ATLRetro

In the late ‘70s/early ‘80s, The B-52s turned disco on its head with sci-fi new wave numbers that were sure to get you twisting and twirling faster-than-the-speed-of-light. So it’s hard to imagine a more phenomenal host for Discoween, this Friday’s ‘70s inspired Halloween party at Paris on Ponce, than vocalist Fred Schneider. Indeed all the pre-buzz suggests an outrageous extravaganza worthy of the gregarious glitter-glam era, amplified by seasonal tricks and treats, including ‘70s dance hits spun by DJ Vickie Powell, Hustle dance lessons by Go-Go Ghoul Dancers, female impersonators selling ‘70s fashions, costume and dance contests for iPad prizes (OK, did you really want to win an old-school Atari?), a photo booth to record your ‘70s awesomeness, Bad Taste but good tasting ‘70s snacks provided  by Dennis Dean Catering, a raffle with period-authentic prizes including a vintage ‘70s Gucci purse and a framed photo of Elton John in the ‘70s taken by famed photographer Kate Simon, and much more.

Best of all, you don’t have to feel any shame when partying like it’s 1979, because all proceeds go to Canine Companions for Independence, a global nonprofit that provides highly trained service dogs to people with disabilities. Discoween was conceived by Fred’s friend and lifelong animal lover Cathleen (Cathy) Smith-Bresciani, who recently founded the Violet Trust to sponsor training of CCI’s service dogs. Known for throwing fashionably fun charitable fetes, she also chaired the 2010 and 2011 official after-parties for Jeffrey Fashion Cares and Fred Schneider’s Spring Thang benefiting PALS and the Georgia Music Hall of Fame. Tickets (age 21 & up) are $60 in advance ($75 at door) and can be purchased at the Website for Dixie Dog Wear, Cathy’s online pet accessories boutique which donates 100% its profits to various charities.

Designer Jason Wu, Cathleen Smith, Fred Schneider and Violet - a CCI service dog in training. Photo courtesy of Caren West PR.

ATLRetro caught up with Fred for a fabulous pre-peek at Discoween, his personal love of ‘70s dance music, how he got involved and what’s up next for the B-52s and his sensational side project The Superions, which he playfully described to another blogger as “the most exciting group to hit the music scene since Elvis or Lady Gaga.” At ATLRetro, we have no doubt that’s true, Fred!

ATLRetro: Why will Discoween be Atlanta’s best Retro-inspired Halloween party this year?

Fred Schneider: Any party Cathy Smith throws is the best. Ask anyone. And DJ Vicki and I know how to get people shakin’!!

What will you be doing as host of the party? Are you performing? Or Emceeing?
I’ll be doing a little of everything. I’m not performing, but the disco glitter dancers make their debut! And I’ll screen the Superions’ BATBABY mini-movie

Paris on Ponce is a very unique and cool venue. Do you shop there yourself (in which case what was your coolest Paris on Ponce purchase?) And how will that location play into the fun?

Yes, I’ve shopped there. Got a great 1931 modern designer furniture book. The venue for the party already looks like something from TRUE BLOOD!

What disco finest will you be pulling out of your closet, and any tips for putting together the ultimate outrageous ’70s disco costume?
I’m shopping tomorrow for an outfit! Anything shiny spandex is a must. Especially if it’s unflattering!

How did you get involved and why are you so passionate about Canine Companions for Independence?
My good friend Cathy Smith named a dog and is sponsoring one. I also do a line of dog cookies for her Dixie Dogwear [called] Fred Schneider’s Dogstars.

The B-52s were New Wave, which some people think of as anti-disco, but yet you were absolutely danceable. Did the band owe anything to the disco sound?
I love new wave disco. There’s lots of disco music we all liked.

What else are you and the B-52s up to now? Any recordings, other upcoming Atlanta appearances, eclectic hobbies, passionate causes?
The B-52s have a new live CD, WITH THE WILD CROWD, we taped in Athens. A DVD will come out later. One dream would be to play our 35th anniversary show at the Fox next year. My side project, The Superions, have a single and mini-movie out now, BATBABY. Our Xmas CD, DESTINATION…CHRISTMAS comes out again to save the holidays!

