Kool Kat of the Week: Under Heidi S. Howard’s Helm, Seven Stages Throws a CD Release Party for DRACULA, THE ROCK OPERA

Posted on: Feb 13th, 2014 By:

Dracula and his wives in DRACULA THE ROCK OPERA at 7 Stages; L-R: Jessika Cutts, Rob Thompson, Naomi Lavender, Madeline Brumby.

Forget a red heart-shaped box this Valentine’s weekend, and go straight for the heart, the bloody heart. The CD of DRACULA: THE ROCK OPERA is finally out (watch for our Retro Review soon), and 7 Stages is throwing live concert to celebrate its release with three shows, February 14 and 15. [Ed. note: 8 p.m. on Fri and Sat. The Thurs. Feb. 13 show was canceled due to weather, and a new show has been added at 10:30 pm Sat]

It’s been a year and a half since the curtain last went down on DRACULA. As ATLRetro said in our Review, “DRACULA THE ROCK OPERA melds JESUS CHRIST SUPERSTAR with Grand Guignol in a production that not only rocks hard and delivers a horrific, non-twinkly Nosferatu, but also is surprisingly true to Bram Stoker‘s original novel.” That review marks the only time a full cast and crew have earned Kool Kats of the Week, and we added that the production not only broke the bounds of community theater expectations but blew them out of the water. We felt like we were “discovering HEDWIG AND THE ANGRY ITCH off-Broadway in 1998 or THE ROCKY HORROR SHOW in a tiny upstairs theater in London in 1973.” We wish everyone who missed it could see the full production, but hopefully the music being available on CD will help convince skeptics that something this crazy original can happen outside the Big Apple. All the main creators/cast members of the Little Five Points Rock Star Orchestra will be back, including Rob Thompson, the mad mastermind behind the sinister shebang; Naomi Lavender (Muleskinner MacQueen Trio), Mina with a voice to make Kate Bush blush; Rick Atkinson, America’s hardest rocking Renfield; and more.

Since then, Heidi Howard has assumed the helm as creative director of Seven Stages. She’s a mighty Kool Kat for taking on one of Atlanta’s most innovative and daring theater companies, following in the footsteps of founders Del Hamilton and Faye Allen, who both are local legends here. Here’s what she has to say about the concert and CD, as well as what’s next for DRACULA and 7 Stages!

Heidi S. Howard. Photo courtesy of 7 Stages.

It’s been a year and a half since the curtain dropped on the last performance of DRACULA: THE ROCK OPERA. While the vision started with Rob Thompson, it was also an amazing collaborative effort with Del directing and many of the musical cast contributing to the composition. Can you talk about that aspect of the production and how it relates to the music we’ll be hearing this weekend?

I remember sitting in the basement over four years ago, listening to the first notes composed and encouraging Rob to propose the production to Del. I have often called theatre a collaborative sport; we have to work together in order to make great things. Over the years, the relationship with 7 Stages artists and Little Five Points Orchestra has grown to something really impressive. This process specifically was created to encourage everyone’s ideas to be heard and to merge the music and theatre styles. By including Shane [Morton]’s knowledge of Dracula and encouraging the composer’s possibility of the music style, we were really able to expand the overall sound of the story.  There is such a diverse style of surprising music from true rock in “The Castle” and “Dracula’s Opus,” to jam in “Van Helsing’s Teachings,” even to rockabilly sounds in “Lucy’s Proposals,” that make it accessible to many.

We have chosen to highlight the different styles and favorites in this concert while still saving some of the best to be heard on the CD. Even today I am inspired by hearing everyone’s ideas and implementing the best of them, as well as the group’s way of working through a decision together.  The Drac Pack is a very intense gathering of strong-minded rockers and artists, each with passionate dedication to what we have created together.  7 Stages has the unique environment of engaging the individual and really supporting who we have in the space.  We are a people’s place and make opportunity for those that are here and willing to collaborate and become better. This process is a testament to engaging and supporting those who are present.

While it’s not the complete production, will characters be in costume and what else is the company doing to recreate the horrific ambiance?

