Kool Kat of the Week: Fast Times at the Star Bar with Phoebe Cates and the Attractive Eighties Women

Posted on: Feb 26th, 2015 By:
Lazer Tag 2 by Josh Meister

Attractive Eighties Women. Photo credit: Josh Meister

Hammerhead Fest IV: Weekend at Burnouts thrashes the Star Bar back to the punk and metal glory days of the ’80s and ’90s Fri. Feb. 27 and Sat. Feb. 28 . Throw on your combat boots and get ready to thrash at this two-day event of bands, booze and debauchery. Co-headlining are comedy core “divas” Attractive Eighties Women (Fri.), who mix classic punk with ‘70s stadium rock, and self-described hardcore “jerks” The Vaginas (Sat.). Also on the killer bill are thrash metal Death of Kings,  Misfits-style punk SHEHEHE, Gunpowder Gray, Spray Tan, Hatestomp (from Tennessee), Bigfoot (featuring Kool Kat Jett Bryant), DROPOUT, Divided Heaven (featuring members of The Boils), Bottle Kids and Magoo’s Heros.

ATLRetro caught up with Phoebe Cates, recently to find out what happens when all that testosterone…er female power gets pent up in one bar. She’s one of the four Attractive Eighties Women, which also include Kelly McGillis, Christie Brinkley, Shelley Long, and Princess Leia herself, Carrie Fisher. The comedy-core band has rocked the Atlanta music scene back to MySpace days and are known for fun little ditties like “Mama Get a Mammogram,” “Murder Kroger” and “They Shoot Hipsters, Don’t They?”  “Lightning Bolt,” a jab at live-action-role-play, even made it onto AdultSwim’s FRISKY DINGO.

If that’s not enough to earn Phoebe a crack at Kool Kat of the Week, we’ve got to admit we sure dug her in GREMLINS

ATLRETRO: What’s the secret origin story of the Attractive Eighties Women?

Phoebe Cates: We were all fans of the Scottish prog-rock band Hot Eighties Ladies, so we decided to form a cover band. The seven original members of Attractive Eighties Women all met in 1997 in an IRC chat room for HEL fans.

How did you get your band name? We heard it had something to do with a self-help video so we assume you guys are pretty fit and stable.

The original name of the band was Guitars Aplenty—because we had four guitar players. Our friend Miss Lady Flex of Le Sexoflex suggested “Attractive Eighties Women” because our band is composed of some of the most attractive actresses of the 1980s. After she pointed that out, it was kind of a no-brainer.

Album Art by Mack WilliamsWhich of you is the most attractive and why?

Me, Phoebe Cates. Why? Because of this infamous clip which I’m sure you’ve seen. Christie Brinkley thinks she’s the most attractive, but she also thinks “Uptown Girl” was written about her. What an idiot. 

Classic punk mixed with ‘70s stadium rock sounds like an oxymoron. How do your reconcile the basic antipathy felt by each toward the other, or are you simply schizophrenic?

It’s 2015, who cares about multisyllabic words like “antipathy” and “schizophrenic.” Rock & roll is for the people, baby! Whether they’re in a shithole dive or the Georgia Dome, AEW is for everyone regardless of race, income level, gender, sexual orientation, smell, complexion, hair height, shoe size, IQ, political affiliation, blood type, dick length, vagina depth or BMI. Except Georgia Tech fans. They’re not welcome at our shows.

You’ve been getting airplay at major media outlets lately with the Murder Kroger getting renovated and cleaned up into the Beltline Kroger. So how do you feel about that makeover? Be honest, is Atlanta losing a landmark? 

“Murder Kroger” the song is far more famous than our band. That makes us a one-hit-wonder, just like Joan Osborne and Tag Team. If that song is our legacy in the city of Atlanta, that makes me very happy. Getting upset about gentrification or the death of small businesses is pointless. I prefer to spend my time contemplating the cosmos and writing songs about beer shits. Murder Kroger will live forever in the minds of those who experienced the filth and the fury themselves.

hammerheadfestShould hipsters still be shot?

