ATLRetro’s Haunted & Hellacious Halloween Guide 2016

Posted on: Oct 26th, 2016 By:

by Melanie Crew
Managing Editor

Calling all ghouls and gals! Come see why we think you should raise hell in ATLRetro this Halloween season!

1. Head Rolling Tunes! Get sinister All Hallows Eve weekend with a helluva lot of rancid rock ‘n roll! Rock out10.29StarBar ghoul-style at The Star Bar with Elzig (Elvis meets Danzig), The Crush and B.S.O.L. (Oct. 27)! Or celebrate 25 hellacious years with their 25th Anniversary Bash rocking out with Pretty Vacant (Sex Pistols tribute); Horror Business (Misfits tribute); and Nameless Nameless (Nirvana tribute) (Oct. 28)! And you must boogie on down during their 25th Anniversary Rock and Roll ‘70s Disco Party & Halloween Bash featuring The Biters (as The Disco Bitches), Dinos Boys, Bad Spell and Gunpowder Gray (Oct. 29)! Get horrorified at the Clermont Lounge  as Captain & Maybelle present a Halloween Shock ‘n’ Roll Sideshow featuring terrifying tunes by Fiend Without A Face, Kool Kats the Casket Creatures and special guest Reggie Bugmuncher (Oct. 27)! Or get rocked with Mac Sabbath and Black Juju at The Loft (Oct. 29)! The BadAsh Allstar Team hosts a Halloween Monster Jam at 5 Seasons Brewing (Oct. 29)! Get monstrous and go, go Godzilla on down to the Variety Playhouse for a night with the Blue Oyster Cult (10/29)! The Earl gets sinister and delivers a night of honkytonk rock ‘n ‘roll with their Halloween Party featuring The Goddamn Gallows, Gallows Bound, The Vaginas and Stump Tail Dolly (Oct. 31)!

2. Fangtastic Films!  Catch RiffTrax Live’s screening of Herk Harvey’s CARNIVAL OF SOULS (1962) at theatres across Atlanta at 8pm [Avalon Stadium 12 (Alpharetta); Perimeter Pointe 10; Hollywood Stadium 24 (Chamblee); AMC Barrett Commons 24 (Kennesaw); Regal McDonough Stadium 16 (McDonough); Carnival of SoulsCinemark Tinseltown 17 (Fayetteville); and Georgian Stadium 14 (Newnan)] (Oct. 27 & 31)! It’s a night of ectoplasmic proportions at Venkman’s with a free screening of Ivan Reitman’s GHOSTBUSTERS (1984) at 7pm (Oct. 27)! Or make your way to ASO Symphony Hall for a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) with a live performance of the award-winning soundtrack by the Atlanta Symphony Orchestra at 8pm (Oct. 28)! Venkman’s dishes out a Cartoon Brunch featuring a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) (Oct. 29)! Or spend the evening with Vincent Price with a screening of Andre DeToth’s HOUSE OF WAX (1953) at The Plaza Theater, running Oct. 28 through Oct. 29! And don’t forget to Time-Warp it up with some uber musically-inclined transsexual aliens at as they continue their tradition of screening THE ROCKY HORROR PICTURE SHOW (1975), featuring the live cast of Lips Down on Dixie at midnight, with special Halloween treats (Oct. 28-29)! Get bewitched with a screening of Kenny Ortega’s HOCUS POCUS (1993) at dusk at Atlantic Station during their “Spooky Film Fest” (Oct. 28)! Videodrome and JavaVino (JavaDrome) present another rare treat with a screening of David A. Prior’s SLEDGEHAMMER (1983) at 8:30pm (Oct. 28)! Get twisted with Kool Kats, The Hess Family with a complimentary screening of Horror Hotel Season 2’s “LIFE AFTER MEN” at Studio Movie Grill in Alpharetta from 6pm to 12am (Oct. 27)!

3. Dance with the Dead and BOOgie down!  It’s Halloween hysteria at Avondale Towne Cinema during Kool Kat Shane Morton, a.k.a. ghost host with the most, Prof. Morte’s Monsters of Mock Dance Party featuring Stephen Skipper’s Rolling Stones Tribute, Van Heineken and OC/DC at 8pm (Oct. 28)! Or rattle 10.28Avondaleyour bones during Fernbank Museum of Natural History’s Martinis and IMAX’s Fright Night Halloween Party, dripping with devilish drinks, costume contests and more (Oct. 28)! Spook on down to The Beacon’s Halloween Haunted House Warming Party featuring a haunted house, costume contest, food trucks and rockin’ tunes with Smithsonian (Smiths tribute), Anna Kramer & The Lost Cause and the Rock*A*Teens (Oct. 29)! Make your way to The Howard House in Kirkwood for the 11th Annual Scarendipity Halloween Bash featuring Voodoo Visionary, Mayhayley’s Grave and so much more (Oct. 29)! Rock on down to the Masquerade for their 6th Annual Boos & Brews Halloween Party (Oct. 29)! Make your way to Club Famous for Coffin Classics Halloween: Goth, Darkwave, Industrial with Kool Kat VJ Anthony (Oct. 29)! Grab your favorite boil or ghoul and rock on down to the Red Light Café’s Halloween Prom featuring Roadkill Debutante, Burning Truck and Till Someone Loses an Eye (Kool Kat Aileen Loy) (Oct. 30)! Radio Cult dishes out a “Japanese-Anime” themed Halloween bash at Deep South Deli & Pub (Oct. 28)! Get your ghouls, goblins and ghosts fix at Skyline Park ATL’s Haunted Heights Halloween Bash featuring acrobatics, THRILLER zombies, live DJ, themed cocktails, midway games and more from 8pm-12am (Oct. 29)! Boogie down to Opera Nightclub for their Atlanta Horror Story Halloween Spectacular, featuring costume contests, special drinks, prizes and more (Oct. 29)! Do the Monster Mash at the Euclid Avenue Yacht Club’s annual Halloween Dance Party (Oct. 29)!

4. Gothic & Ghastly.  DJ Silkwolf and DJ Merlot will drag you to Hell at Mary’s during their Goth Nite Printfeaturing death rock, post punk, goth anthems and more at 9pm (Oct. 27)! The Atlanta Symphony Orchestra gets phantasmal with their Phantom of the Orchestra event at 3pm (Oct. 30)! Haunt on down to the Historic Oakland Cemetery for their annual hour-long Capturing the Spirit of Oakland 2015 Ghost Tours, featuring music, a fortune teller and more! Come on out and tiptoe through the graves, make a few new spirited friends and hear the hallowed tales of some of their eternal residents, running from 5:30pm to 10:30pm, through Oct. 30! Or spook on down to the Fox Theatre as they get haunted during their annual Fox Theatre Ghost Tours, chilling your bones through Oct. 30!

5. Horrifying Hikes ‘n’ Haunts.  Nightmares are what this season’s9.23 all about! So, spook on down to Netherworld Haunted House in Norcross and spook it up through Nov. 1 (7:30pm-10:30pm week days; 7pm-midnight weekends)! Get terrified at Sinister Suites Hotel of Horror in Griffin, GA, spooking through Oct. 31! A little blood splatter never hurt ya, so trek on down to Carrolton, GA for a helluva lot of haunted hillbillies ‘n’ dead rednecks at Camp Blood, horrifying through Oct. 31! Put on your horrorific hiking boots and make your way to the Dolls Head Danse Macabre Halloween Hike at Constitution Lakes, hosted by The Georgia Conservancy from 7-11pm (Oct. 30)!

6. Thrilling and Chilling Theatrics, Art ‘n’ Parades.  Creep on down to The B Complex for the Art Exhibition and Performance sleepy hollowReception for “Will You Be My Nightmare” at 6:30pm (Oct. 27)! Or wake the dead at the Michael C. Carlos Museum’s Mummies & Mixers event featuring music, costumes, as classic Boris Karloff film and more from 7-9pm (Oct. 27)! Be the Headless Horseman’s next victim and get your bones chilled at Serenbe Playhouse’s thrilling presentation of their immersive spooky attraction and show, THE SLEEPY HOLLOW EXPERIENCE, haunting through Nov. 6 (Wed-Sun at 8pm; Fri-Sat at 10:30pm)! It’s a night of murderous clowns and gut splitting laughter as 1Up Comedy presents the Roast of Pennywise the Clown/Stephen King’s IT at the Highland Inn Ballroom Lounge (Oct. 27)! Spook on down to the Buford Highway Halloween Parade and Pop-Up, from 5-8pm (Oct. 29) Make your way to the Atlanta History Center for the Day of the Dead Festival featuring traditional dance, crafts, authentic Mexican food and more (Oct. 30)! Terminus City Tattoo (Duluth) delivers a day full of tricks, treats and tattoos with their 2016 Halloween Bash featuring $50 Halloween tattoos (12-7pm), followed by a killer bash kickin’ off at 8pm, with a costume contest and more (Oct. 29)! Or catch “The Ghastly Dreadfuls” spooking it up with creepy stories, frightful songs and devilish dances at the Center for Puppetry Arts, haunting through Oct. 29!10.27Clermont

7. Tricks, Treats & A Witchin’ Good Time! Cast a spell and make your way to the Mable House Arts Center’s Hogwarts Halloween at 6pm and 8pm (Oct. 28)! Spook on down to Callanwolde Fine Arts Center for their “Halloween Night on Callanwolde Mountain” family-friendly party featuring trick-or-treating, live music with the Callanwolde Concert Band featuring Matthew Kaminski, costume contests and more (Oct. 28)! Maniacal laughter ensues during The Village Theatre’s Halloween Improv House Party featuring an improvised Salem Witch Trial and more (Oct. 29)! Spook on down to the Ponce City Market for their A Haunting on Ponce: Eat, Drink and Be Scary, horrifying through Oct. 31!