We are sticking to a concert presentation style, keeping the production elements as simple as possible while still creating an intimate environment.  While really celebrating the music and engaging the community, we are keeping the work present in the minds and bodies of our audiences. We are creating a lobby installation of the costumes and some of the scenic elements used in the production. Instead of using the video projections there will be images, many from Stungun Photography, who captured beautiful moments of the production. We did not want to create the expectation of a full production and staging elements, because the goal is to celebrate the music itself. Also, it is important to note that not all of the performers were available for this gig, and so Rob and others cover some of the vocal roles.

What’s your personal favorite song in DRACULA and why?

Oh my goodness, I tried hard to pick one to answer this question, but I just can’t. The music is so rich with diverse styles, and I like many different types of music. “Diary and Mysteries is up there because of the simple beauty of Naomi’s voice and the build of everyone’s layered voice in as the song builds. I love, love, love when there are all of the layers of voices and music changes in many of the Act 2 songs. “Alone in Transylvania” really speaks to everyone’s fear of being lonely, and it always brings chills to my body.  “Van Helsing’s Teachings” is so much fun, and Jeff nails it every time. I wake up singing “The Chase”…. And the list continues. It is so good, and I get so overwhelmed each night in rehearsals, I am literally sitting in the theatre rocking out, feeling so lucky and thankful.

7 Stages is one of Atlanta’s most acclaimed theater companies for serious plays. Why do something as seemingly pop-culture as DRACULA: THE ROCK OPERA, or is it pop-culture?

Traditionally DRACULA productions have been poppy, and with our production we really focused on sticking to the Bram Stoker’s book and creating music and a production that answered the desire of these artists.  7 Stages has always had a mission on supporting new work and encouraging artists to expand their craft.  For me, I was really interested in the process of merging the music and theatre scene, creating a space to develop high quality storytelling and offering both the musicians and theatre folk the best of both worlds so that we could learn best practices and become better artists overall.  This production is a fusion of pop and rock culture, and while it is a break from the serious heavy topics, we are creating a seriously great rock opera. 

Heidi S. Howard. Photo courtesy of 7 Stages.

There have been many stage and screen adaptations of DRACULA. Why do you think this one worked so well and was so popular with audiences?
We stuck to the book in composing the lyrics, many of them being directly taken from the text. Many other productions stray away from this and tell “popular” vampire stories because of the trend. There are so many Dracula mythos out there, and we really stuck to Stoker’s mythos as opposed to others such as Anne Rice’s, TWILIGHT or other modern pop culture mythos.  We used the wave of what was popular for marketing purposes but wanted to stick to the original tale.  We wanted to celebrate the strength of the musicians and performers with high quality production values.  Also, it was a direct goal of Rob’s to do “something that doesn’t suck!”  There is a Little Five Points Orchestra following, as well as those that support 7 Stages who have really encouraged our relationship to grow over the years of producing the Krampus shows [and] involving the musicians in our production of HAIR a few years ago.  Ultimately, we are answering the demand of our community.  The show is fun, involving, intimate, and so surprising that all want to be involved.

So many of us wish there would be full-out performances of DRACULA again. Any chance of that or of it going on the road to other cities?

We would love to do the full production again, taking everything to the next level, send it on the road, sell it to other producers, etc… it deserves to be out there.  That is a large reason for producing this concert version, in addition to celebrating the CD release.  But, it takes money.  Lots of money so that we can pay the artists for their time and work, as well as pay for all that it takes to make a production including blood, effects, blood, costumes, scenery, blood, video, blood, etc.  We want to keep the music and possibility present in our community and continue to push it out there.  

Heidi S. Howard gets the Shane Morton treatment. Photo courtesy of 7 Stages.

How are you feeling about 7 Stages now that you have a few years under your belt. How are you feeling about taking the plunge? What do you think is the company’s biggest success under your helm? And what is its biggest challenge?

Absolutely fantastic.  I love my staff, the artists, and all of the amazing people that walk into the space.  I stuck around 7 Stages all these years for the people and am always inspired by the involvement of those people. I am having a lot of fun with our Home Brew series.  We have always supported the development of new work, but by formalizing it into a program and inviting audiences into the process, the support and understanding for the process becomes very clear. The Navigator was a great success as we took our work outside of our space, and at the same time we were the first organization to be allowed to perform on MARTA with Mass Transit Muse [full production to premiere in May].   But honestly, we have stayed open; we are extremely focused on becoming financially stable.  This is both a success and an ongoing challenge.