No one cares about hipsters anymore. What’s a 2015 hipster? What was a 2007 hipster? I say shoot everyone under the age of 25.

Why should ATLRetro readers be sure not to miss Hammerhead Fest IV?! 

Attractive Eighties Women on Friday, and our friends The Vaginas on Saturday. I really like Death of Kings, too, and I’ve heard good things about Dropout and SHEHEHE, though I’ve never seen them myself. Is that Elvis Vault still there? Also, Shelley Long promised to whip it out during our third encore.

Looking at your Facebook page, can we expect Lazer Tag?

Yes, you can expect the hell out of it. 

OK, you don’t want to give away any spoilers, but for folks who have never seen you “ladies” live, what can they expect? And for those who have, why should they bother seeing you again?

Every Attractive Eighties Women show is unique, just like human dental records. Coincidentally, that’s what the authorities will need to identify the bodies in the audience after our sick riffs burn the Star Bar to the ground.

Hot Tub by Josh Meister

Attractive Eighties Women. Photo credit: Josh Meister.

What else are you up to now? Tour? New songs? Album?

There are no plans for any of that stuff at the moment. Immediately after the show is over, I’m being whisked offstage and flown back to Thailand, where I’ve been living for the past five years. I am doing a lot of meditating and training at a Buddhist temple. It’s very similar to the beginning of RAMBO III.

What question do you really wish someone would ask you? And what’s the answer?

Q: What’s the airspeed velocity of an unladen swallow? A: What’s it like to be a virgin in your 40s?

All photographs are provided by Attractive Eighties Women and used with permission. The cover gallery photo credit on the ATLRetro home page is by Josh Meister.

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Retro Review: SHAMPOO: A Tangled Tale Worth Revisiting in Newly Remastered 35mm at Cinefest

Posted on: Jul 18th, 2011 By:

By Dean Treadway
Contributing Blogger

SHAMPOO (1975); Dir: Hal Ashby; Screenplay by Robert Towne and Warren Beatty; Starring Warren Beatty, Julie Christie, Lee Grant, Jack Warden, Goldie Hawn, Carrie Fisher; Thurs. July 21; Newly restored 35 mm print; 7:30 p.m.; Cinefest at Georgia State University. Trailer here.

Released in 1975, Hal Ashby’s SHAMPOO very well may rank as the great director’s most cynical film. Ashby had previously given us THE LANDLORD, HAROLD AND MAUDE and THE LAST DETAIL, and would go on to deliver BOUND FOR GLORY, COMING HOME and BEING THERE before beginning a cocaine-fueled downward 1980s slump that would end in his untimely death in 1988 at age 59. It’s been years since I’ve revisited SHAMPOO because it strikes me as a truthful, mildly funny but ugly movie. It’s hard to watch, but extremely worthwhile. I know I’ll be at Cinefest on Thursday, July 21 at 7:30 pm to check out what is probably the first 35mm screening of Ashby’s film since the old days of the Rhodes and the Silver Screen, two long-gone Atlanta repertory theaters that closed their doors in the mid-1980s. We’re lucky to have a venue like Cinefest, which seems to be cultivating a desire to expand Atlanta’s repertory movie options these days.

Star Warren Beatty also acted as producer and co-writer, along with CHINATOWN and LAST DETAIL scribe Robert Towne. As such, he labored for almost a decade to get the film made. When it finally reached screens, it arrived like a bombshell designed to blow apart the sexually revolutionary Me Decade and everything connected to it. Set in 1968, on the eve of Richard Nixon’s election to the White House (which held particular resonance to 1975 viewers, who were still reeling from the Watergate debacle that drummed Nixon out of office), SHAMPOO tells the story of a philandering self-obsessed hairdresser named George Roundy (Beatty). The beautifier and sexual partner of choice for many of his clients, George is sick of life as a mere employee at a Beverly Hills salon. And so he finally steps up to realize his ambition of opening his own hairdressing business. But he’s broke and the banks won’t lend to such a flighty guy. So he sets his sights on a private investor, an equally self-absorbed, aging millionaire named Lester Karpf (played by Jack Warden, who tellingly has the worst hairstyle in the whole film).

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