Kool Kat of the Week: Bad Girls and One Benedict: An All Villains Burlesque Review Is Elementary to Sketch MacQuinor

Posted on: Mar 4th, 2014 By:

Sketch MacQuinor as "Sherlock" and Harleen Cassidy as "The Woman." Photo courtesy of Sketch MacQuinor.

Some of Atlanta’s best burlesque salute the really bad girls in VILLAINOUS SCHEMES AND ADULT THEMES on Fri. March 7 and Sat. March 8 at the Academy Theatre in Hapeville. The showcase of sexy skits saluting show business’s villainesses is produced by Hysteria Machines, a collaboration between Fat Cat Cabaret Creative Director Persephone Phoenix  and Sketch MacQuinor, whose day job may be our dream job is an animator whose credits include AdultSwim’s SQUIDBILLIES (read an interview with him about that here).

Persephone was an ATLRetro Kool Kat last fall, so we decided to get the male perspective this time around. Sketch has been performing in Atlanta in various guises for a long time as an animator, artist, and idea man, who, he says, “does a little of everything on stage but sing.” That includes improv, puppetry, stand-up, sketch comedy and impersonating Benedict Cumberbatch‘s SHERLOCK, with whom he shares an uncanny resemblance.
With all that in mind, we thought it would be elementary for Sketch to be this week’s Kool Kat. Here’s what he had to share about this weekend’s show, the imminent return of Fat Cat Cabaret, and his own – shall we call them gloriously geeky – escapades around town and on film.
ATLRetro: How did you and Persephone get the idea for a villains-themed burlesque show come about?
Sketch: I originally just wanted to do a geeky variety show with burlesque elements. When I started asking burlesque performers if they had a geeky number they wanted to dust off or try out, they all asked “What’s the theme?” Apparently, most burlesque shows have themes.  “Geeky comedy!” I replied. “Yeah,” they countered, “but what’s the theme?” Since I had some material I wanted to do involving villains and since I knew that most of the people I approached had some Catwoman, Poison Ivy or Harley Quinn costume in the back of their closet, I just said “Villains.”  From there it blew up, snowballed, took on a life of its own, and other mixed metaphors.
I understand the second half will be all Disney Villains? Why spotlight Disney in particular?
That’s another organic aspect of the show that just happened on its own. Disney-inspired numbers kept getting offered. Violetta Lugosi had an existing number about Snow White.  Venus deMeow had a gorgeous Queen of Hearts number she’d wanted to try out. I saw the preview for the new MALEFICENT movie and ran an idea for a peel to the tune of the sexy new cover of “Once Upon a Dream” by Candi leCoeur, and she jumped at the idea with glee. I asked Facebook, “What Disney villain would you like to see do standup?” and everybody shouted “Hades” [HERCULES]  The routine just wrote itself. My old friend Maggie Dale hasn’t been on stage in years because of an extended case of children, but volunteered to break back out onto the scene with a belting rendition of “Let it Go” with a partial peel.  Others soon came along with other numbers inspired by the empire of Uncle Walt.
Who are some the villainesses that we’ll encounter in the show? 
As mentioned, you’ll see a magnificent Maleficent, an Evil Queen, or two, favorite felonious feline femme fatale Catwoman, and Irene Adler [SHERLOCK], the woman so clever and devious, she earned the name, “The Woman.”

Sketch MacQuinor as "Sherlock." Photo courtesy of Sketch MacQuinor.

Without giving away any big spoilers, what can you tease about your special mystery comedy sketch?  You’re playing the role of Sherlock Holmes, right?