Photo courtesy of Guadalcanal Diary.

I see life like a mirror
And I see life so much clearer

We move so quickly
Who knows where the time goes
Where does this road lead?
No one knows, no one knows

-Excerpted lyrics from “Litany” by Guadalcanal Diary (2 x 4, 1987)

Back in the early ‘80s when alt-rock was still called post-punk or new wave and relegated to the ghetto of college radio, Athens seemed to grab all the cutting edge music glory in Georgia. While many music critics liked to insist Guadalcanal Diary came from that scene (their first LP was on Danny Beard’s DB Records, which while based in Atlanta, was known for breaking out The B-52s), the band actually hailed from Marietta, proving something much more innovative than the Big Chicken could hatch out of what’s often thought of as Atlanta’s most white-bread suburb.

It doesn’t seem like it could possibly have been three decades ago when they first got together to play a friend’s backyard wedding, but it’s mighty good to hear that Guadalcanal Diary, who broke up in 1987, are back and performing live, if only for two shows. The first was at AthFest last weekend, and rumor has it that the second at Smith’s Olde Bar is already sold out. Yeah, it seems like there are plenty of folks who miss hearing the voodoo jangly twang with an offbeat sense of humor of “Watusi Rodeo”—the name of their first EP released in 1983 (Entertainment on Disk) and later a song on the WALKING IN THE SHADOW OF THE BIG MAN LP (1984) released on DB Records and produced by Don Dixon (REM, Smithereens). Back then MTV’s CUTTING EDGE, the go-to late night show for progressive content, named the video for “Watusi Rodeo” its video of the year. They’d go on to cut three more albums, and even after they broke up, thankfully they’d occasionally reunite every once in a while for a show and even cut a live CD, GUADALCANAL DIARY AT YOUR BIRTHDAY PARTY, in 1998.

In more recent years, lead singer/guitarist Murray Attaway recorded a memorable solo album, IN THRALL, and lately he’s been performing again with Guadalcanal Diary guitarist and oft co-composer Jeff Walls in Bomber City. Walls has popped up in a variety of bands including Hillbilly Frankenstein, Dash Rip Rock, Southern Culture on the Skids, Man or Astro-Man? and The Woggles. ATLRetro caught up with Murray to find out why Guadalcanal Diary decided to regroup this summer and what’s ahead for him, Walls and the band…

You were one of the bands that converted me to a whole different way of looking at music, listening to WRAS in the early 1980s. It’s great to hear you guys playing again. What inspired you to bring the band back this summer?

That is very kind of you. The advent of social networking had a hand in the reunion. I had quite a number of music people, promoters and such contact me over the last few years asking if I had plans to do any more music. This led directly to Jeff and I starting Bomber City. As 2011 drew near, Jeff, Rhett, John and I began to discuss the possibility of doing a few Guadal shows to commemorate our 30th anniversary. And here we are.

Is it the whole original line-up—you, Jeff Walls, John Poe, Rhett Crowe?

Yes, we’d never consider it otherwise.

For those too young to remember, briefly how did Guadalcanal Diary get started and why the name?

Jeff and I had been writing songs together on and off for years, and we wanted to play them live. We both had been in a band called Strictly American with Rhett’s brother Curtis Crowe of Pylon, and John and Jeff were in a couple of bands together as well, The Motive and The Rooms. Rhett and I were a couple at the time and she wanted to learn to play bass, which Jeff taught her. The original idea involved doing a number of Civil War ballads all rocked up, but, thankfully, our originals sunk that idea. The name, taken from the Richard Tregaskis novel, seemed ambiguous enough to work creatively under. Plus, it sounds like water.

Who were your early influences? In an old Spin interview, you mention XTC, Bowie, Velvet Underground, Roxy Music but also old country like George Jones?

Yes, there are quite a few older country artists I like: Hank Sr., Johnny Horton, Buck Owens. Big list. Also Yes, Tull, Eno, Beatles, Stones, Miles Davis, Wynonie Harris. This could take days…

“Watusi Rodeo” is your best-known song, but what’s your personal favorite and why?

I like that song. I also like “Litany,” “Trail of Tears,” “Ghost on the Road,” “Vista” and “Pretty Is As Pretty Does.” “Litany” came along at a very happy time in my life, and I think the song reflects it. I hope.