8. Decaying Eighties.  Eighties it up at Venkman’s with a Totally ‘80s Costume 10.29TerminalParty featuring Members Only (Oct. 27)! Get strange at Criminal Records during their “Stranger Things: Vol. 1 Soundtrack” Listening Party with special guest Randall P. Havens (Mr. Clarke), a costume contest and more at 7pm (Oct. 28)! BOOgie on down to The Music Room for DJ Jaycee’s Edgewood “Thriller” Michael Jackson Tribute and costume party (Oct. 28)! ATL Collective delivers an evening of rotting flesh as they raise the dead with their performance of Michael Jackson’s Halloween classic, “Thriller” at Terminal West (10/29)! Kool 10.29BasementKat Becky Cormier Finch and Denim Arcade deliver a rockin’ ‘80s Halloween Party, featuring a costume contest, a “Thriller” dance class and more at the Wild Wing Café in Suwannee (Oct. 29)!

9. Get Funky and Groove Like a Ghoul!  Put on those dancin’ shoes groove like a ghoul at The Basement as they get down with forty thousand years of funk during their Keep on Movin’ Halloween Dance Party (10/29)! Get terrified from beyond the grave with Here Come the Mummies at City Winery (Oct. 31)!

 

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Kool Kat of the Week: 21st Century Punk Lives: Noelle Shuck of SHEHEHE & HAMMERHEAD FEST Turn Five This Weekend

Posted on: Mar 10th, 2016 By:
SHEHEHE. Photo credit: Gary Duddleston.

SHEHEHE. Photo credit: Gary Duddleston.

By Geoff Slade
Contributing Writer

About a dozen punk and metal bands are performing at the two-day Hammerhead Fest V this weekend at Star Bar. The Goddamn Gallows swing in to headline Fri. March 12 and Ramming Speed will close the festival on Sat. March 12. The first bands hit the stage at 9 pm both nights, and the mostly local line-up includes returning acts The Vaginas, Death of Kings and Bigfoot (Read our interview with Bigfoot’s Jett Bryant here).

Also back this year is Athens based ass-kickers SHEHEHE. Catch em while they’re close because who knows when they’ll be back around. About their Friday night Hammerhead slot, the band posted the following on Facebook: “Last Atlanta show until we’re not sure when! Come out and rage with us!” So we figured we’d better get a move on making guitarist and singer Noelle Shuck our Kool Kat of the Week.

Like Hammerfest, SHEHEHE formed in 2011 and have long been favorites among fans of the current punk rock scene, here and in Athens. They sound like the bands, the best ones, that became popular just as “punk” exploded in the late 70s, when the genre was still loosely defined. Still, Shuck says she and bandmates Nicole Bechill (lead singer), Jason Fusco (drums, vocals) and Derek Wiggs (bass guitar) don’t mind stretching the boundaries of the genre to make room for creativity. They are a punk band after all. So in addition to the genre icons you might expect (Sex Pistols, The Ramones, The Stooges), they list as influences The Jesus and Mary Chain, The Kinks, Motorhead, even Tears For Fears and The Bangles.

hammerheadShuck took the time to chat with ATLRetro a few days ago about SHEHEHE’s specific punk pH, what the genre means to her, and the most punk rock thing she’s ever seen at one of their shows.

And why a clarification might be in order if ever asked if you’re an old school punk.

And briefly about dining locally.

How can people check out your music?

We’re on Spofity, Bandcamp, iTunes, Amazon, all that digital shizzzz. Links to it through our official Facebook page, too.

What’s the Hammerhead Fest?

A two-day festival that features regional rock bands put together by King/Tastemaker Amos motherfuckin Rifkin and Co

How did SHEHEHE come together?

Lots of practice (grins).

shehehe2How would you describe your music to those unfamiliar?

Describing SHEHEHE to people is difficult because we get so many different descriptions from people about what we sound like. But I would describe it as a mixture of early-’70s punk, kinda Ramones-core mixed with some glam. We get Joan Jett, Lita Ford, Pat Benatar, L7 and The Donnas as well. If you’re familiar with power pop, that’s something people tend to agree on. Punk ’n’ roll also works.

Who are your influences?

Wu-Tang

Who do you listen to now?

My mom.

shehehe3What is punk? Plenty of aging rock fans say “real” punk ended decades ago. Thoughts?

Part I: Originally, a prison term for a guy who was at the receiving end of anal sex.


Part II: Real punk is relative to each individual. The words “real” and “original” aren’t necessarily the same. Punk to me is a response to mainstream conformist tendencies that tend to stifle creativity and expression. I think punk is just about being genuine.

Musically of course it’s a little narrower than that. We all have ideas of what punk music should or does sound like, but it’s cool to find new ways to stretch that and play with it some. Our band is a weird amalgamation of four people with different influences and backgrounds coming together to make something we all agree is good. But I never would have known this would be the result if you’d asked me what I thought a band with these four individuals would sound like. So for me that’s that idea of being genuine. Musically or otherwise. There’s too much sheepherding and being told what to like these days. Fuck that—like whatever the hell makes you happy.

How are the Atlanta & Athens punk-rock scenes?

They are fantastic. 10/10 would recommend.

What acts do you like locally?

It’s a tie between cunnilingus & Blondie from the Clermont Lounge.

shehehe4What’s the most punk rock thing you’ve ever seen or done at a SHEHEHE show?

I think the punkest thing was early on in the semi-original lineup when we still had a lead guitar player. Well, actually it was right after we lost our lead player. We got a guy to fill in for a show at Caledonia. He practiced with us once and everything seemed well enough. So we get to the show, and he shows up just completely wasted and proceeds to play leads in all the wrong places, something that would’ve been great if we were like Sonic Youth, Then he tries to sing along into Nicole’s mic even though he knows zero of the words. Jason unplugged him, but he kept plugging himself back in. Eventually Jason started throwing shit at him, a drumstick and a roll of duct tape, and told him to get off the stage before he beat his ass.

Some people in the crowd thought it was some sort of schtick up until this point, including our dudes from KarbomB. As soon as they realized it was real, they all helped keep the dude in the crowd so we could finish our set. People said we ripped it. Whether or not that was just in comparison to being an unintentional noise rock band or because we were all kinda pissed and full of adrenaline, I’m not sure.

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Kool Kat of the Week: Caleb Warren and the Perfect Gentlemen Wax Nostalgic with a Pickin’ Pandemonium While Slingin’ Their Modern Brand of Rowdy Old-Time “Acoustic Brass ‘n’ Brew-Grass”

Posted on: Aug 12th, 2015 By:

by Melanie CrewUse Caleb_CD_front[1]
Managing Editor

Caleb Warren, ragtime rumble slingin’, guitar pickin’, Dixieland lovin’ purveyor of old-time dance hall tunes with a maniacal modern twist, along with his polite partners in crime, The Perfect Gentlemen (and lady) [Colt Bowen – percussion; Dave Aitken – lead guitar/banjo; Jenna Mobley – fiddle; Robert Green – trumpet; and Ian Blanton – upright bass] will be raisin’ a riotous ruckus at Mac McGee Irish Pub in historic Roswell this Saturday, August 15, at 9 pm! And if that isn’t enough, you’ll get a second and third hoppin’ helping of their juke joint jamboree at The Earl on Aug. 22, and a tail feather shakin’ good time with the band at the sensational ‘n’ seedy Clermont Lounge on Oct. 8!

Caleb hails from Chattanooga and has a hankerin’ for the tunes of yesteryear. Although heavily influenced by Western swing, gypsy jazz, ragtime and Dixieland blues, Caleb Warren and The Perfect Gentlemen (The Gents) have proven time and again their ability to tell relevant tales to the melodies of the past. The Gents have shared bills with Sharon Jones & the Dap Kings, “First Lady of Rockabilly” Wanda Jackson, Black Joe Lewis and the Honeybears, Billy Joe Shaver and more! Their self-recorded/self-released EP, “The River” was released in 2014, followed by their new single “Hoke Poole Stomp”/“Peach Pickin’ Time in Georgia.” And if you’re cravin’ a whole lot more from these rowdy folks, don’t fret! The Gents and are in the works on their first full-length album, so keep your ears peeled!

CWPG2[1]ATLRetro caught up with Caleb for a quick interview about whiskey ‘n’ women, The Gents’ flair for old-timey janglin’ jingles; his retro influences; and his love of Lefty Frizzell! And while you’re takin’ a gander at our little Q&A with Caleb, get an earful of Caleb Warren and the Perfect Gentlemen’s new single “Hoke Poole Stomp”/“Peach Pickin’ Time in Georgia.

ATLRetro: Caleb Warren and the Perfect Gentlemen’s sound has been described as coming straight out of the land of vaudeville, speakeasies, juke joints – all spiced up with that janglin’ ragtime Dixieland ‘n’ western swing, while “finding a place for the past in the present.” How important is it to resurrect the past to tell the stories of today?

