MEARA & THE CREATURE. Delve into Mallory O’Meara’s recently released biography, The Lady from the Black Lagoon (Hanover Square Press, March 5, 2019). Take a peek into the life of Millicent Patrick, killer actress, make-up artist, special effects designer and creator of the head costume for Universal’s Gill Man, a.k.a “The Creature.” Patrick’s legacy was nearly forgotten, but O’Meara gives Patrick her due in this monstrous retrospective. O’Meara is scheduled to give a 30-minute talk, a reading and will sign books for all you Millicent Patrick fans. Catch O’Meara’s event from at 3pm on Friday, April 12 in the Classterpiece Theatre! And if you’ve never caught Jack Arnold’s monstrous classic CREATURE FROM THE BLACK LAGOON (1954) on the big screen, then you’re in for a special treat! Chill with the Creature at 8:30pm at Miller Park on Saturday, April 12!

2) CRISPIN HELLION GLOVER. Spend the night with cinema icon, Crispin Glover [BACK TO THE FUTURE franchise; television series “American Gods”; David Lynch’s WILD AT HEART (1990)] from 7pm – 11:3pm Friday, April 12, as he presents a “Big Slide Show 2,” screens IT IS FINE! EVERYTHING IS FINE (2007), which he co-directed with David Brothers and tells a psycho-sexual tale about a man with severe cerebral palsy who has a fetish for girls with long hair. According to Glover, screenwriter Steven C. Stewart “wanted to show that handicapped people are human, sexual and can be horrible” – a film you definitely will not want to miss! After the screening, stick around for a book signing and meet ‘n’ greet with Glover! An Evening with Crispin Glover takes place in the Bruce Springscreen Theatre.

3) GARY SHERMAN.  CFF Guest and horror film director/producer Gary Sherman [POLTERGEIST III (1988); DEAD & BURIED (1981)] brings you special treats at CFF this year! First, catch a screening of his ‘80s thriller film with mutilator pimps, Hollywood hookers and more, VICE SQUAD (1982) on Saturday, April 13 at 4:20pm with an introduction and Q&A afterwards with the director, screening in the Bruce Springscreen Theatre! On Sunday, April 14 at 10am, learn The Secrets of Poltergeist III with Sherman in the Classterpiece Theatre. You won’t want to miss Sherman dive deep into the “smoke and mirrors” behind the film’s practical special effects and more!

4) SO-CAL DESERT PUNK. CFF presents their Sonic Cinema Block screening of Stuart Swezey’s documentary DESOLATION CENTER (2018) and see the untold story of the Reagan-era anarchic punk rock desert events that have seeped into our culture by way of phenomena such as Burning Man, Lollapalooza, Coachella, etc. The film will be screened in the Bruce Springscreen Theatre on Saturday, April 13 at 12:30pm!

5) GEEK LOVE – EYE OF THE BEHOLDER. If you’ve ever wondered where the art for Dungeons & Dragons originated, look no further! Directors Kelley Slagle and Brian Stillman present their 2018 documentary, EYE OF THE BEHOLDER, which explores the history, influences and stories behind the artwork that helped create the world of Dungeons & Dragons. The film will be screened in Bruce Springscreen Theatre on Sunday, April 14 at 10:30pm!

6) BJORK IN THE JUNIPER TREE. Get medieval with Bjork with a 4k restoration screening of Nietzchka Keene’s debut Brothers Grim-esque film THE JUNIPER TREE (1990) on Sunday, April 14 at 8:40pm in the Bruce Springscreen Theatre!