Next up is THE RED BADGE OF COURAGE. That’s a book that many people read in school. Why should they want to see it performed live through the lens of 7 Stages?

7 Stages’ new adaptation of RED BADGE uses puppetry, live actors, projected animation and a dynamic soundscape to create an immersive world of battle. Our version uses contemporary techniques to achieve the intense atmosphere of war and the spinning viewpoint of our naive young soldier. People who have read the book will find new nuance and perspective on it, while those unfamiliar will leave the theater itching to read!

What else is 7 Stages up to that you’re excited about for the rest of this season and into the next?
As mentioned above, our work is not just focused on the serious. We are sticking to our social, political and spiritual mission. It is my goal to expand the knowledge of what we do. We like to have a great time with our work. While it can be serious, it can also offer Atlanta a really good time. Today the work has a lot to do with reflecting and representing our community and expanding it – internationally and locally. I am gearing up to jump into rehearsals again for Mass Transit Muse, which is another process that will merge mediums, and Jed Drummond will be a feature, which is always a plus! It’s a wonderful experience to work with your friends, who happen to be amazing artists. I’m looking forward to sharing their talents, engaging with our community, and creating art that surprises, engages and inspires Atlanta.

Heidi in front of 7 Stages' spider float at the L5P Halloween Parade. Photo courtesy of 7 Stages.

You do a lot of work with youth through Youth Creates, the Playmaking for Girls program, etc. Can you talk a little bit about those pursuits and why you are so passionate about working with young people.

By listening to the youthful mind, I am allowing voices to be heard.  As a young person, I was continually challenged by not being heard or not knowing how to express myself. As Education Director, I was able to create a place for young people to connect their everyday life to creative process.  While working on professional productions at 7 stages, training under the world-renowned directors and artists that we brought in, I was able to structure the education programming around the needs of our ongoing programming. It has been obvious to me that we can answer each others’ needs by answering the desires and needs of our community by offering the community opportunities of professional development, while offering hands-on experience in the professional field of creating art.

Finally, tell us something about you and what drew you to the theater life that we don’t know.
I worked at Disney while I was in college and loved playing Timon, the meerkat from THE LION KING, because I could flirt with the girls and no one would know.

Is there any question did I not ask about 7 Stages, DRACULA or you that I should have, and what is the answer?

7 Stages doors are always open. Come on in, grab a coffee or drink from Java Lords, hang out in the lobby / gallery, check out the library upstairs, create with us, see all of our shows, give us feedback, pop in and say hi to us in the office. As I said, I do this for the people I get to meet and create with each day.  There are always amazing things happening here that will surprise and inspire.

CDs of Dracula the Rock Opera are at Java Lords now and will be available at the show. For advance tickets, visit www.7stages.org.

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Weekend Update, Aug 5-7, 2011

Posted on: Aug 5th, 2011 By:

Friday, August 5

All-time great wrestling promoter Jerry Jarrett will be at the Plaza Theatre to meet and greet, sign his recent book and introduce 7:30 p.m. screenings of MEMPHIS HEAT: THE TRUE STORY OF MEMPHIS WRASSLIN’ tonight, Saturday and Sunday. The new documentary tells the wild and wooly tale of mid-South wrestling, from the ‘50s carnival days of Sputnik Monroe and Billy Wicks to the raucous ‘70s and ‘80s with the rise of Jerry Lawler, Jimmy Hart and promoter Jarrett. Can’t make the 7:30 p.m. screening? It’s also on at 9:30 p.m. all three nights. Read an interview with Jarret by ATLRetro friend and Wrestling with Pop Culture blogger Jonathan Williams in this week’s Creative Loafing here.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in DRACULA:THE ROCK OPERA at 7 Stages.