Caleb Warren: Absolutely! I think being able to pay homage to the music that we love and the music that inspires us while telling the stories of today and connecting with the folks who are listening is not only an extremely important aspect of what we do, but an honor as well. The music we’re making today is hopefully a modern representation of some of the most pure forms of American music with our own twist, and if it weren’t for the pioneers of Western swing, country blues, gypsy jazz, Dixieland, ragtime, and blues, we wouldn’t be able to do what we’re doing today.

Any interesting stories to tell our readers about your musical upbringing, or when you became interested in playing music?

Jenna Mobley

Jenna Mobley

When I was just a wee lad (haha) my grandfather, “Pops” or “Papa” to me, owned an alternator repair shop near Atlanta. He loved his work. He also had a love of honkytonk and classic country. Some of his favorites were Lefty Frizzell, Hank Williams Sr. and George Jones. I can distinctly remember sitting at the kitchen table of my grandparents’ home (the same home my dad grew up in) as a 12-year-old who wanted to learn anything and everything that I could about music, playing guitar, classic country and old gospel hymns from my grandfather.

As a result, when I sit down at my kitchen table with a cup of coffee or a glass of whiskey (depending on the time of day), that’s where some of my most introspective and personal writing happens. In my late teens I strayed a bit from my roots as a musician and was in a few bands that were a little louder and a little heavier, but eventually found my way back to making the music that is, for lack of a better way to put it, “In my blood.” All that to say, I’ve always been interested in playing music. It just took me a little while to find and settle into what musically feels like “home”.

(L-R) Dave Aitken, Jenna Mobley, Caleb Warren

(L-R) Dave Aitken, Jenna Mobley, Caleb Warren

We see that you (Caleb) hail from Chattanooga, a once thriving ragtime, bluegrass ‘n’ Dixieland swingin’ musical haven. How much of an influence did Chattanooga have on your current musical endeavors?

I do live in Chattanooga and it’s a wonderful city, but I wrote the songs we’re playing today while living in and around Atlanta as well as the mountains of north Georgia. Chattanooga is an amazing city centered around the Tennessee River and for whatever reason, there’s something about rivers and bodies of water that are extremely inspiring and seem to almost pull songs out of me. The extremely rich musical history in Chattanooga as far as the blues are concerned is pretty amazing! It’s the home of Bessie Smith and the Chattanooga Choo Choo!

What is it about whiskey, women and woeful misfortune that influence musicians, especially those of the old-time variety, to pour out their soul in front of the masses?

I feel like there’s a certain simple honesty and light-heartedness in a lot of the music we make that affords us the opportunity to write and

Robert Green

Robert Green

play songs that are fitting for the nights when you just want to have a good time, dance and forget about your troubles. On the other hand, this music lends itself really well to being able to tell some of the most heart-wrenching and deeply personal stories. Stories that might be autobiographical, might be about my best friend, or could be a declaration of love for a certain someone. I definitely feel like that’s one of the most beautiful and amazing things about this type of music. It’s made for telling stories. Good, bad, or otherwise.

We see that you’ve shared a bill with rock ‘n’ roll pioneer and “First Lady of Rockabilly” Wanda Jackson. How exciting! Can you tell our readers a little about that experience?

It was a great experience! We got to see so much great music and share a bill with some pretty amazing names like Jim Lauderdale, Strung Like a Horse, Reverend Horton Heat, Lindi Ortega and Hot Club of Cowtown. It’s humbling to have our name on the same bill as those folks, Wanda Jackson included!

Who would you say are your top three old-timey musical influences and why?

Oh man! This is a tough one! Geez! I would have to say that Milton Brown and his Musical Brownies is a band that never ceases to inspire me. The swing that they have as a band just blows my mind, the rhythm section is so solid, and the lead players are top notch. Those fellas along with Bob Wills and his Texas Playboys were instrumental (no pun intended) in making Western swing and country blues a form of popular music fifty years ago and the fact that those tunes are relatable and relevant today is, I think, a testament to how much fun that music is and how well-written those songs are.

Colt Bowen

Colt Bowen

Lefty Frizzell is one of my absolute favorites. I’m a bit partial to Lefty because my grandfather was a huge fan, but that doesn’t take away from the fact that Lefty Frizzell had one of the most amazing voices in the history of country music. You immediately know when you’re listening to one of his songs. I’m not sure there’s much more to say about that one.

Also, Preservation Hall Jazz Band from New Orleans is one of the first bands that really opened the door to all of this wonderful music for me. I can’t go a day without getting at least one Pres. Hall tune stuck in my head. The folks in that band are, to this day, teaching the newest generation of young musicians the traditions of New Orleans music and to me that is wildly inspirational!

Your newly-released single, “Hoke Poole Stomp”/”Peach Pickin’ Time in Georgia,” was recorded live at the home of your fiddler, Jenna Shea Mobley. Can you tell our readers why you chose to record live and what sets this single apart from your EP, “The River”, self-recorded/released in 2014?

Of course! With the single, we really wanted to capture the feel and energy of a live performance and instead of going the route of tracking

live in a studio, we decided to do something a little bit different and track the whole thing like one of the Alan Lomax field recordings of the ‘40s where they would set up in a hotel room or a living room and just put songs to tape. It was kind of a way of paying homage to the folks who paved the way for bands like us. We had our good friend, Mr. Tony Terrebonne engineer and mix those tunes. Our lovely Ms. Mobley was kind enough to let us take over her (entire) house for the day and track those tunes as well.

(L-R) Caleb Warren, Dave Aitken, Ian Blanton

(L-R) Caleb Warren, Dave Aitken, Ian Blanton

Our EP, “The River” was recorded and mixed by our drummer, Mr. Colt Bowen at his home studio in Adairsville, Ga. We spent quite a good bit of time recording that one and making sure it was exactly what we wanted to give folks as a first impression of The Gents and we couldn’t be happier with the way it turned out.

That’s a bit of a round-about way of telling you that the two recordings are totally different from one another, they represent two very different times in our progression as a band, and we are extremely happy to have been able to put our name on two completely different, but stellar recordings. Colt and Tony are both wizards when it comes to engineering. We’re lucky to have those fellas around, and even more lucky to be able to call them our friends.

If you could put together a dream line-up of musicians to play with [still around or not], who would it be and why?

Freddy Mercury, Ray Charles and Robert Plant sharing vocal duties;  Big Bill Broonzy and Merle Travis on guitar; Willie Dixon on upright bass; Bix Beiderbecke on coronet; Fats Waller on piano; guest appearance by Django Reinhardt on lead guitar and “La Pompe” for a song or two. Why? Because, seriously. Think about that band for just a second. I wouldn’t play in that band. I’d sit down at the table right in front of the stage with all The Gents and a glass of great whiskey. I’d smile, laugh, chuckle, give a thumbs up, make a joke that wasn’t all that funny, buy a round for everyone in the bar, and then I’d enjoy the show! My dream lineup of musicians to play some tunes with? The fellas (and gal) in our band.

What can ATLReaders expect to experience at your upcoming shows at Mac McGee (Aug. 15), The Earl (Aug. 22) and The Clermont Lounge (Oct. 8)? Should they bring their dancin’ shoes? Anything special planned?

IMG_9970[1]You can definitely expect to have a hell of a time and, yes, dancing shoes are a requirement for every show. I might even get off the stage and cut a rug with you! Special plans? There’s a possibility that you might see a singer playing an upright bass solo at The Earl…Also, isn’t any time spent at the Clermont special?

What’s next for Caleb Warren and the Perfect Gentlemen?

Definitely more shows, new cities, more writing and starting work on our first full-length album. We have some great things to look forward to in the next six months or so!

Anything else you’d like to tell ATLRetro readers about Caleb Warren and the Perfect Gentlemen?

Thank you! Thank you for listening to our music, coming out to shows and for supporting this band of ours. You folks are one of the main reasons we do what we do and you make all the work we put into these songs so worth it.

What question do you wish somebody would ask you and what’s the answer?

Q: What is the band’s favorite food?
A: Dude! Avocado (Guacamole counts), grilled chicken, bacon, bell peppers, pizza with all of the aforementioned foods as toppings, and if you really want to find the way to Uncle Buttermilk’s (Dave) heart, a damn good cheeseburger should do the trick.

Caleb_Warren_press_pic[1]

(L-R) Robert Green, Dave Aitken, Caleb Warren, Colt Bowen, Jenna Mobley, Ian Blanton

All photos courtesy of Caleb Warren and The Perfect Gentlemen and used with permission.

 

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ATLRetro’s Throw Back to the 20th Century New Year’s Eve Guide – Our Top Ten Vitally Vintage Eras for Toasting 2015

Posted on: Dec 29th, 2014 By:

by Melanie Crew
Managing Editor/Contributing Writer

Ring in the New Year in vintage-style with Retro Atlanta!  Come celebrate what once was in 2014 and welcome with open arms what will be in Pallookaville2015! Start your new year off with a bang with all the hoppin’ shindigs we’ve found for you!

1. And All That Jazz. Ring in the New Year NOLA-style with the 4th Ward Afro-Klezmer Orchestra at Pallookaville! You’re guaranteed a funky time that includes a kid’s corndog drop followed by the grown-folks’ celebration! Corndogs, 2 Line Strut and Klezmer, oh my! The celebration is free and starts at 8:30pm! Or jazz it up Broadway-style and take a trip to Serenbe Playhouse’s “A Cabaret Celebrating Judy Garland” with award-winning actress Natasha Drena at 10:30pm! And stick around to boogie down at their NYE dance party, all taking place in the Farmhouse Restaurant in Serenbe!

