KOOL KAT OF THE WEEK: Tromaville in L5P: Nick Arapoglou Radiates as the First Superhero from New Jersey in Horizon Theatre’s THE TOXIC AVENGER

Posted on: Feb 17th, 2016 By:
Kool Kat of the Week Nick Arapaglou as Toxie in Horizon Theatre's production of THE TOXIC AVENGER. Photo credit: Greg Mooney.

Kool Kat of the Week Nick Arapaglou as Toxie in Horizon Theatre’s production of THE TOXIC AVENGER. Photo credit: Greg Mooney.

By Geoff Slade
Contributing Writer

Horizon Theatre’s production of THE TOXIC AVENGER (Wed-Sun., through March 13) is a musical comedy based on the cult 1984 Troma film.  If that means anything at all to you, it is likely the best news you’ve heard all day. The plot will be familiar to fans, and I don’t want to spoil anything for the rest of you. All you need to know about the show itself, depending on how seriously you want to take it, is to expect social commentary on pollution, corrupt politicians and a deft satire of the superhero genre. And a seven-foot tall mutant with superhuman strength and a heart of gold. The original stage production opened in New Jersey in 2008, followed by a successful Off-Broadway run in 2009.

Local actor Nick Arapoglou plays the lead. Nick, originally from Huntington, NY, went to high school in Atlanta and moved back here after college. He has been acting professionally for about a decade, notably as Princeton (for which he learned puppetry!) in all three local productions (at three different venues) of AVENUE Q, and he won 2011’s Suzi Bass Award for Lead Actor in a Musical. Other roles during the past few years include Asher Lev in MY NAME IS ASHER LEV (Theatrical Outfit), Romeo in ROMEO AND JULIET (Shakespeare Tavern) and Bobby Strong in URINETOWN (Fabrefaction Theatre). “Of course, I also enjoyed THE GIFTS OF THE MAGI at Theatrical Outfit, because my wife played opposite me in that show for three years straight!” Nick said.

In addition to a diverse stage career, the actor has done lots of on-camera work . Look for him later this year in the films TABLE 19 (with Anna Kendrick, Lisa Kudrow and Craig Robinson), THE ACCOUNTANT (Ben Affleck, Anna Kendrick), THE BOSS (Melissa McCarthy, Kristen Bell), and CONFIRMATION (Kerry Washington).

Needless to say, those are some fantastic credits, but yeah, we admit we made Nick Kool Kat of the Week now because we think he’s in the role of a lifetime. And we’re absolutely troma-tized that he took time from his trashy schedule to talk Toxie with ATLRetro.

Photo credit: Greg Mooney.

Not funny! Photo credit: Greg Mooney.

First of all, what’s it like to portray a pop culture icon? (and make no mistake…)

Ha! I think when you are playing a role where there are those kinds of expectations, you have to make sure there are moments when you give a tip of the hat to the fans. We certainly have those moments placed within the show. But putting on a big green suit and kicking ass with a mop is about as awesome as you think it is!

Were you a fan of the films?

I’m going to be honest—I still haven’t seen them. I know that might make some people gasp! But there’s a reason why I didn’t once I accepted the role. There are very few new shows and musicals that hit the stage in Atlanta. They’ve usually been done in New York first. So it’s always important to me to try to bring my own take on the role and do a recycled impression of an impression of someone else’s take. That’s a huge trap in musicals especially. People listen to the CD so much and that colors their performance. So, the point is, I didn’t want to see the film and then have my performance be shaped by someone else’s. I did watch the trailer though and laughed hysterically—so you can bet once we close this thing that’s the first thing in my queue.

Had you seen or were you aware of any of the previous productions before this one came along?

Yes, we were aware especially of the award-winning Off-Broadway performance in NYC. I listened to the score a few times to get a sense of the music, but then stopped before it got in my head too much!

How did you end up cast in the lead?

Well, this is the same creative team that was behind AVENUE Q. Our excellent director Heidi McKerley (who won the Suzi Award for Best Director for AVE Q) and I have now done 11 or 12 productions together. She was one of the first people to cast me years ago and we have developed quite the resume of kickass musicals at this point. Also the music director Renee Clark (Suzi Award for Best Music Direction for AVE Q) and I have also worked together for years and years. She is an unbelievable talent, and every show she works on is better because of her presence. So I’m sure the working relationships I have with both those two fierce ladies led to their trust in casting me as the lead in this show.

dont-drop-him_24148250873_o

Don’t drop him! Photo credit: Greg Mooney.

You’re two weeks into a scheduled six-week run. How have audiences responded so far? Gotten any feedback from Troma fans yet?

I know I’m supposed to say this, but audiences love the show. No matter if the theater is sold out completely or we have maybe a smaller crowd on a Wednesday, they jump to their feet by the end of the show. I mean jump to their feet. It’s happened every night. We are really proud of what we are doing. The cast is a firestorm of musical theatre rock talent. Don’t believe me? Come watch, you’ll see!