Last February Atlantans had the marvelous macabre opportunity to get a sneak peek at HAUS VON DRACUL, the first act of DRACULA: THE ROCK OPERA, conceived by and starring Rob Thompson; performed by local talents such as Chris Love as Jonathan Harker and the Little Five Points Rockstar Orchestra; and featuring make-up and sets by Shane Morte of Silver Scream Spookshow fame. To refresh your memory, read ATLRetro’s feature on Love here and our review of the production at 7 Stages here. For just $15, you can support some of Atlanta’s top alternative talent in prepping this show for its world premiere next April, as well as scream to some one-of-a-kind performances tonight during Black Metal Burlesque: A Hell Raising Fundraiser at 7 Stages. A pre-party starts at 9 a.m., with show at 10 a.m. featuring performers from the show, the Little Five PointsRock Orchestra, The Chameleon Queen, body suspension by Loki Shane DeFrieceMacabre Puppets‘ Chris Brown (Scarlett’s Web) as Rotzo the Clown, and much more from body-painting to a raffle. For a scary sneak preview, check out our interview with Kool Kat of the Week actor/stuntman Justin Welborn here.

New York’s Felix and the Cats swing down to Fat Matt’s. Canadian rocker Bryan Adams takes audiences back to the ’80s in his Bare Bones Tour to Frederick Brown Jr. Amphitheater in Peachtree City. Rock further back to the ’70s with Revival: An Allman Brothers Experience with Lefty Williams and Benji Shanks at Vinyl at Center Stage. Catch an IMAX movie and listen to cool jazz and sexy soul by vocalist Sarah Belladae at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday August 6

Catch an opening reception for August and Everything After: A URBNPOP art show, a solo art show featuring the wonderfully quirky pop culture-inspired works of artist Chris Hamer at Rev Coffee (1680-B Spring Road, Smyrna, 30080) from 8 to 10 p.m. Read ATLRetro’s Kool Kat profile of Chris here.

Travel back to the late ’70s/early ’80s at Deja vu Discotheque – The Dance Party of the Decade, a reunion party for The Limelight, Atlanta’s Studio 54, at Center Stage tonight. In addition to grooving to favorite dance music of the era by original Limelight DJs, attendees will be treated to a recreation of the club’s spectacular Moving Lightshow and many other over-the-top experiences reminiscent of the legendary venue. Read our sneak preview with memories of the original Limelight from Scott Cloud and KP Hendry here. Doors open for VIPs at 8 p.m, general admission at 9 p.m., and a silent auction benefits the Starlight Children’s Foundation of Georgia. Tickets are available here.

Billie Holliday sings the blues in STRANGE FRUIT.

Explore the dark side of the South via the soundtrack of the haunting Billie Holliday song in STRANGE FRUIT, a documentary directed by Joel Katz that weaves together jazz geneaology, biography, performance footage and the history of lynching, in the latest entry in the High Museum of Art‘s Radcliffe Bailey Film SeriesTheophis “Thee” Smith, associate professor of religion at Emory, will lead a discussion following the 8 p.m. screening at the Woodruff Arts Center.

Ghost Riders Car Club headlines a very special Retro honky tonk evening at Star Bar with Anna Kramer & the Lost CauseAndy Vaughn & the Driveline, and New Orleans’ Dirty Bourbon River Show. If you missed ATLRetro’s Kool Kat interview with GRCC’s Spike Fullerton, here’s a link. It’s a trilogy of rockin’ country ’70s-inspired fun when Gasoline BrosLo Country and AM Gold invade VinylSteely Dan is at Classic Chastain. Maretta’s Dry White Toast plays funk rock at Fat Matt’s Rib ShackFelix & the Cats swing over to Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 7

Interstate plays blues “dunch” between 1 and 4 PM at The Earl. One of the best alternative bands with its roots in the ’80s, The Goo Goo Dolls, play with Michelle Branch at Verizon Wireless Amphitheatre. And ’70s rockets Steely Dan are at Classic Chastain. And don’t forget Jerry Jarrett and MEMPHIS HEAT at The Plaza! See Friday for details.

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Kool Kat of the Week: Raising Hell with Justin Welborn at Friday’s BLACK METAL BURLESQUE Fundraiser for DRACULA: THE ROCK OPERA at 7 Stages

Posted on: Aug 4th, 2011 By:

Last February, composer/musician Rob Thompson and The Little 5 Points Rockstar Orchestra drove a stake into our preconceptions of rock opera as a dead-and-buried art form and put the bite back into vampire lore at 7 Stages with HAUS VON DRACUL, PART 1. If you’ve been stuck in your coffin and missed hearing about it, check out ATLRetro’s interview with actor Chris Love, who injected hard rockin’ passion into the often-staid role of Jonathan Harker, and our review here.