Basement2. Hey, Daddy-O! Twist into 2015 at The Basement during Electric WesternsKeep on Movin! New Year’s Dance Party! featuring a night chock full of ‘60s rock-n-roll, soul, doo-wop and more! The DJs will have you hoppin’, so get dressed up to boogie down! Complimentary midnight toast to ring in the New Year and doors at 8pm! Or let The Star Bar show you where it’s at during their New Years’ Eve Bash & ‘50s and ‘60s Dance Party! Kool Kats Gringo Star will be delivering a whole set of ‘50s tunes while Kool Kat Joshua Longino and Andrew & the Disapyramids will be blastin’ out the sounds of the ‘60s! And that’s not all folks! Black Linen, Zoners will be rockin’ you into 2015! Rock out for $10 bucks and a free champagne toast at midnight! Doors at 8pm.Michelle Malone

3. Deep Roots. Ponder 2014 by getting to the root of it all! For a New Year’s Eve filled with foot stompin’ Americana, blues and rock ‘n’ roll, make your way to Eddie’s Attic for two hoppin’ helpings of the sultry Michelle Malone and her New Year’s Eve show! First show at 7pm! Second show includes special guest Hannah Thomas and starts at 9:45pm! Or get toasty bluegrass-style with BlueBilly Grit at the Crimson Moon Café at 8pm! And get down and dirty at Clermont Lounge, the seedy land of debauchery, as they bring you a rockin’ hootenanny this NYE with Reverend Hylton & the Devil’s Hands, Caleb Warren & the Perfect Gentlemen and Coldheart Canyon! Doors at 9pm with a free champagne toast at midnight!

 5.7BeverlyGW4. That’s Why They Call it the Blues. For some classic blues and jazz, shimmy on down to Blind Willie’s for their Bluesy New Year’s Eve with the powerhouse vocals of Francine Reed! Doors at 7pm and $50 gets you guaranteed seating, party favors and a champagne toast at midnight! Or fire up the blues at the Northside Tavern with Mudcat’s Rockin’ Blues New Year’s Eve Party featuring Danny ‘Mudcat’ Dudeck, Eddie Tigner, Lola, Albert White, the Atlanta Horns and more! $20 cover includes party favors and champagne with doors at 9pm! Fat Matt’s Rib Shack dishes out the low-down dirty blues with the hard-stompin’ Beverly “Guitar” Watkins this New Year’s Eve! Doors at 8pm! And blues on down to Darwin’s Burgers & Blues for their “Kickin’ it LIVE into One-Five” New Year’s Eve Party with Truett Lollis and his Dixie-fried blues and blue-eyed soul! $10 gets you appetizers, desserts and a champagne toast at midnight! Doors at PiedmontParkTavern9:30pm!

5. Smooth Operator. Get ‘70s toasty and smooth in 2015 with Yacht Rock Revue at Park Tavern! And you won’t want to miss special guests Yacht Rock Schooner bringin’ in the funk! So, rock on down and set sail into 2015 with Yacht Rock Revue’s NYE party, featuring an open bar, s’mores, a Mixtape Atlanta photo booth and more! Doors at 9pm!

jagged-stones-jpeg6. Rock Across the Pond. Kick off 2015 with Atlanta’s favorite Rolling Stones’ tribute band, The Jagged Stones with special guests The Big Chicken Beatles Band, paying homage to the Beatles, live at The Strand Theater! Doors at 9pm! Or ring in the New Year with a Brit Invasion at Smith’s Olde Bar in the Atlanta Room with The Backyard BirdsNew Year’s Eve Bash! $10 cover and doors at 8pm!Phillips Arena The Isley Brothers

7. Groovin’ Up Slowly. Get funky and ring in the New Year with a little old school funk ‘n’ soul! Toast the New Year at Philips Arena with their NYE Affordable Old School Music Fest, featuring The Isley Brothers, Morris Day, Mint Condition and more! Doors at 7pm! Or get your NOLA funk rock fix at The Family Dog with theirA NOLA NYE with Gravy Live & Abita Brewingevent! You won’t want to miss the funktastic grooves of Gravy and special tasty treats! $10 cover and doors at 8pm! And cook it up at Cook Hall this New Year’s Eve with Moontower, funkin’ you all night long at their funk-filled holiday fiesta! No cover, doors at 10pm!

Marys8. We’re Stayin’ Alive! In Retro Atlanta that is! Boogie on down to Mary’s in East Atlanta for their annual Attack of the New Year’s Eve Party Monster event, featuring DJs 5 HR Boner & Sam Rothstein spinning your favorite disco, indie, house and rock! There’s no cover and a complimentary champagne toast at midnight! Celebration begins at 9 pm! Hula into the New Year boogie-style during the Trader Vic’s Soul Tiki Disco Dance Party featuring Bogey & the Viceroy and Mai Tais galore! $10 in advance/$15 at the door. Band goes on at 9pm!

9. The Cure for Bananarama. New-Wave is the epitome of 80’s pop culture, so celebrate 2014 while toasting 2015 by continuing The Shelter’s NYE tradition at the Famous Pub with Kool Kat VJ Anthony at their 6th Annual New Wave New Year’s Eve Party! Dress New-Wave, win prizes! The festivities beginFamous Pub at 10pm and $10 gets you party favors, a champagne toast at midnight, a ton of super rare New-Wave music videos and a bunch more surprises! Or get really ‘80s New Year’s Eve style at Bone Lick BBQ at their NYE in 3-D ‘80s-themed 3-D bash! Ring in the New Year with free retro arcade games, 3-D movies, complimentary champagne and more! Tickets are $5 in advance and $45 at the door and event begins at 10pm! And you won’t want to miss Kool Kat Becky EarlCormier Finch with Denim Arcade partying like it’s 1989 dishing out their ‘80s tributes at Wild Wing Café in Suwannee at 10pm!

10. Hey! Ho! Let’s Go! Get rebellious and rock into the New Year with some old school punk and plain ol’ retro-inspired rock-n-roll and metal! The Earl delivers a rockin’ NYE Bash punkin’ you into the New Year with The Biters, Dinos Boys, Ravagers, MammaBear and more! $10 cover, doors at 9pm! Or get mischievous and sinful at Hottie Hawgs BBQ during their Boss Hawgs’ New Year’s Rockin’ Eve with Sin City Atlanta, delivering a rockin’ AC/DC tribute! Celebration starts at 7pm and stick around for a taste of “wild beast” and a special light show! Ring in the New Year with some old-school blues rock with Gregg Allman at Atlanta Symphony Hall at 9pm! And toast 2015 at Smith’s Olde Bar’s Music Room with a NYE Bash with The Swinging Richards and Buck O Five! $10 cover in advance, $15 day of show. Doors at 8pm!

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ATLRetro’s Throwback to the 20th Century New Year’s Eve Guide – Our Top Ten Vitally Vintage Eras for Toasting 2014

Posted on: Dec 28th, 2013 By:
by Melanie Crew
Contributing Writer 

Ring in the New Year in vintage-style with Retro Atlanta!  Come celebrate what once was in 2013 and welcome with open arms what will be in 2014! Start your new year off with a bang with all the swell happenings we’ve found for you!

1. Red Hot Jazz & Dixieland. There’s nothing like gettin’ brassy, super early 20th century-style, to ring in the New Year! So, head on over to Alpharetta, grab a few cocktails and celebrate the year with New Orleans Jon at The Atlantic Seafood Company at 7pm! His Been One Hell of a Year event will have you crooning for more! Or improvise and make your way to The Village Theatre in Decatur for their hilarious Hollabration 6 event with an after party featuring the ever jazzy New Orleans brass of the Wasted Potential Brass Band at 9 pm! Cover is $35 which gets you a drink ticket plus champagne to toast 2014, a world-famous improv comedy show, an after party with the band and more!

2. Puttin’ on the Ritz.  Roar into 2014 at STK Atlanta for their Great Gatsby-themed celebration!  The party kicks off at 5 pm in the lounge with 2 seating options, if you so desire! 5:30 for the early birds where $85 gets you a 3-course meal, 9:30 for the rest, where $115 gets you a 3-course meal with a complimentary champagne toast!  And for those who want to party the night away flapper-style, an open bar option is available for $75!  So, get glitzy and ring in the New Year in vintage style with the sounds of DJ London Thomas along with 20s-era performers, party favors and many more surprises! If you’ve got rhythm, then get ritzy and make your way to the Atlanta Symphony Hall and join the biggest band of them all, the Atlanta Symphony Orchestra as they head to Broadway to ring in the New Year!  Get glamorous 1930s-style and roll into the New Year to the tune of George and Ira Gershwin!  The ASO along with guest conductor, Jack Everly, vocalist Judy McLane and pianist Michael Chertock, lead the way to bring you your favorite Gershwin favorites including ‘I’ve Got Rhythm,’ and ‘They Can’t Take That Away from Me’!  Tickets range from $31 to $69 and show begins at 8 pm!

3. Deep Roots.  Ponder 2013 by getting to the root of it all!  For a New Year’s Eve filled with grit and soul, make your way to The Earl as they dispense a foot stompin’ night of celebration with Gringo Star, Turf War and MammaBear!  Or get sultry and spend New Year’s Eve with Michelle Malone and her old-school Americana and soul at Eddie’s Attic!  The Variety Playhouse hosts those infamous sons of Atlanta, Drivin’ n’  Cryin’ as they deliver some real rock, folk and country punk with special guests Ed Roland & The Sweet Tea Project! And for a cornucopia of rooty rock styles, swing on by Red Light Café for their New Year’s Eve party with Copious Jones, The Jugtime Ragband, Mary Lynn Buchanan and The Last Gonzo at 8pm!