Yes, I am, but I’m really just a prop. The piece itself stars performer Harleen Cassidy as Irene Adler from BBC’s SHERLOCK.  I’ll be acting and capturing his mannerisms with some amount of competency and flair, but you won’t notice me as you’ll be mesmerized by Harleen as she successfully delivers an Adler emulation that with hit you in those parts of your brain that can still be surprised by subtle sensuality. The Woman is amazing, and I envy the audience. I’ll be forced to take my eyes off of her to play the role of Sherlock, but you won’t be able to look away from her powerful stage presence.
This isn’t the first time you’ve done Sherlock and you bear a striking resemblance to Benedict Cumberbatch. How did that get started?
With my long face, small, blue eyes, deep voice and large teeth, I’ve been compared by many to Mr. Cumberbatch, especially in those moments when his characters get goofy. Naturally I started milking the similarity to make some fairly well-executed costumes. I exploited this similarity in a video I put together called “Ladies’ Night at Moriarty’s Pub,” wherein a bunch of villains that you may have seen women express their desires for on Pinterest and on T-shirts gather at a special bar for ne’erdowells.  In it, I play the STAR TREK: INTO DARKNESS Khan character, trying to achieve the right balance of growling and purring that the character requires. Fun fact, all four of the female Droog characters in the background are leading their own acts in this production.
Many people may not be familiar with the Academy Theatre in Hapeville. Tell us a little about the venue.
It’s a gorgeous, intimate setting. The Academy Theatre is the longest-running theater in the Atlanta area, though it’s had to change venues a few times. Last year when they lost their last space in Avondale Estates, the Arts Centers of Hapeville and Stockbridge both gave the Academy homes to perform in. The Hapeville location has just a great setup and is [set] to undergo a remodeling in the coming year.
When will Fat Cat Cabaret will back?
Currently we’re planning a return in May, venue permitting.
What else are you up to?
I’m the wrong guy to ask, because I’m up to everything. Redesigning my webcomic, THE MACWINNERS, do more stand-up, do more experimental puppetry, trying to do more illustrated poems, trying to put together more video productions with THE BROTHERHOOD OF DAMN SASSY MUTANTS, get my children’s book HEARTS AND CRAFTS published, produce a second full-cast audiobook, start a family with my incredibly supportive wife, get back into acting, do more audio work with my friends at the Atlanta Radio Theater Company, and spend more time with my aforementioned wife while working my day job as a professional animator.  I sometimes wish I could be one of those guys who just plays ASSASSIN’S CREED when they get home.
What question did I not ask that I should have and what is the answer?
You could ask follow-ups on the children’s book the audiobook, the webcomic, and such, but since they’re not relevant to the article, one could just ask, “When can we meet for Korean tacos in Midtown during the week?”  I like any excuse to do taco lunch, especially on tempeh avocado day.
For more about Sketch, he has a really fun Pinterest page which you can check out here.

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Kool Kat of the Week: Speaking Easy About Volstead Nights With Ruby Le Chatte; There’s No Prohibiting The Fat Cat Cabaret’s Meow

Posted on: Jun 25th, 2013 By:

Ruby Le Chatte. Photo credit: Mike Curtis, Treehouse Studio.

Ever since Gatsby’s, Atlanta’s Roaring ’20s themed night club opened this spring in Midtown, it seems like there’s a cool Retro event happening there almost every week. This Saturday June 29, it’s Volstead Nights – A Speakeasy Review presented by Fat Cat Cabaret. The ’20s themed night will feature lots of our favorite things – burlesque, cabaret, comedy, aerial silks, magic, hooping and more performed byFat Cat Cabaret troupe members and special guest artists from Atlanta and Nashville, followed by a dance. These include Nashville-based magician John Pyka “Big Daddy Cool,” Atlanta aerial silks performer extraordinaire Persephone Phoenix,  and Rebecca “HoopEssence” DeShon, hula hoop mistress who also has been an ATLRetro Kool Kat of the Week. Tickets are $15, and the show starts at 8.

ATLRetro managed to tease out a scandalous sneak preview from Ruby Le Chatte, Fat Cat Cabaret’s troupe manager and co-founder with Jacqueline Trade. While relatively new the burlesque scene, Ruby has been practicing Egyptian Cabaret style belly dance for over 10 years in both Texas and Georgia. Ruby’s name is derived from her favorite things, her shining red birthstone and her favorite color, as well as “le Chatte” the female feline.. As she says: “Don’t mistake her for a common house cat, the only thing domestic about her is that she lives indoors.”

ATLRetro: As Ruby le Chatte, you take inspiration from your birthstone and the female feline. Did you have a special cat or is it more the long tradition of sexy, mysterious feline-inspired characters/performers from Catwoman to the lethal beauties in Russ Meyer’s FASTER, PUSSYCAT! KILL! KILL!?

Ruby Le Chatte: Yes, it’s more the history of the feline. Even in Egyptian times the feline was a symbol of grace and poise.

Julie Newmar as Catwoman in the 1960s BATMAN TV series.

Do you have a favorite feline-inspired character/performer? If yes, why?

As a child I loved watching reruns of the BATMAN TV show with Julie Newmar as Catwoman. She was always sexy and mysterious.

You came to burlesque via Egyptian Cabaret style belly dance. For those less familiar with bellydancing, how does this differ from more traditional belly dance and what drew you to this performance art form?