Now Rob and the rest of that crazed and creative team are hard at work on the terrifying second act of what’s now titled DRACULA: THE ROCK OPERA which will have its premiere run at 7 Stages from April 19-May 13, 2012. However, as anyone in the arts knows, even a labor of creative love needs some cold hard cash to make it to the stage. So raise the curtain on BLACK METAL BURLESQUE, a one-of-a-kind fundraiser this Friday at 7 Stages featuring not just cast members and the Little 5 Points Rockstar but other notorious local talent such as The Chameleon Queen, Loki Shane DeFriece (Prentice Suspensions), Macabre Puppets’ Chris Brown (Dad’s Garage’s SCARLETT’S WEB), , set designer/make-up artist Shane Morton (Silver Scream Spookshow), and many more. Tickets are just $15 and the show is at 10 p.m., but a pre-show party kicks off at 9 p.m. and continues after the show.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in last February's performance of HAUS VON DRACUL at 7 Stages.

For a sneak preview of this sexy, surreal and sinister evening, we turned to actor and stunt artist Justin Welborn, one of the mad masterminds behind the fearsome festivities and no stranger to the world of horror. In addition to performing at most of Atlanta’s theaters, he directed Sensurround Stagings’ production of Clive Barker’s THE HISTORY

Justin Welborn in THE SIGNAL. Magnolia Pictures, 2007.

OF THE DEVIL, is a founding member of Black Knight Stunts, and starred in the independent horror movie THE SIGNAL, which screened at Sundance in 2007. More scary screen credits include THE FINAL DESTINATION (2009), DANCE OF THE DEAD (2008), and THE CRAZIES (2010). Oh, and Justin does yoga, drinks Jamesons and his favorite movie is COOL HAND LUKE (1967).

How did you get involved in DRACULA: THE ROCK OPERA and what’s your role?

I am assisting Del Hamilton (Artistic Director of 7 Stages) with the direction and artistic production design of DRACULA. It’s strange how I got started with this whole three ring circus, i,e. The Little 5 Points Rock Star Orchestra. I’ve worked with, for and at 7 Stages for many years, and I’d seen the Rock Star guys and gals do their Iron Maiden show and their Pink Floyd Tribute, and always had an amazing time. I knew they had done JESUS CHRIST SUPERSTAR and HAIR, and so when Heidi Howard (Education Director/Production Manager, 7 Stages) asked me to come in and help coordinate the stunt work and violence in their 666 CHRISTMAS WITH THE DEVIL show, I was more than excited to help. I found the whole Devil crew to be very eager, slightly disorganized and maybe a little drunk. I loved it. And the show’s finale was like nothing I’d ever seen at an Atlanta theater in 12 years! Just mad!

The Krampus float in last year's L5P Halloween Parade.

I came in again the next year for A KRAMPUS CHRISTMAS and ended up spending more time directing for real, rather than just stunts. The more I gave, the more they gave back. We began to figure out how this theater world and their music world could mesh and synthesize into something new and fun for everyone. So when I was asked to help with DRACULA, I jumped at the chance for another go! I didn’t know what I’d be doing for sure, but right from the start, I began directing and troubleshooting in a kind of cooperative effort to make the best show possible. I wasn’t in charge, but at a certain point I was given—by unspoken agreement more or less—great license to help create and direct the show. I was really quite honored at how much trust they put into me.

The first act, titled HAUS VON DRACUL, premiered at 7 Stages last February. Is the second act’s script and music completed or at what stage is at now?
The second act is still in development but is coming along swimmingly. Rob Thompson, the creative mind before and behind our vampire opera, has been working on this project for almost two years, and as I understand it, is approaching a completed score. I think we’re still trying to figure out what we want to do with the end. We are using Bram Stoker’s book as our cornerstone, but translating that into music and a stunning visual stage show takes some real ingenuity.