In an interview from 1993, you were asked whether you had any regrets about breaking up in 1989 but you said that while you were possibly poised for the kind of mainstream success that Soul Asylum had, you were happy the band didn’t push it until you were burnt out and no longer friends. How do you feel about that now, or are you sick of answering that question?

Did the interviewer ask me specifically about Soul Asylum? I was only peripherally aware of them, so I’d be surprised to know that I compared Guadal to them. I am still happy that things turned out the way that they did. I don’t like the idea of comparing one group’s success to another’s. Guadalcanal Diary’s original goal was to be able to headline 688 on a Friday night. We went a little further, happily. I’m pleased with the body of work we left. I’m even more pleased that we are still good friends.

You’re often more associated with Athens than Marietta. Was the gig at AthFest a bit of a coming home?

Yes indeed. No matter how much we may have bitched early on about differentiating between us and Athens, Athens became Guadalcanal Diary’s home. So Athfest was great, certainly a homecoming.

Any special plans for the Smith’s Olde Bar show?

Yes, to top the performance at Athfest.

When will we hear Guadalcanal Diary live again or a new recording?

No plans, but either is possible.

What’s up with Bomber City and are you collaborating with Jeff on anything else?

After a personnel change last year, we’ve been rehearsing steadily and are ready to play live again. First show is July 30 at The Melting Point in Athens.

Are you up to any more solo work or anything else musically right now?

Between Guadal and Bomber City, and a startup company that I’m a partner in, my hands are full. Jeff’s the one who’s in four bands at a time, plus producing. I think he takes lots of vitamins.

What’s your favorite Atlanta used record store and why?

Wax n’ Facts.  Danny Beard put out our first LP, and he’s also a relative by marriage. Plus great selection.

What question do you wish someone would ask you but they never do, and what’s the answer?

I wish someone would ask me why I like peanut butter and dill pickle sandwiches. Because they’re crunchy, sweet and sour.

The weekend is so close you can almost taste it.  As usual, ATLRetro reminds you about what’s happening, including a new section at the end with ongoing events such as theater performances and exhibitions.

Thursday Feb. 17

Celebrate one of the most dynamic decades in pop music history when LIBBY’S AT THE EXPRESS PRESENTS THOSE FABULOUS FIFTIES, featuring songs made famous by Nat “King” Cole, Rosemary Clooney, The Mills Brothers, Buddy Holly, Hank Williams Sr., and the King of Rock ‘n’ Roll, Elvis Presley. The variety show stars local chanteuses Lisa Paige, Wendy Melkonian and Libby Whittemore, with musical arrangements by Robert Strickland, tonight through Sunday Feb. 20 at 7:30 PM at Actor’s Express in west Midtown.

Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly every Thursday in February at Pho Truc in Clarkston. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. The Joe Gransden Trio is at Atmosphere from 7-10 p.m. And Breeze Kings play the blues at Northside Tavern.

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OK, lovers, it’s back to the grind. It’s too late to check out ATLRetro’s top 3 picks for Valentine’s night, so let’s get right to the rest of the week.

Tuesday Feb. 15

Joe Gransden is back at Twain’s in Decatur for a jazz jam session starting at 9 PM. Or head back in time and over there to A NOVEMBER DAY: A WAR STORY, a timeless fable about friendship set against the backdrop of World War I, presented today by Thingumajig Theatre of West Yorskshire, England, today through Sun. at The Center for Puppetry Arts. Performers use hand, rod and shadow puppets, live music and a transforming set to tell the tale of a British soldier in WWI and his unexpected friendship with a stray dog. Suitable for ages 10 and up, with a teen and adult workshop on Sat. Feb. 19.

Wednesday Feb. 16

THE RED BALLOON takes flight at Theatre du Reve in 7 Stages’ Backstage Theater from Feb. 16-27. The stage adaptation uses puppetry and live original music to bring to life the classic 1956 French movie about a boy who befriends a shiny red balloon. Suitable for ages 4 and up.

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Alice Cooper meets Kiss Southern-fried in Red Rocket Deluxe, headlining at Star Bar. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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