4. That’s Why They Call it the Blues.  For some classic blues and jazz, shimmy on down to Blind Willie’s for their New Year’s Eve Party with the powerhouse vocals of Francine Reed & The Shadows! Doors at 7pm and $50 gets you guaranteed seating, party favors and a champagne toast at midnight!  And the Atlanta tradition continues at the Northside Tavern with Mudcat’s 20th New Year’s Eve Fiesta featuring Danny ‘Mudcat’ Dudeck, Eddie Tigner, Lola, the BluesDude and the Atlanta Horns!  $20 cover includes party favors and champagne with doors at 9pm!

5. It’s a Beach Party! Spend New Year’s Eve in paradise, Mai-Tai style at Trader Vic’s with the rockin’ surf, beach party tunes of Kool Kat Joshua Longino and Andrew & the Disapyramids!  $60 gets you a four-course dinner and admission to the party! Or, come for the show only which is $10 in advance or $15 at the door.  You won’t want to miss this island-style extravaganza!

6. Rock Across the Pond.  Kick off 2014 with Atlanta’s favorite Rolling Stones’ tribute band, The Jagged Stones with special guests The Big Chicken Beatles Band, paying homage to the Beatles, commemorating the 50th Anniversary of the British Invasion at The Strand Theater!  Doors at 9pm!

7. Groovin’ Up Slowly.  Get funky and ring in the New Year with a little psychedelic soul!  Toast the New Year at the Clermont Lounge, the seedy land of debauchery as they bring you a rockin’ celebration with Halls of Jupiter, the Kris Bell Band and Ledfoot Messiah at their New Year’s Eve Bash, where $15 gets you a groovin’ good time, party favors and a midnight champagne toast!  Or come on out to Smith’s Olde Bar and rock out with Zack Deputy, joined by the father of madness and absurdity himself, Col. Bruce Hampton along with Johnny Awesome and Voodoo Visionary!  Groove on over to Philips Arena and get psychedelic with Widespread Panic and their New Year’s Eve music and food-drive, ‘feeding people through music’ event!  Rock over to Terminal West and groove into the new year with Washed Out and the Mood Rings!  And join The Georgia Soul Council at The Family Dog for a funk-filled holiday fiesta!

8. We’re Stayin’ Alive!  In Retro Atlanta that is!  Boogie on down to Mary’s  in East Atlanta for their annual Attack of the New Year’s Eve Party Monster event, featuring DJ Bendito & DJ Sam Rothstein spinning your favorite disco, indie, house and rock!  There’s no cover and a complimentary champagne toast at midnight! Celebration begins at 9 pm!

9. The Cure for Bananarama.  New-Wave is the epitome of 80’s pop culture, so celebrate 2013 while toasting 2014 by making your way to The Shelter for their 5th Annual New Wave New Year’s Eve Retro Party!  Dress New-Wave, win prizes! The festivities begin at 9pm and $10 gets you party favors, a champagne toast at midnight, a ton of super rare New-Wave music videos and a bunch more surprises! Or for some New-Wave inspired synth-pop and a New-Wave revolution, slink on over to Noni’s Bar & Deli in the Old Fourth Ward for New Year’s Eve with Sonen!  Free cover, free champagne toast at midnight!

10. Hey! Ho! Let’s Go!  Get rebellious and rock into the New Year with some old school punk and plain ol’ retro-inspired rock-n-roll and metal!  Punk it up at the The Star Bar with The Biters, The Booze, The Forty-Fives’ MC45s, their all MC5 tribute, Fiend Without A Face, the Zoners and Dasher!  $10 cover.  Doors at 8pm!  Or spend New Year’s Eve in Hell hosted by the dynamic duo and circus side-show pair, Captain & Maybelle at The Masquerade featuring a gritty, rockin’ good time with The Six Shot Revival, Beitthemeans, the rockin’ all-female Elvis tribute band, the Pelvis Breastlies and Gunpowder Gray! $10 cover; Doors at 8pm.

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Kool Kat of the Week: Still Swanky After All These Years: Amy Pike Jazzes It Up With the Bonaventure Quartet at Oakland Cemetery, Fernbank and Across the Street from the Clermont Lounge

Posted on: Jun 6th, 2013 By:

 

Amy Pike and the Bonaventure Quartet Find Some Swell Songs in the Lost and Found at the Clermont Lounge. Photo Credit: David Murray

The Bonaventure Quartet will be jazzing up both the annual Tunes from the Tombs festival at Atlanta’s historic Oakland Cemetery on Sat. June 8 and Fernbank Museum of Natural History’s Martinis and IMAX the night before on Fri. June 7. So it just seemed like a natural to spotlight vocalist Amy Pike as Kool Kat of the Week.

Amy is quite simply the Cat’s Pajamas. She was one of the pioneers of the Retro/Swing Revival in Atlanta as lead singer and principal songwriter for The Lost Continentals in the 1990s. Songs from their album MOONSHINE AND MARTINIS, like “Swanky Bars and Fine Cigars,” got national radio airplay, and the band won 14 Best of Atlanta Swing awards, including Best Wig. Amy also always seemed to have a knack for finding the best and most swanky vintage dresses which she wore like nobody could. She’s sung for Ford commercials, and also fronted honky-tonk group, Amy Pike and the Last Cold Beer, which won Creative Loafing’s Best of Atlanta in the country music category in 2001.

Amy Pike was a sharp dresser with The Lost Continentals. Photo courtesy of Amy Pike.

With the Bonaventure Quartet, Amy’s a little more Boheme in that the eight-member jazz ensemble (yes, we said eight), particularly owes its origins to a mutual love of Django Reinhardt, the great French gypsy guitarist. She also runs Kitsch Fabric and Craft, a groovy vintage and vintage-inspired materials shop in Asheville, NC. ATLRetro caught up with her recently to find out more about her early musical roots, swinging youth, life with the Bonaventure Quartet, their new CD funded by a Kickstarter campaign, SONGS FROM THE LOST AND FOUND AT THE CLERMONT LOUNGE, and more. We’re happy to report that though Amy may have lost her Continentals, but she hasn’t loss her sass and swank. We don’t know if she ever smokes a fine cigar any more, but she’s still our favorite candidate for the musical equivalent of Dorothy Parker.

ATLRetro: Let’s start with Tunes from the Tombs. Some folks might think it creepy to come hear live music in a cemetery. Tell us why they’re wrong.

Amy Pike-Taylor: Well, frankly, it is a little creepy. I don’t know about you, but I have spent a lot of time thinking about how I will handle the zombie apocalypse. So if you find yourself getting nervous at the show, come on over to our stage, we will be fully prepared for any problems that may arise.

Do you have any special plans for the Bonaventure Quartet’s performance this Saturday?

We will be doing a set of all original jazz tunes. That is a pretty rare thing these days. We are so lucky to have Charles Williams as our band leader! He is an amazing writer as well as guitarist. He can also spit a watermelon seed pretty darn far.

What music did you listen to growing up? Can you name a few of the performers who meant the most to you back then and who introduced you to them?

When I was about 7 years old, our house was robbed and the crooks took all the records except for Herb Albert and the Tijuana Brass, Simon and Garfunkel and a compilation of belly dancing music. That was it for music in my household as a kid. If you need more explanation of my strange musical tastes or why I like to listen to the same records over and over, I may have to refer you to my therapist.

The Lost Continentals was a groundbreaking force in getting the Retro/swing/lounge revival started in Atlanta. Can you talk a little bit about that side of the music scene back then. Did you think you were being a bit daring by performing hits, old and new, that harkened back to a previous era?

Well, I am not sure I thought about it that deeply at the time. I just wanted to see people dress up and dance together, maybe even touching each other, for a change. I had been in the punk scene for so long I was ready for some romance. And I admit I got a perverse satisfaction out of seeing skin heads dancing to “Up a Lazy River,” which I grew up hearing on THE LAWRENCE WELK SHOW.

The Bonaventure Quartet's first CD, THE SECRET SEDUCTION OF THE GRAND POMPADOUR.

You always had the best vintage dresses back then. Where did you find them?

As with all good collectibles, they came to me in various ways. I used to make the guys go to thrift shops when we were on the road. I always had the best luck in Florida and Ohio. They seemed to enjoy it, too, sort of broke up the monotony of the road.

How did the Bonaventure Quartet get started, why the name, and how long have you been playing together?

I met Charles when he filled in as a guitarist for The Lost Continentals. We have been performing together for around 13 years. At that time, Charles lived on Bonaventure Avenue right across the street from the parking lot to the Clermont Lounge. I can’t tell you how many times we sat on his porch in the wee hours after a gig, playing music and watching the show from that parking lot.

How did a quartet end up with eight members?

Fission.

Tell us about the latest CD, SONGS FROM THE LOST AND FOUND AT THE CLERMONT LOUNGE. We can guess why the Clermont, but what did it mean to the band personally and what do you think the Clermont means to Atlanta?

Well, it was born on that screened porch across from the lounge. We always had the best ideas on that porch at around 2 a.m. We could often be heard by passersby saying, “This is the best idea we’ve ever had!” There may have been some adult beverages were involved.