Egyptian Cabaret is the style of bellydancing that most Americans are used to seeing in Mediterranean restaurants. The performances can be quite sensual, and the costumes are often covered in rhinestones. Around Atlanta, at faires and festivals, it is more likely that you will see a style of belly dance called American Tribal Style dance. The costumes consist of more earthy colors, cowrie shells and large hair flower headdresses. ATS is an amazing style of dance, usually done in group numbers where one dancer takes the lead and her movement dictates the next series of moves that she and the other performers will do. Egyptian Cabaret is more commonly a solo performance, and many props – veils, swords, candles, fans – can be used. I admit, I was first drawn to the style of dance because I am a terrible flirt. *wink*

Ruby Le Chatte. Photo credit: NewUncleMe@yahoo.com

Is there a vibrant Egyptian Cabaret style belly dance scene in Atlanta? In the Southeast?

There is a vibrant belly dance scene in Atlanta and the Southeast, though there are more ATS performers than Egyptian Cabaret  it seems. There’s also a large burlesque community, and the two different groups often work together in Atlanta to put on fabulous shows throughout the year.

Is there a story behind your passage from belly dance to burlesque? And how does your belly dance experience inform/influence your burlesque acts?

I admit, when I moved to Texas from Georgia in 2007 and tried to find Egyptian Cabaret classes to attend – it’s always important to continue your education – I was unable to find classes in that style near my home. I did take a few ATS classes, and while beautiful and challenging, I was not drawn to that style of dance as I was to Egyptian Cabaret. In December 2010, I attended my first burlesque show with a friend and a light bulb went off in my head. Burlesque can include humor, sensuality, drama, tease. It can tell a story; it can make your heart skip a beat. I enrolled in classes with Syrens of the South shortly thereafter and have not had a second thought since.

How did Fat Cat Cabaret get started?

My good friend Jacqueline Trade and I had performed together on a couple of occasions, during which we’d spoken about the things we love about burlesque.  She and I sat down over diner and drinks and hashed out what we’d like to see, who we wanted to include and our roles. She is our Creative Director, ensuring that our shows go off without a hitch, and I am our Manger, here to make sure that all the ducks are in a row.

Can you talk a little bit about what a Fat Cat Cabaret show is like and how it fits in and/or differs from the Atlanta burlesque revival scene?

Jackie and I felt there was a place in Atlanta for a vaudeville style troop of performers and crew who wanted to create classy shows with a nod to history. Fat Cat Cabaret shows include 1920-1950s style performances, and while not everything we do is historically accurate, we create our numbers with those shows in mind. The burlesque performers of that time are praised even today for their style, creativity, femininity and flair. Our shows have a storyteller who acts as our MC; the audience is fully immersed in the show with us. It’s similar to attending the Renaissance Festival. Sure you can go as a patron and enjoy the food and watching the performers, but isn’t it a little more fun when you let your hair down and interact with them a little? Don’t be surprised if you get a wink from Sally Strumpet or if Dante Roberto takes you out on the dance floor for a spin.

The Cast of Fat Cat Cabaret, ready to speak easy at Volstead Nights! Photo credit: Mike Curtis, Treehouse Studio.

Why the name “Volstead Nights”? Without giving away all the surprises, what can you tease us about Saturday’s performance?

Ah, well, The Volstead Act was enacted to carry out the 18th amendment to the U.S. constitution on January 17, 1920. The 18th amendment is better known as Prohibition. Under the laws of the time, the sale of alcohol was forbidden, and anyone who wanted a taste of “giggle water” had to find a way to get it in secret, like in a speakeasy. In our show, Benjamin Gravitt – our MC for the night – is the owner of one of those speakeasys, and he named it the Volstead as a humorous jab at the law.

Do you have anything special personally planned for your own act Saturday?

I do! You will be the first audience to see me perform with a beautiful pair of “Isis Wings.” They are like a veil or a fan, however they’re made from pleated fabric and look like the wings on images of the goddess Isis. Who knows what may, or may not, be visible when I twirl them around my body as I dance.

At ATLRetro, we’re really excited about Gatsby’s. For folks who haven’t been there, what makes it so special?

I’m so glad to hear that you’re excited. We are too! Gatsby’s is a lovely venue for many reasons. It has a beautiful art deco style, huge dance floor, expertly crafted and reasonably priced drinks (they even have specialty coffees before 10 p.m.), desserts, tons of free parking. They allow 18 and up and are a nonsmoking venue. What more does one need?

What’s next for Ruby le Chatte and Fat Cat Cabaret?

We always have something in the works. The nature of our shows involve a lot of planning and many long nights rehearsing. I believe I speak for everyone involved in Fat Cat Cabaret when I say that we are very passionate about our art. We’ve discussed our next show being 1950s in theme and maybe doing some video performances that are campy versions of the “educational/informational” old films on how to be a responsible housewife or how young ladies should dress to be respected. Whatever we do next, I can assure you that you will be teased, tempted, amused and entertained!

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