Really Retro: Raising an AleCon: Renaissance Music Stars Three Quarter Ale Celebrate Their First Decade with a Convention and Performance Festival!

Posted on: Aug 10th, 2012 By:

Three Quarter Ale. L-R: Rivka Levin, Dolph Amick, Becky Cormier Finch.

What do you do when your popular Celtic/Renaissance rock band hits 10 years old? If you are Three Quarter Ale, you throw a convention and festival for musicians, performers and fans of history-inspired musical theater and performance art. The three-day AleCon is this weekend (Aug 10-12) at Fabrefaction Theatre Company in Midtown and features performances not just by Three Quarter Ale but a host of other Ren bands and performance artists presenting magic to bellydancing. Other activities include panels on a variety of theatre, music and even film topics from stage combat and Irish dance to prop-building and financing art projects, as well as Killer Karaoke and daily costume contests.

A while back, we made Three Quarter Ale vocalist/flutist/guitarist Ariana Pellayle, aka Becky Cormier Finch, Kool Kat of the Week for her ’80s revival band Denim Arcade, so this time we asked bandmate vocalist/harpist/percussionist Rosemary Quench, aka Rivka Levin, for the scoop on Alecon and the enduring appeal of Ren music.
ATLRetro: Ten years old is a big landmark for any band, but they don’t usually throw a convention and performance festival. How did you guys get the idea for AleCon and what inspired you to go all out?
Rivka Levin: It was my bandmate Dolph‘s [Amick, aka Wicked Pete Speakeasy] idea. We are all three actors and dancers as well as musicians, so paying tribute to all the various crafts in which we participate seemed like the thing to do! Plus, we’re kinda ambitious that way. We are so much more than just a band, and we are THRILLED to be able to do something huge to celebrate out 10th anniversary.
You’ve assembled a pretty impressive performance line-up. Was it challenging or more a matter of ask and they will come?
OHHHH yes, it was challenging. We first had to narrow down what panels might be interesting to the general population as well as professionals – AleCon is designed to appeal to any arts lover. Then we got on the horn and started talking to the many talented people we know. But being so talented, many of them were already booked! WONDERFUL for them, but it meant another round of “who would we like to hear speak or perform?” and more phone calls. On the other hand, we did have some folks who heard about what we were planning and approached us to ask if there was a way they could get in on it! So it was a bit of both, really.
AleCon also includes panels and workshops. Can you tell us a little bit about the range of programming and highlight a few cool learning opportunities?
Sure! One of the panels about which I’m most excited is the Musical Stylings panel. We’ve got three industry leaders – really AMAZING people – talking about how to take a melody and do something unique or different with it – like making a standard musical theater piece jazzy or making a jazz tune sound classical. They are so good at what they do, and I can’t wait to hear them share their knowledge!
We also have an Irish Dance workshop, a podcasting panel by some of Atlanta’s best, “Recording on a Budget” and even a Prop-making For Film panel featuring the man who does all the props for VAMPIRE DIARIES! And some of the most talented and varied performers lined up, too.
The full schedule can be seen at http://alecon.threequarterale.com.
I understand Three Quarter Ale has a secret origin story of sorts which will be revealed at AleCon. Can you divulge a bit of it or do we have to come to find out?
Oh, you’ll have to attend! Our characters are pretty malleable and timeless, so there are really many possibilities regarding their origin or story. But I have just finished an historical novel with one exciting version, which I’ll be debuting at AleCon on Sunday! Parts of it have been posted online, and it already has quite a following of readers who have been chomping at the bit for the last several chapters!

Three Quarter Ale as 2011 finalists in the Georgia Lottery All-Access Music contest.

You’re a trained opera singer and act at The New American Shakespeare Tavern, too. How do these skills inform your work with Three Quarter Ale?

As I said, all three of us are actors, and one of the most electrifying things about Three Quarter Ale is the stage show we put on. People really connect with these three characters, in part because they are so real. I think folks come to an event of ours as much to spend time with Rosemary, Ariana and Pete as they do to hear the music itself. That’s also why I’ve so enjoyed writing this novel! Watching these three lovable and imperfect people get into scrapes, lose their tempers, deal with being kidnapped by pirates, fall in love, argue with each other, comfort each other – it’s been SO much fun! And so very rewarding.
With regards to being an opera singer, Dolph (Wicked Pete) is very skilled at writing original music that makes the most of the skills Becky and I bring to the table. Much of what he writes for me, even if it’s got a heavy metal or ’60s rock chord structure, uses my classical voice. It makes for a very unique and interesting sound, and it’s something that our fans really appreciate about our music – that it’s truly OURS, and no other trio could do it quite the same way.

Three Quarter Ale plays coy. L-R: Becky, Dolph and Rivka.

Do you have a personal highlight/favorite moment in 10 years of Three Quarter Ale?