Wasn’t it originally announced for last year? Did it just take longer to get it right?

It just kept growing! At first, it was the one song, then it was a full blown musical! Charles and his lovely wife Lynne Dale have been working on it together for a while now. The album is sort of Bonaventure’s version of songs from the musical “Lost and Found at the Clermont Lounge.”

The musical is about a young woman who comes to the city with dreams of being an artist, a painter actually. Surprisingly, that is not as easy as you think and she ends up at the Clermont.

Anything else you’d like to share about the CD?

Amy Pike before she lost it with the Continentals. Photo courtesy of Amy Pike.

I think you guys will be amazed to hear how lush this recording is. There are so great musicians involved in this project. And as I said earlier, how many original Atlanta jazz bands are there?

Where is the Bonaventure Quartet playing next and do you have any other future musical plans you’d like to share with ATLRetro readers?

Looks like we will be playing Steve’s Live Music in Roswell on July 20. That show will be our CD release party and will involve most of the musicians on the album.

Finally, before we go, you’ve also got a store in Asheville called Kitsch Fabric and Craft which sounds like a perfect fit for our readers. Briefly how did you get started doing that, and do you sell vintage fabrics or reproductions or both?

You know it’s funny; it all started because of those vintage dresses I used to wear. I got frustrated because the old fabrics wouldn’t hold up very well, so I decided to learn to sew so that I could make vintage styles with new fabrics. That little idea turned into a raging obsession with fabrics and making things. Now I have a whole store full of amazing fabric and teach others how to sew daily on vintage sewing machines. Check it out at www.kitschfabrics.com

The Bonaventure Quartet at the Clermont Lounge. Photo Credit: David Murray.

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Kool Kat of the Week: Watch out, Shirley Jones! Spooky Partridge’s Katy Graves Is a Real Mother?!

Posted on: May 9th, 2012 By:

Katy Graves and son Nick in Spooky Partridge. Photo courtesy of Katy Graves.

By James Kelly
Contributing Music Editor

With Mother’s Day approaching, ATLRetro wanted to find someone special who represents both the Atlanta music scene and makes motherhood look easy. Local musician Katy Graves is one of the most energetic, friendly and interesting people in town. She has been part of the rock & roll community for many years in such bands as Doll Squad and Catfight, and while she is currently working on her teaching degree, she is also in an amazing and entertaining band called Spooky Partridge, with HER 10-YEAR-OLD SON, Nick Christian!!! Those credentials and the fact that Spooky Partridge are rocking Shorty’s Pizza in Tucker this Saturday May 12 at 8 p.m. are more than sufficient for ATLRetro to make Katy Kool Kat of the Week just in time for Mother’s Day!

ATLRetro: How did you initially get involved with performing music in Atlanta? What was your first band experience?

Katy: I sang in a couple bands in high school starting in about the 9th grade, and by the 11th grade, our band, The Doughboys, was playing out at the infamous Margaritaville as well as The Dugout in Emory Village. We did mostly covers by bands like The Police, Squeeze, The Jam, Ramones, Echo and the Bunnymen and loads of REM. Our guitar player loved REM! Can you imagine me singing REM covers? We had some originals, but mostly covers. I played cello and and piano as a kid. Susanne Gibboney (who plays with Tiger! Tiger!, Lust and Catfight), and I started Doll Squad while I was in college. We both worked at Junkman’s Daughter at the time. We all loved The Runaways and ’60s girl groups, but also L7 and the Lunachicks so we wanted to be in an all-girl band. Doll Squad opened for Shonen Knife at the Masquerade, that was so fun! 

Catfight was an incredibly popular band for several years. what do you think was the source of the appeal, and what was going on in Atlanta at that time to make the scene so open to the band? How was David T. Lindsay involved?

Ann Beaman and I had been in Doll Squad for a while, and that had kind of run its course. We ran an ad for a guitar player so we could start a new band, and Jennifer Leavey answered. She was the only person who answered that wasn’t nuts! Jennifer is just an incredible songwriter, and Catfight really took off. I think the reason we managed to do well was that we had songs with elements of a several kinds of genres and we could fit in on a lot of shows, appeal to a lot of people. We were a little garage, a little punk; we liked rockabilly; we did some girl group type songs; we also covered Van Halen, though!

David Lindsay put out a Doll Squad 7″, and he and I were friends. He had had a disagreement with someone in Doll Squad and wasn’t keen to put out any more of our records. I didn’t know if I would want to work with Catfight, but I brought a tape over of us and gave it to him. I told him I just wanted him to give me some feedback. He called me like an hour after I gave him the tape and told me he had to put out our stuff! David put out two singles and two CDs on his label, Worry Bird Records.

How did working in the music business affect your perception of playing music as a profession? Any good sleazy Green Room stories?

I remember when I got a job working for a record company, this boyfriend (a musician) said, “You are working for the enemy now!!!” I had a great run working in the music business for 15 years, but sometimes I was conflicted. It’s hard when you have to sell art like it is shoes or office supplies or something. Also, I figured out quite early on that I did not care about meeting a lot of famous people, which I thought initially would be really fun. Yawn! That being said two of the nicest people I met while working at a record company were Brittany Spears and Notorious B.I.G. Seriously! There were a few who were complete jerks – if you see me out sometime I’ll tell you who!! I can’t think of any super sleazy stories, but I do remember we took this guy from a New York band to the Clermont Lounge after his show one night. He has irritated all of us with this superior attitude, like he had seen it all/done it all in NYC. We introduced him to Blondie, she personalized a beer can for him as she does, and he just about lost it. He was completely freaked out by the whole Clermont scene! We couldn’t believe it – he was playing Mr. Badass rock guy but he got all nervous at the Clermont! Come on!

What must one do to reconcile motherhood with a rock & roll lifestyle?

Well, I began my rock’ & roll mom lifestyle when Nick was in utero – I kept playing shows with Catfight until I was more than eight months pregnant! I would have played up until I went into labor, but Jennifer but the kibosh on that. Probably the girls were sick of loading all the equipment without me at that point. Anyway, you have to rock & roll at home a lot more when you are a mom, because as you might guess it becomes difficult to be out at shows until 2 a.m. on a regular basis. The child watched THE KIDS ARE ALRIGHT from an early age, which is a questionable decision when you think about how The Who treat equipment, but we escaped any serious damage around the house somehow. When I still worked for a record company I brought Nick to every daytime in-store appearance by a band that I was working. One year I took him to Ozzfest. I always tried to take him to any daytime shows I could find – he went to Warped Tour a few times. And yes – we made him wear earplugs to every show, of course! Finally I ended up being in a band WITH my son so I could still play but also keep kid-friendly hours!

Spooky Partridge's Nick poses with a pair of drumsticks.

Tell us about Nick. Do you think he will become a professional musician? Or a baseball player? He seems equally great at both…

Nick turned 10 in February. He has been in Montessori school since he was 3. He plays drums and guitar; he can play bass and fools around on piano as well. He is dyslexic, which I believe is why he is so good at music and art; I think that the things in his brain that often make reading hard make music easy. He loves to draw. And yes, he does love baseball and soccer. I am the only mom in Americawho actually asks her child to please use the Wii or the Nintendo DSI, because we have these expensive games and the kid never uses them! He loves Led Zeppelin, The Beatles, The Who and The Cartoon Network. Nick cooks a lot – he puts red pepper flakes and/or Siracha in almost everything, however, so if you don’t like spicy food, you have to watch out. At different times he has told me that when he wants to grow up he wants to be a musician, a baseball player, a soccer player or a pathologist. Yes, a pathologist! Recently he has gotten way interested in bird-watching, of all things! He can identify lots of birds, and he draws them all the time.

Where did the idea for “Spooky Partridge” come from, and what was the formation of the band like for everyone?

Nick’s dad is Shawn Christian from X-Impossibles and Rock City Dropouts. Shawn and I met because we were in bands that played shows together all the time, so it was only natural that we wanted our child to be a musician. Nick was almost named Marshall – after the amp, of course! Shawn and I made sure that Santa brought Nick a drum set when he was two years old. By the time he was seven, he was getting pretty good, and since I had a friend teaching at a rock band camp, we sent Nick there that summer. That is when we could see he was really progressing, when we saw him play with a band. So we sent him again two years ago. He wanted to play “No Action” by Elvis Costello, but the kids in the band couldn’t learn it fast enough to perform it, which bummed him out. There were so many songs Nick wanted to play and no one to play them with. I was like “Why am I paying for this rock band camp when we can just have rock band camp at home for free?” Those camps are crazy expensive, and we already had a practice room in our house. What was I thinking?

Shawn and I decided that we would have a family band. Shawn and I have not been a couple since Nick was two, but we get along extremely well, so the band was nothing but fun from the start. We started by learning songs that Nick wanted to do, we started writing originals. Nick has written some on guitar, and he writes words and works with his dad to write songs, like “I Hate Chores.”

Spooky Partridge performs at last year's Tunes From The Tombs.

Any plans to release a Spooky Partridge record anytime?

We have three songs recorded that we are really happy with, and we need to record some more! We recorded the songs with Jimmy Demer from The Accidents, and his two daughters sing back up on our song, “Robots Don’t Poop.” It’s me that is holding this record up, really – around the time we started the band I went back to school to become a Montessori teacher. I work full time, I am in school, I’m a single mom, and I’m in two bands since Catfight has been out playing again this year. I’m hoping after I finish my class at the end of the summer we can really focus on getting out a CD. Vinyl would be cool, too! Right now we have music up on our Facebook/ReverbNation page, so everyone go listen to that!