7) METALPUNKOCALYPSE. CFF plans to rock your face of this weekend! Get hellbent during the Metal Madness After Party on Thursday, April 11 at 10pm at The Moxy, celebrating the Heavy Metal in cinema with themed cocktails, metal face painters and more! Or catch a screening of Eric Pennycoff’s heavy metal terror SADISTIC INTENTIONS (2018) on Friday, April 12 at 5pm in the Screena Turner Theatre, followed later that night by Jonas Akerlund’s LORDS OF CHAOS (2018) where an obsession with creating “true Norwegian black metal” turns truly sinister at 11:30pm! And who needs Saturday morning cartoons when you’ve got Destroy All Movies!!! The Punk on Film Panel with Zack Carlson and Bryan Connolly at 10am Saturday, April 13 at The Moxy, with a hilarious take on Hollywood vs. the Punk Rock Movement “when horror films and party comedies became infested with mohawks and mayhem!”

8) MEMPHIS ‘69. CFF presents a rare treat with a screening of Joe LaMattina’s documentary MEMPHIS ’69 (2019), which showcases the 1969 Memphis Country Blues Festival celebrating the 150th anniversary of Memphis, all thanks to Fat Possum Records’ acquisition of the nearly 50-year-old footage. LaMattina’s doc features a rare view of performances by Johnny Winter, Bukka White, Rufus Thomas and more, screening Friday, April 12 at 3:30pm in the Bruce Springscreen Theatre!

9) HELL-BENT AND BEWITCHIN’. Atlanta’s own Ben Winston’s feature debut, HELLBOUND (2018) world premieres at CFF! You won’t want to miss this witchy, satanic tribute to the classic films of the ‘70s, shot in B/W on 16mm, and described by CFF staff as giving off an “Easyrider/Texas Chain Saw Massacre/Race with the Devil vibe.” The film screens Saturday, April 13 at 2:30pm in the Bruce Springscreen Theatre! Winston and producer Tim Reis will be on hand for the film’s introduction and a post-film Q&A!

10) COWBOY WHO?
Get weird as CFF presents a screening of the first season of Canada’s bizarre children’s show “Cowboy Who” which aired from 1990-1994 (condensed to 90-oddball minutes) curated and introduced by Peter Kuplowsky. Have a wacked out good time on Saturday, April 13 at 10am in the Screena Turner Theatre.

 

Chattanooga Film Festival main hours are Thur. April 11 from 4:30pm to 12am; Fri. April 12 from 10am. to 1am; Sat. April 13 from 10am. to 1:30am; and Sun. April 14 from 10am to 12am. For more info, visit the Chattanooga Film Festival official website here.

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30 Days of The Plaza, Day 20: Don’t Let Us Be Too Bad – Why We’ll Always Be WILD AT HEART For David Lynch

Posted on: Jul 7th, 2012 By:

WILD AT HEART (1990); Dir: David Lynch; Based on the novel by Barry Gifford; Starring Nicholas Cage, Laura Dern, Willem Dafoe, Crispin Glover, Diane Ladd, Harry Dean Stanton, Isabella Rossellini; Sat. July 7, 9:30 p.m.; Co-presented by and featuring a live performance by Women’s Work, come dressed as your favorite Lynch character, coffee and pie in the lobby; Plaza Theatretrailer here.

“I’d go the far end of the world for you, baby!”

“A man can’t ask for more than that.”

“You rope me, Sailor, you really do.”

These immortal lines are exchanged between Lula Fortune (Laura Dern)and Sailor  Ripley (Nicholas Cage), but in 1990, I’d have to admit I would have gone to the ends of the world to see any piece of celluloid created by David Lynch.

If you were a certain type of young person drawn to the deepest darkness but still enchanted by the lure that true romance can exist even if it kills you, you worshipped at the insane, amazing altar of Lynch back then. You saw a college or midnight revival of ERASERHEAD, and your head throbbed with pain while watching it, yet your eyes were glued to the screen. ELEPHANT MAN was even more excruciating because of the toll it took on your emotions, but you knew brilliance onscreen when you saw it. You really, really wanted to embrace DUNE and liked some of the visuals, but …well, but then came BLUE VELVET, and every time you heard that song ever after, it had a different meaning and while you didn’t want to admit it to anyone but your diary, Dennis Hopper made you all hot and bothered ever after. So, of course, you tuned into TWIN PEAKS like an addict desperate for a Lynch fix and told your lover “don’t let me too bad,” hoping just the opposite as you twisted a cherry stem into a knot behind your ruby lips.