We have definitely gotten some Troma fan feedback. It’s been awesome. They are always satisfied and super happy to take pictures at the end of the night with Big Green Freak.

How would you describe the show to (warn?) fans of musical theater that don’t recognize the title?

Nothing to warn about really. Because it’s a musical, obviously the gore factor has to be toned way down for audiences. But that doesn’t take away from the story and the fun at all, believe me. I think this show is rated PG-13, but a hilarious PG-13. It’s a train. It’s campy, and ridiculous, and hilarious. Everyone leaves smiling. If you don’t leave that way, you were trying not to like it, and in that case, I feel bad for you.

toxie-comes-alive_24148251913_o

Toxie comes alive! Photo credit: Greg Mooney.

The movies feature absurd, disgusting, hilarious violence. Any chance you rip some punk’s arm off onstage?

Some punk’s arm? How about multiple punks’ arms.

The musical was written by New Jersey natives Joe DiPietro and David Bryan. Their last collaboration, MEMPHIS, won the 2010 Tony Award for Best Musical. Bryan wrote the music (and co-wrote the lyrics with DiPietro) during downtime from his day job, keyboardist for another ’80s Jersey juggernaut, Bon Jovi. So is it safe to say the score rocks?

The music is just fun. We have a kicking band. You’ll hear some sick guitar distortion solos and bass, hot keyboard play and insane drum solos.

And this cast can sing. Make no mistake—it rocks.

THE TOXIC AVENGER runs through March 13 at the Horizon Theatre. Showtimes are Wednesday, Thursday and Friday at 8pm, Saturday at 3pm and 8:30pm, and Sunday at 5pm. Tickets start at $25. www.horizontheatre.com or 404-548-7450 for tickets and info.

The play contains adult language and content, and even though they’d love it, is not recommended for children.

All photos provided by Horizon Theatre and used with permission.

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Kool Kat of the Week: Back to the Eighties with Becky Cormier Finch of Denim Arcade

Posted on: Jun 8th, 2011 By:

Photo credit: Jayne Cormier.

Today many people make fun of music in the Eighties when pop stars sported ultra-teased mullets, super-wide shoulderpads, leg warmers and cut sweatshirts. Coming after the hard edge of punk, the sugary exuberance of Top of the Pops UK bands today seems quaint and something we sometimes like to forget we actually thought was rebellious at the time. Yet it’s easy to forget that for a lot of the ‘80s, only handful of Brit hits makers made the US Top 40, like Flock of Haircuts—excuse me Seagulls—, The Police, Human League, Soft Cell and Tears for Fears before John Hughes movies made at least one song by Simple Minds and a de-angrified Psychedelic Furs temporarily cool.

On the other hand, our charts were loaded with big-haired hard rock and metal bands from Van Halen to Bon Jovi, Cinderella to Motley Crue. Michael Jackson was the King of Pop. Billy Ocean crooned “Caribbean Queen,” Rick James undulated to “Super Freak,” Huey Lewis claimed the “Heart of Rock n Roll, Prince spawned an fleet of protégées, and Madonna seemed to spawn an entire genre to herself.

While many cover bands play ‘80s music, Atlanta’s Denim Arcade tries to capture both the decade’s sense of fun and unique sound using similar equipment from guitars to keyboards—the signature instrument of synth pop. Made up of seasoned musicians out to have some fun, Denim Arcade includes Wade Finch (lead and rhythm guitar) and John Christopher (bass), who first played together in the alternative band Noise Dot Com; Andy Womack, who has drummed in a wide variety of bands for more than 20 years including Atlanta-based Renaissance Festival phenomenon, The Lost Boys; and lead vocalist Becky Cormier Finch, best known for Three Quarter Ale, a fast-growing popular Celtic rock band that was a finalist recently on the GEORGIA  LOTTERY’S ALL-ACCESS MUSIC SEARCH show.

ATLRetro caught up with Becky to find out why these talented musicians decided to go back to the Eighties, what to expect at their next show this Saturday starting at 10 PM at @tmosphere, and what’s up next for Three Quarter Ale.

I understand Denim Arcade actually grew out of another ‘80s cover band called Great Scott. How did the band get started and get its name?

Both bands got started because of friends with a shared love of ‘80s music and a love of performing. “Great Scott,” of course, is Doc Brown’s signature phrase in BACK TO THE FUTURE. We had a line-up change, and decided that with a female lead singer, “Great Scott” didn’t really fit. No one in the band is named Scott, anyway! I believe a group of friends was at Manuel’s Tavern, having a conversation about quintessential ‘80s things, and my friend Bettina just blurted out “Denim Arcade” and it stuck!