How do you go about booking a band in Atlanta, with a 10-year-old drummer?

Very carefully! We have been very lucky; Nick doesn’t even know how lucky he is, what great shows he has played! Before he turned 10, he got to play not only [Rock n Roll] Monster Bash and Drive Invasion, but he got to open for CJ Ramone at Masquerade! We started by playing in restaurants owned by friends, we got everyone we knew out to see us, and we were lucky that a lot of folks posted videos of us on youtube. We got a lot of good word of mouth, and that led to more shows. I have played some of the most interesting shows with this band. We have played at Atlanta Rocks rock climbing gym on top of a huge boulder! You have to get creative booking shows when you have a 10-year-old in the band, but really I would say it’s good to do that no matter what kind of band you have.

What’s coming up for the band in the near future?

Well, we are playing at Shorty’s Pizza in Tucker on Saturday, May 12. We have wanted to play Shorty’s because the food is great! This is a special show because it’s also an end-of-season party for Nick’s baseball team. The coach wanted Spooky Partridge for the party, and we were only too glad to oblige. There is one kid on Nick’s team who loves Led Zeppelin as much as Nick, so we are going to do an abbreviated “Moby Dick” for him. We are also playing an art opening at the Defoor Centre on June 10! That should be great.

Catfight is playing Tunes From the Tombs at Oakland Cemetery on Sat. May 19 at 3 p.m. in the Criminal Records tent. Also we are playing at the Plaza Theatre before the [Blast-off Burlesque Taboo-La-La] screening of BEYOND THE VALLEY OF THE DOLLS June 2 – my dream show!

Spooky Partridge. Photo credit: Rose Riot.

Any words of wisdom for aspiring female musicians? Mothers?

I have a little anecdote about being a female musician in Atlanta 20 years ago for everyone, and I hope this is something that does not happen to women in bands anymore! Doll Squad was playing at Masquerade one night, and when we finished we got off stage and wandered around, as you do, waiting to see the next band. This guy came over and said, (imagine redneck kind of voice) “Y’all were pretty good. But you’d be better if you played naked.” We just had to laugh – what can you say?? That was not the only incident like that I experienced with Doll Squad or Catfight, but it’s been a long, long time since I heard any nonsense like that. I hope no women in bands have that experience these days, but unfortunately I bet they do . . . Just keep playing ladies! Ignore the crap and get out there and play.

Moms: Expose your child to music as soon as possible – in the womb! Play every kind of music for them. Let them explore what they like. Even if you can’t sing or play anything sing with your child anyway. Get silly, have fun! Nick and I will sing “Ma-na-ma-na” from The Muppets in the car, then we sing “Bohemian Rhapsody.” It’s all music, it’s all good.

One more word of wisdom for mothers – no matter how much you want to absolutely do not watch THE STOOGES LIVE IN DETROIT DVD with your toddler thinking that he is too young to notice what obscenities Iggy Pop is yelling out. You could find yourself in the middle of Kroger with a child who yells “F****** dirt!” in the middle of the produce department. If this does happen, do what I do – pretend you are horrified and have no idea where the child could have learned this! If you are lucky, as I was, you ask him where he learned that word and he says, “From Daddy!”

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ATLRetro’s Ultimate Stuck in the 20th Century New Year’s Eve Guide – Our Top Seven Picks for Partying Like It’s 1999

Posted on: Dec 28th, 2011 By:

OK, the New Year is about passing the torch and moving in the future, but at ATLRetro, we think you ought to be able to do that with vintage style. Here are our top seven picks for counting down 2011 and toasting 2012 while partying like it’s 1999 or earlier.

1. Disco ain’t dead. No decade knew how to get down like the 1970s and no DJ knows how to play that funky music than the Funk Godfather himself, Romeo Cologne. Plus since the venue is the sensationally seedy Clermont Lounge, for extra points, wear a bit of blue velvet with your silver lame and have a David Lynchian flashback to the ‘80s. All night long; $6 cover 10-11 pm; $10 cover after 11 p.m.

 

 

2. Get back to the roots. The Variety Playhouse serves up a double portion of roots, rhythm & funky blues, rock and country with JJ Grey & Mofro and Honey Island Swamp Band. The former hail from Jacksonville, Fla., and are proudly influenced by classic soul heroes and other native Southern sounds. Founded by New Orleans musicians stuck in San Francisco after Hurricane Katrina, the latter play a Bayou Americana sound that is both their own and yet forged in the spirit of a heady blend of Little Feat, Taj Mahal, Earl King, Jerry Garcia, Clarence “Gatemouth” Brown and Jimmy Reed. Doors at 8 p.m., Show at 9 p.m.; $35-40.

3. Ring the Holiday Inn. Relive the glamour of a 1930s/1940s New Year’s Eve with Atlanta’s biggest band, the Atlanta Symphony Orchestra. Michael Krajewski conducts an eclectic line-up of music ranging from Offenbach’s “Orpheus in the Underworld” (Can-Can) to Gershwin, Berlin and Rodgers and Hammerstein.London and Broadway stage stars Joan Hess and Kirby Ward dance to the swing classics in a tribute to Fred Astaire and Ginger Rodgers. 8 p.m.; $30-$68.

 

4. Do the Monster Mash. Greet the New Year in ghoulish and goofy style with Professor Morte and the Silver Scream Spookshow gang at the Plaza Theatre. In addition to the antics of their always entertaining stage show, on the big screen is a rare special treat—MAD MONSTER PARTY (1967). This stop-motion puppet story was the only feature made by Rankin-Bass, the same folks that created RUDOLPH THE RED-NOSED REINDEER and so many beloved holiday specials, but features a cast of classic creatures such as Dracula, the Werewolf, the Creature from the Black Lagoon and more. Boris Karloff voices Baron von Frankenstein and Phyllis Diller is his creation’s Bride. Proceeds benefit Atlanta’s longest continuously running vintage art deco (and now nonprofit) cinema, which is currently up for sale. Let’s not let the Plaza become another lost landmark of Atlanta’s past. Evening show starts at 10 pm (tickets are $12), plus if you’ve got glamorous evening plans or don’t want the kids to stay up too late, there’s also an afternoon matinee at 1 pm (kids free; adults just $7).

 

5. Who Knows Where the Time Goes? It’s been three decades since Guadalcanal Diary formed in Marietta, but one of metro Atlanta’s top seminal alt-rock bands regrouped last summer at Athfest and Smith’s Olde Bar and tonight they are “Bringing It on Home to The Strand,” the art deco former movie palace in Marietta’s Square, along with special guests Flamingo Royale and the Dex Romweber Duo. If you missed our feature interview with lead singer/guitarist Murray Attaway last summer, catch up on your reading here. The all ages show has doors at 7 p.m.; tickets are $30 for concert only, $20 for after-midnight party only, and $45 for both show and party, with proceeds supporting fine and performing arts in City of Marietta Schools.

6. Lady Sings the Blues. Classic blues and jazz chanteuse Francine Reed brings her powerhouse vocals to Blind Willie’s with The Shadows and special guest Houserocker Johnson. $50 gets you party favors and champagne. Doors at 7 p.m.

 

 

7. Carry on, Way Downtown. Seventies superstar rockers Kansas headline Peach Drop 2012, the Southeast’s biggest NYE celebration at Underground Atlanta. Festivities test your stamina by starting at 11 am Dec. 31 with loads of family-friendly activities from carnival rides to photos with exotic birds, and running until 3 am on Jan. 1.There’s also a slew of other bands on two stages.  It’s free if you’re willing to brave the crowds and the likely chill of being outdoors.

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Weekend Update, Aug. 12-14, 2011

Posted on: Aug 12th, 2011 By:

Friday, August 12

Hear some great garage rock and rockabilly, pose with a pin-up girl, see burlesque acts, win raffle prizes and support a great animal charity at Little Darling’s Pinups for Pitbulls Presents: Dog Days of Summer! starting at 8 p.m. at The Basement beneath Graveyard Tavern. Check out our first-ever Kool Kitten interview with April 2001 Pinups for Pitbulls Calendar model Brook Bolen here. Performers include ’60s girl group revivalists The F’n Heartbreaks (of which Brook is a bandmember) and The Hot Rod Walt Trio (read our Kool Kat interview with Hot Rod Walt here); local burlesque stars Talloolah Love, Barbalicious and Sadie Hawkins of Blast-Off Burlesque, and Pinups for Pitbulls charity-founder Little Darling herself!

It’s another honky tonk rockabilly Friday at Star Bar with Caroline & the RamblersVillain Family and The Serenaders. It’s also always good news to hear about a too-rare Subsonics show, so we’re happy to report Buffi Aguero & Co. will be garage-rockin’ it out at The Earl tonight with Carnivores and Howlies. Bela Fleck & the Flecktones and Bruce Hornsby & the Noisemakers are at Classic Chastain. Swing to jazz, earthy blues and a little rock n roll by vocalist Gwen Hughes and her band The Retro Jazz Kats at Callanwolde Jazz on the Lawn tonight. Catch an IMAX movie and dance to blues, jazz and a slight bit of funk courtesy of Derryl Rivers & the Flying Circus at Fernbank Museum of Natural History’s Martinis and IMAX.  Recent Kool Kat Julea Thomerson and the BareKnuckle Betties plays The Five Spot with Midnight Revival and Silent Coyote. And CineProv pokes good-natured fun at THE ROCKETEER at Relapse Theatre.