I think one we all share was our first CD release concert for our second CD, INTERTWINED. We always start each set or concert with our theme song, in which we shout a toast, “Drink Hail!” and the audience is cued to toast us back by shouting, “Wassail!”  We’d been doing the theme song for two or three years, and we knew our fans knew the cue…but still, when we shouted that first “Drink Hail!” and an entire theater full of people shouted back “Wassail!”, it was so loud and so enthusiastic that it literally rocked all three of us back on our heels! The sheer volume! The love that was pouring forth from folks who had driven all the way out just to celebrate with us! It was honestly elating, humbling, and beyond anything we expected. But who knows – maybe something at AleCon will top even that!!
After AleCon, what’s next for you and Three Quarter Ale?
Oh, heavens! Dolph’s working on a screenplay that gives an alternative version to the novel. We’ve got lots of new material not yet on a CD. We’ve even talked with some sequential artists about a Three Quarter Ale comic book or animated video. AAAAAND if you come to AleCon on Saturday night, you’ll see the surprise secret project we’ve been working on, too! Honestly, the possibilities are endless.
Note: All photographs are courtesy of Three Quarter Ale.

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Kool Kat of the Week: Back to the Eighties with Becky Cormier Finch of Denim Arcade

Posted on: Jun 8th, 2011 By:

Photo credit: Jayne Cormier.

Today many people make fun of music in the Eighties when pop stars sported ultra-teased mullets, super-wide shoulderpads, leg warmers and cut sweatshirts. Coming after the hard edge of punk, the sugary exuberance of Top of the Pops UK bands today seems quaint and something we sometimes like to forget we actually thought was rebellious at the time. Yet it’s easy to forget that for a lot of the ‘80s, only handful of Brit hits makers made the US Top 40, like Flock of Haircuts—excuse me Seagulls—, The Police, Human League, Soft Cell and Tears for Fears before John Hughes movies made at least one song by Simple Minds and a de-angrified Psychedelic Furs temporarily cool.

On the other hand, our charts were loaded with big-haired hard rock and metal bands from Van Halen to Bon Jovi, Cinderella to Motley Crue. Michael Jackson was the King of Pop. Billy Ocean crooned “Caribbean Queen,” Rick James undulated to “Super Freak,” Huey Lewis claimed the “Heart of Rock n Roll, Prince spawned an fleet of protégées, and Madonna seemed to spawn an entire genre to herself.

While many cover bands play ‘80s music, Atlanta’s Denim Arcade tries to capture both the decade’s sense of fun and unique sound using similar equipment from guitars to keyboards—the signature instrument of synth pop. Made up of seasoned musicians out to have some fun, Denim Arcade includes Wade Finch (lead and rhythm guitar) and John Christopher (bass), who first played together in the alternative band Noise Dot Com; Andy Womack, who has drummed in a wide variety of bands for more than 20 years including Atlanta-based Renaissance Festival phenomenon, The Lost Boys; and lead vocalist Becky Cormier Finch, best known for Three Quarter Ale, a fast-growing popular Celtic rock band that was a finalist recently on the GEORGIA  LOTTERY’S ALL-ACCESS MUSIC SEARCH show.

ATLRetro caught up with Becky to find out why these talented musicians decided to go back to the Eighties, what to expect at their next show this Saturday starting at 10 PM at @tmosphere, and what’s up next for Three Quarter Ale.

I understand Denim Arcade actually grew out of another ‘80s cover band called Great Scott. How did the band get started and get its name?

Both bands got started because of friends with a shared love of ‘80s music and a love of performing. “Great Scott,” of course, is Doc Brown’s signature phrase in BACK TO THE FUTURE. We had a line-up change, and decided that with a female lead singer, “Great Scott” didn’t really fit. No one in the band is named Scott, anyway! I believe a group of friends was at Manuel’s Tavern, having a conversation about quintessential ‘80s things, and my friend Bettina just blurted out “Denim Arcade” and it stuck!

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Weekend Update, Feb. 24-27, 2011

Posted on: Feb 24th, 2011 By:

As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5.  All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

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This Week in Retro Atlanta, Feb. 21-27, 2011

Posted on: Feb 21st, 2011 By:

It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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Weekend Update, Feb. 17-20, 2011

Posted on: Feb 17th, 2011 By:

The weekend is so close you can almost taste it.  As usual, ATLRetro reminds you about what’s happening, including a new section at the end with ongoing events such as theater performances and exhibitions.

Thursday Feb. 17

Celebrate one of the most dynamic decades in pop music history when LIBBY’S AT THE EXPRESS PRESENTS THOSE FABULOUS FIFTIES, featuring songs made famous by Nat “King” Cole, Rosemary Clooney, The Mills Brothers, Buddy Holly, Hank Williams Sr., and the King of Rock ‘n’ Roll, Elvis Presley. The variety show stars local chanteuses Lisa PaigeWendy Melkonian and Libby Whittemore, with musical arrangements by Robert Strickland, tonight through Sunday Feb. 20 at 7:30 PM at Actor’s Express in west Midtown.

Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly every Thursday in February at Pho Truc in Clarkston. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. The Joe Gransden Trio is at Atmosphere from 7-10 p.m. And Breeze Kings play the blues at Northside Tavern.

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