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Weekend Update: May 13-15, 2011

Posted on: May 13th, 2011 By:

It’s only bad luck if you stay home on Friday the 13th, but Saturday is another of those Retro-crazy days full of tough choices. ATLRetro is terrifyingly torn between doing the zombie, rockabilly and ROCK ‘N’ ROLL HIGH SCHOOL

Friday, May 13

For Whom The Ramones Toll. Read the Mark Arson’s review to find out why you shouldn’t miss one of two screenings of cult favorite ROCK N ROLL HIGH SCHOOL, this month’s  Art Opening & A Movie,  at the Plaza Theatre. Since ROCKY HORROR is downstairs in the main theatre, tonight’s midnight show will be in the more intimate upstairs screening room, but we’re certain there will be plenty of screamin’ as  #1 Ramones fan Riff Randall (PJ Soles) and mouse-loving music teacher Mr. McGree (Paul Bartel) declare school’s out to no-fun Principal Togar (Mary Woronoff). And you get a chance to see some groovy artwork by ATLRetro featured artists Derek Yaniger, Chris Hamer and more of Atlanta’s best pop culture artists.

Indie alt-rock bands Cracker and Camper Van Beethoven play the art deco built-in-1931 Buckhead Theatre. Redneck underground favorites Slim Chance & the Convicts team up with the alt-country Wheel Knockers for a no-cover show celebrating their new EP release and to say farewell to their bass player at Milltown Arms Tavern in Cabbagetown. Chanteuse Julie Dexter sings jazz and soul at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday May 14

Celebrate the 75th anniversary of the publication of the book GONE WITH THE WIND from 10:30 AM to 4:30 PM at the Margaret Mitchell House in Midtown. Experience 150 years of history with this special program which delves into the entire GWTW story, including Civil War soldiers fighting the Battle of Atlanta, the city in the 1920s when Margaret Mitchell wrote the book, and the Pulitzer Prize-winning novel’s lasting legacy. The all-day event is part of a yearlong Margaret Mitchell’s Gone With the Wind 75th Anniversary Celebration series by the Atlanta History Center.

Check out this week’s Kool Kat for a sneak peek into one of the gardens of several privately-owned historic homes featured in the Artful Garden Tour, benefiting the High Museum of Art, from 10 AM to 5 PM. Gardens are located in Loring Heights, Druid Hills, Peachtree Battle, Buckhead and Ansley Park and local artists will be working on or showcasing their art in each location.

Blair Crimmins.

From 1 PM to Midnight, eat smoked pork sandwiches and listen to some of Atlanta’s best bands at Twain’s during the 3rd annual SpringFest benefiting The Atlanta Community Food Bank. Early on it’s family time with DJ Amy Handler of AM 1690’s The Kids Are Alright and the Imperial Opa dazzling with circus antics until 2:30. Then bands takeover including The Shathouse Rats, beach music-inspired The Mermaids, soul/funk/blues performers Amy Wren and What It Is, ’20s ragtime revivalists Blair Crimmins and the Hookers (read ATLRetro’s interview with Blair here), and Gentleman Jesse and His Men.

Help recreate George Romero‘s 1968 classic, NIGHT OF THE LIVING DEAD, in Virginia-Highland by joining the second annual Zombie Pub Crawl. Get to Diesel between 4-7 PM to have professional make-up artists from Atlanta’s top Halloween attractions Chambers of HorrorAtlanta Zombie Apocalypse and Netherworld apply your make-up or get a 10% discount at Norcostco/Atlanta Costume to do your own. Sponsors include Splatter Cinema/Gorehound ProductionsJagermeisterRed Bull and Sam Adams.

 

Have a spanking good time at Mon Cherie’s Rockabilly Lounge at The Masquerade with Hard Luck and TroubleRev. Andy spinning Psychobilly Freakout, a burlesque show benefiting Burlesque Hall of FameLegends, a Ragin’ Rockabilly Raffle and free shots of that ultimate Retro delicacy, Jello! Be sure to wish Mon Cherie “Happy Birthday.”

Catch a 9:30 PM encore screening of ROCK N ROLL HIGH SCHOOL at The Plaza. Bon Jovi rocks Philips Arena. Legendary keyboardist Ike Stubblefield is at Northside Tavern tonight. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday May 15

Washboard Confessional headline blues “dunch” between 1 and 4 PM at The Earl.

Ongoing

Leave it to the mad geniuses at Dad’s Garage to transform a beloved children’s classic into a bloody puppet musical. SCARLETT’S WEB features all your favorite characters from Wilbur the pig to Templeton the rat but adds some splattery special effects. Never mind, it’s all in fun though, they say, and definitely recommended only for anyone old enough to appreciate adult humor. Thurs., Fri. and Sat. nights at 8 p.m. extended through May 21.

At the High Museum of Art through May 29 is the MOMA-organized HENRI CARTIER-BRESSON: THE MODERN CENTURY, a blockbuster exhibit showcasing a photographer and photojournalist who captured on film many of the seminal moments  of the 20th century from World War II to the assassination of Ghandi, China’s cultural revolution to civil rights and consumer culture in America.

For more weekend fun, tune back in on Friday for ATLRetro Weekend Update. If you know of a cool happening we’ve missed, send suggestions to ATLRetro@gmail.com.

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