Saturday August 13

Yet another clone-worthy day and night in Retro Atlanta. It’s almost impossible to pick just one of the vintage wonderland of activities tonight. First, the good news is a couple of things are in the afternoon. Kids and their parents are in for tricks and treats as the Silver Scream Spookshow‘s Professor Morte teaches a Monster Make-Up Class at Main Street School of Art at 1 p.m. Learn how to turn your kid and you into a werewolf or zombie using classic monster movie make-up techniques from realistic bruises and oozing wounds to deathly ghoulish faces and how to apply latex and hair.

Meanwhile over at The Plaza Theatre, see Sergio Leone/Clint Eastwood classic Western THE GOOD, THE BAD AND THE UGLY at 3 p.m. and 7:30 p.m. as it was meant to be seen in glorious widescreen 35 mm. The movie is the last and best part of Leone’s “Man With No Name” trilogy, which the Plaza has been screening throughout the summer. Hurray for AM1690 for sponsoring! Be sure to hang around, come early or just stop by The Plaza at 6:35 p.m., too, for COMING SOON TO A THEATRE NEAR YOU!, 35 min. of rare 35 mm trailers from Plaza Manager Ben Ruder‘s private collection. Admission for the latter is free, but donations to support the nonprofit theatre are encouraged.

The Derby Strikes Back as the Atlanta Rollergirls‘ four teams face-off in their annual play-offs. The Apocalypstix battle the Toxic Shocks at 5 p.m. while theDenim Demons get one more shot against the undefeated Sake Tukas at 7:30 p.m. Both bouts, as always, are at the Yaarab Shrine Center on Ponce, and advance tickets are recommended for these sure-to-sell-out matches. Arrive early to browse the cool vendors.

The King may have passed away from this earth on Aug. 16, 1977, but oh, does his spirit live on in ELVIS ROYALE, an annual Vegas-style multimedia extravaganza staged by KingSized and the Dames Aflame at Variety Playhouse. Hear the one-and-only Big Mike Geier sing songs from every point in Elvis’s career and experience the glittery Cavalcade of Elvis during the fabulous finale. Read our Kool Kat exclusive interview with Big Mike here.

BURLESQUE WITH A HITCH, the latest in Mon Cherie‘s Va-Va-Voom series at Masquerade, celebrates the genius of film director Alfred Hitchcock with each act based on a different film by the master. Alabaster JuJu stars, with master of suspense and mystery Miss Mason hosting, and the all-star line-up of performers includes Sadie HawkinsRebecca DeShon (Hoop Essence)Stormy Knight, Fonda Lingue, Evil Sarah, The Chameleon Queen, magician Chad SanbornKatarina Laveaux (Birmingham, AL), Nicolette Tesla (Charlotte, NC), and Peachz de Vine (Greensboro, NC). Before and after, DJ 313 spins alternative dance, Allison Kellar offers body-painting, and there’s also a RAWKIN’ RAFFLE with lots of vintage-inspired vendors donating prizes. Cover is a bargain 5 bucks, and doors open at 9 p.m. In suspense about what’s happening? Click here for a sneak preview of this Spellbound affair from Chad Sanborn.

It’s Man Day at Twain’s starting with first-come-first-serve manly tattoos at noon, but the main event gets rolling at 5 p.m. with a night of live music, manly competitions (examples include Handyman Challenge and Best Beer Gut), aerial dance performances by Blast-Off Burlesque‘s Sadie Hawkins, boob cupcakes by Sugar Dolls, the Wheel of Destiny and much more.

And that’s not to mention Big Bad Voodoo Daddy swinging with theAtlanta Symphony Orchestra at Verizon Wireless AmphitheatrePsycho

Big Bad Voodoo Daddy.

DeVilles rockabilly it up at the world-famous Dixie Tavern in Marietta. Little Joey’s Big Band is at Fat Matt’s Rib Shack. Blues pianist extraordinaire Ike Stubblefield plays Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 14

Chickens and Pigs plays blues “dunch” between 1 and 4 PM at The EarlThe Whiskey Gentry bring their misfit country-to-punk twang to the Park Tavern Unplugged in the Park series at Piedmont Park. Tony Bryant reps four generations of Georgia blues at Fat Matt’s. And the Michael Hutchence-less INXS brings back the ’80s at Chastain Park Amphitheatre.

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Weekend Update, Aug 5-7, 2011

Posted on: Aug 5th, 2011 By:

Friday, August 5

All-time great wrestling promoter Jerry Jarrett will be at the Plaza Theatre to meet and greet, sign his recent book and introduce 7:30 p.m. screenings of MEMPHIS HEAT: THE TRUE STORY OF MEMPHIS WRASSLIN’ tonight, Saturday and Sunday. The new documentary tells the wild and wooly tale of mid-South wrestling, from the ‘50s carnival days of Sputnik Monroe and Billy Wicks to the raucous ‘70s and ‘80s with the rise of Jerry Lawler, Jimmy Hart and promoter Jarrett. Can’t make the 7:30 p.m. screening? It’s also on at 9:30 p.m. all three nights. Read an interview with Jarret by ATLRetro friend and Wrestling with Pop Culture blogger Jonathan Williams in this week’s Creative Loafing here.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in DRACULA:THE ROCK OPERA at 7 Stages.

Last February Atlantans had the marvelous macabre opportunity to get a sneak peek at HAUS VON DRACUL, the first act of DRACULA: THE ROCK OPERA, conceived by and starring Rob Thompson; performed by local talents such as Chris Love as Jonathan Harker and the Little Five Points Rockstar Orchestra; and featuring make-up and sets by Shane Morte of Silver Scream Spookshow fame. To refresh your memory, read ATLRetro’s feature on Love here and our review of the production at 7 Stages here. For just $15, you can support some of Atlanta’s top alternative talent in prepping this show for its world premiere next April, as well as scream to some one-of-a-kind performances tonight during Black Metal Burlesque: A Hell Raising Fundraiser at 7 Stages. A pre-party starts at 9 a.m., with show at 10 a.m. featuring performers from the show, the Little Five PointsRock Orchestra, The Chameleon Queen, body suspension by Loki Shane DeFrieceMacabre Puppets‘ Chris Brown (Scarlett’s Web) as Rotzo the Clown, and much more from body-painting to a raffle. For a scary sneak preview, check out our interview with Kool Kat of the Week actor/stuntman Justin Welborn here.

New York’s Felix and the Cats swing down to Fat Matt’s. Canadian rocker Bryan Adams takes audiences back to the ’80s in his Bare Bones Tour to Frederick Brown Jr. Amphitheater in Peachtree City. Rock further back to the ’70s with Revival: An Allman Brothers Experience with Lefty Williams and Benji Shanks at Vinyl at Center Stage. Catch an IMAX movie and listen to cool jazz and sexy soul by vocalist Sarah Belladae at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday August 6

Catch an opening reception for August and Everything After: A URBNPOP art show, a solo art show featuring the wonderfully quirky pop culture-inspired works of artist Chris Hamer at Rev Coffee (1680-B Spring Road, Smyrna, 30080) from 8 to 10 p.m. Read ATLRetro’s Kool Kat profile of Chris here.

Travel back to the late ’70s/early ’80s at Deja vu Discotheque – The Dance Party of the Decade, a reunion party for The Limelight, Atlanta’s Studio 54, at Center Stage tonight. In addition to grooving to favorite dance music of the era by original Limelight DJs, attendees will be treated to a recreation of the club’s spectacular Moving Lightshow and many other over-the-top experiences reminiscent of the legendary venue. Read our sneak preview with memories of the original Limelight from Scott Cloud and KP Hendry here. Doors open for VIPs at 8 p.m, general admission at 9 p.m., and a silent auction benefits the Starlight Children’s Foundation of Georgia. Tickets are available here.

Billie Holliday sings the blues in STRANGE FRUIT.

Explore the dark side of the South via the soundtrack of the haunting Billie Holliday song in STRANGE FRUIT, a documentary directed by Joel Katz that weaves together jazz geneaology, biography, performance footage and the history of lynching, in the latest entry in the High Museum of Art‘s Radcliffe Bailey Film SeriesTheophis “Thee” Smith, associate professor of religion at Emory, will lead a discussion following the 8 p.m. screening at the Woodruff Arts Center.

Ghost Riders Car Club headlines a very special Retro honky tonk evening at Star Bar with Anna Kramer & the Lost CauseAndy Vaughn & the Driveline, and New Orleans’ Dirty Bourbon River Show. If you missed ATLRetro’s Kool Kat interview with GRCC’s Spike Fullerton, here’s a link. It’s a trilogy of rockin’ country ’70s-inspired fun when Gasoline BrosLo Country and AM Gold invade VinylSteely Dan is at Classic Chastain. Maretta’s Dry White Toast plays funk rock at Fat Matt’s Rib ShackFelix & the Cats swing over to Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 7

Interstate plays blues “dunch” between 1 and 4 PM at The Earl. One of the best alternative bands with its roots in the ’80s, The Goo Goo Dolls, play with Michelle Branch at Verizon Wireless Amphitheatre. And ’70s rockets Steely Dan are at Classic Chastain. And don’t forget Jerry Jarrett and MEMPHIS HEAT at The Plaza! See Friday for details.

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