Sailor Ripley (Nicholas Cage) in his iconic snakeskin jacket is WILD AT HEART for Lula Fortune (Laura Dern). Polygram/Propagada Pictures, 1990.

Into that era of Lynch euphoria arrived WILD AT HEART, perhaps the best example of how behind the violence, Lynch is sweetly sentimental about love. Based on the Barry Gifford novel of the same name (though Lynch changed the ending), the movie didn’t test well with audiences and was not completely critically well-received, but yet walked away with the Palme d’Or at Cannes. In other words, a typical Lynch movie. You either love Lynch or you don’t.

Without giving too much away for anyone who has not seen it before, the plot hinges on a simple love story–boy meets girl, they fall in love, girl’s mother (Diane Ladd) forbids them to marry and hires a hitman to take out boy, boy goes to prison and serves his time, girl picks him up and they hit the road, mom hires another hitman (J.E. Freeman) and craziness, violence – and yes, beauty ensue topped off by a cameo by Glinda the Good Witch (Sheryl Lee, aka Laura Palmer)! Yup, this road movie may be set in contemporary America and include all the requisite stops at seedy motels, but it’s also a fairy tale with heavy references to the Road to Oz.

Diane Ladd as Marietta Fortune in WILD AT HEART. Polygram/Propagada Pictures, 1990.

Like Woody Allen, Robert Altman or Quentin Tarantino, Lynch has been a genius in assembling an intriguing ensemble cast, and WILD AT HEART is no exception. It may be hard to remember now but Nicholas Cage was once a fine actor and just weird enough to make him a perfect Lynch leading man. In those days when he put on a snakeskin jacket and impersonated Elvis, he was sexy, not creepy. Pretty but still real-looking Laura Dern brings just the right mix of passion, forthrightness and stroppu Southern accent to pull off Lula without turning her into a cliche. Casting Laura’s mother, Diane Ladd, as her domineering, disapproving and crazy-as-a-Lynch-movie Marietta Fortune, though, was pure brilliance. At the time, Ladd was at that middle age where she wasn’t getting many great roles, and this one proved a comeback that earned her both Oscar and Golden Globe nominations. The supporting cast also includes Harry Dean Stanton as a private dick and Marietta’s boyfriend, a scary-toothed Willem Dafoe as a psychotic gangster hired to kill Sailor, Crispin Glover as Lula’s cockroach-eating cousin (isn’t insect-dining a David Lynch movie prerequisite?!), Lynch favorite Jack Nance as a loony rocket scientist, a gone-blonde Isabella Rossellini (then still Lynch’s lover) as a gangster moll, and a cameo by Sherilynn Fenn (Twin Peak’s Audrey and then every Lynch-boy’s fantasy and every Lynch- girl’s role model) as a car crash victim.

Sheryl Lee (TWIN PEAKS' Laura Palmer) as Glinda the Good Witch in WILD AT HEART. Polygram/Propagada Pictures, 1990.

Sigh, because I’ll only be there “In Dreams.” Nope, I won’t be able to take that wild ride with Sailor and Lula tonight because I alas already am committed to other plans. So all I’m going to say is I hope you’ll go in my stead and fill up the Plaza as it should be for a special screening like this (come early and see STAND BY ME for a double feature if you can! If you missed Plaza Day 19, catch up here). If you haven’t seen WILD AT HEART, you should and encourage all your friends. If you haven’t seen it in a while or even more if you’ve never seen it on the big screen, this is a rare opportunity and another reason why Atlanta needs The Plaza.Remember, your ticket and any concessions purchases help keep Atlanta’s longest-running, locally owned historic independent cinema and Retro treasure alive!

 

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