Considering it’s a rock musical about a vampire, Black Metal Burlesque sounds like the perfect theme for a fundraiser. Any story behind how the idea came about?
Rob told me one night at Java Lords that he wanted to do a fundraiser based on Venom’s BLACK METAL album that would include burlesque girls and live suspension acts. Then he described a few possible numbers. So I took what he said, weighed some options and the favors I had left in town, and decided if not now, when? I wanted to keep the DRACULA buzz rolling, and help support a theater I believe in. Plus the excitement from the group only intensifies every time we up our game and really keep challenging ourselves with what we can do artistically when we work together. It’s very exciting to see these artists working toward a common goal with people they normally wouldn’t get a chance to perform around.

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This Week in Retro Atlanta, Aug. 1-7, 2011

Posted on: Aug 2nd, 2011 By:

Monday August 1

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday August 2

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Crosstown All Stars play Southern rock and blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday  August 3

Tennessee Tease Burlesque Invades the Cult Movie! combines two great Retro traditions on one stage at The Shelter. Doors are at 9, show at 10, and tickets are $10 to see this sexy troupe from Memphis which features titillating dancers, vocalists, comedians and fire performers.

The Beach BoysBrian Wilson sings solo at Classic Chastain tonight. Spend An Evening with Dolly Parton at Verizon Amphitheatre at Encore Park. MOTO, aka Masters of the Obvious, plays punk New Orleans style at Star Bar with Barreracudas and self-described “Cooter” rockers Tornado Town. It’s a soulful night when Ruby Velle Trio takes the stage at Eddie’s Attic. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven. 

Thursday  August 4

Whiskey Belt.

It’s another honky tonk night at Star Bar with Whiskey Belt. Dirty Bourbon River Show fuses roots, blues, jazz, zydeco and more into something they call New Orleans gypsy folk circus rock at Twain’s. Frankie’s Blues Mission is at The Five Spot. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features alt-bluegrass Judge Talford Band.

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Dracula Superstar, But Love Is the Answer

Posted on: Feb 11th, 2011 By:

In JESUS CHRIST SUPERSTAR, the son of God is reborn as a rock star, and likewise, in Little 5 Points Rockstar Orchestra‘s HAUS VON DRACUL, PART 1, premiering this week at 7 Stages, as Rob Thompson struts confidently emoting on the power of blood, so is Count Dracula, the iconic vampire dark lord of fiction. And that’s just as it should be in a production that purports to resurrect the rock opera and translate its iconography into the horror genre. Thompson dominates the stage with his petulance, cockiness and powerful voice, Jim Morrison meets Ozzy redressed as Vlad the Impaler with a long dark mane, a Gothic red velvet vest so pointy it looks like it could cut you, and a cape shaped like bat wings that unfurl at key moments in the action.

That HAUS VON DRACUL, composed by Thompson and directed by 7 Stages artistic director Del Hamilton, hits all the right notes with the character of Dracula is gratifying and makes the production worth seeing on its own, but the gratifying surprise is Chris Love’s electrifying performance as Jonathan Harker. In most screen versions of the DRACULA story, Harker is a handsome but dull protagonist who gets the story going by delivering real estate papers for the count’s new property in England to Dracula’s castle and gets bitten by the vampire wives. He’s also the boyfriend of Mina, whom Dracula, once arrived in London, covets and seduces.

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Dracula, A.D. 2011: Chris Love’s Hard-Rockin’ Harker

Posted on: Feb 9th, 2011 By:

Children of the night, rejoice. The Little 5 Points Rockstar Orchestra is driving a stake into your preconceptions of rock opera as a dead-and-buried art form and putting the bite back into vampire lore at 7 Stages this week with HAUS VON DRACUL, PART 1. The production marks another collaboration between long-time Atlanta musician Rob Thompson (Ghost Story, Blistered), also owner of Java Lords Coffee House & Bar, who also plays the Count, and horror Renaissance man Shane Morton (Silver Scream Spookshow) who also created savage set design and make-up for the Rockstar Orchestra’s A KRAMPUS CHRISTMAS at 7 Stages last December.

Chris Love as Jonathan Harker in Haus Von Dracul, Part 1. Photo Credit: Nicole Boroski

ATLRetro caught up with guitarist Chris Love, who plays hero Jonathan Harker, this week, to dig up more about HAUS VON DRACUL and why a vampire rock opera makes for the perfect Valentine-week date.

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