Kool Kat of the Week: Michael Shell Serves Up a Tantalizing Taste into Directing THE GOLDEN TICKET, The Atlanta Opera’s Latest Production Based on CHARLIE AND THE CHOCOLATE FACTORY

Posted on: Mar 1st, 2012 By:

Photo courtesy of Opera Theatre of St. Louis.

Oompa Loompa, Pudding and Pie! Most of us might think of opera as Really Retro, but fans of the blissfully tart children’s book CHARLIE AND THE CHOCOLATE FACTORY by Roald Dahl and its iconic cinematic interpretation with Gene Wilder as enigmatic chocolatier Willy Wonka are in for a real treat. The Atlanta Opera is dipping into the 20th century for its 2011-12 season-opener, THE GOLDEN TICKET, with performances March 3, 6, 9 and 11, 2012 at the Cobb Energy Performing Arts Centre. Commissioned by the American Lyric Theater and Dahl’s widow, Felicity Dahl, THE GOLDEN TICKET serves up all the scrumptious delights familiar from the book, including chocolate rivers, inflating blueberries and magic elevators.

The Atlanta Opera production will be the third for THE GOLDEN TICKET which premiered in June 2010 at Opera Theatre of Saint Louis and was written by Donald Sturrock (libretto) and Peter Ash (music), who also composed a children’s opera of Dahl’s THE FANTASTIC MR. FOX. Many singers from the original Saint Louis cast will joing the Atlanta company to reprise their roles in Atlanta, including bass-baritone Daniel Okulitch as Willy Wonka/Mr. Know, tenor Andrew Drost as Augustus Gloop, and baritone David Kravitz as Lord Salt. In another treat, Composer Peter Ash will conduct. And don’t worry. You and the kids don’t need to brush up on your Italian, as the performers will sing in English with English supertitles projected above the stage.

ATLRetro recently caught up with the Atlanta Opera’s Michael Shell, who had the delicious opportunity to direct this opera of pure imagination, to find out more about how it will delight all ages.

ATLRetro: How did the Atlanta Opera come to perform THE GOLDEN TICKET?

Michael Shell: My understanding is that Dennis [Hanthorn, Zurich General Director of the Atlanta Opera] knew of the piece when he was in Milwaukee and wanted to produce it there. They never got to, and then when St. Louis decided to produce it, he came to see the production and wanted to bring it to Atlanta.

Photo courtesy of the Opera Theatre of St. Louis.

When the Tim Burton movie version of CHARLIE AND THE CHOCOLATE FACTORY came out a few years ago, a lot was made about it being closer to the book than WILLY WONKA & THE CHOCOLATE FACTORY (1971) and having the blessing of Felicity Dahl; yet a lot of people love the Gene Wilder version as an iconic part of their childhood. What can you say about THE GOLDEN TICKET’s relationship to the book and those two movies?

I think it is more closely tied to the book. With a few additional characters, Peter and Donald have tried to stay close to the narrative in the story while making changes to aid in bringing it to life onstage. In particular, the role of Charlie. When reading the book, the reader essentially becomes the character of Charlie.  So in the opera, Peter and Donald, found a way to give Charlie a voice through his relationship with his grandparents. In his aria in Act I Charlie is observing his grandparents, all four sleeping in one bed because they can only afford one. He wonders what they must have felt like when they were young and if they also longed to, “escape far away into dreams…”

The physical production also took its inspiration from the book rather than the movies. There are words and letters hidden in the set.  The set unit that is Charlie’s home spells out the word “HOME.” There are letters all over the set that gives us a unity that is tied to the written word. I think the best use of it is in the gates of the factory and also when those gates open. It keeps the audience engaged the same way they are when reading the story. It doesn’t tell you exactly what the factory looks like but allows you to see what you imagine to be the factory.

Backstage at the Atlanta Opera production. Photo credit: Charles Wenzelberg.

How does directing THE GOLDEN TICKET compare to directing classic operas? 

Directing this piece is certainly one of the most exhilarating and terrifying things I have ever done. With shows that have a performance history, you can look at that history as a guide for what you want to do or what you don’t want in a production. With a new piece there is no blueprint.  All you have is the score and the imagination of your collaborators.  With this production having the composer as the conductor has given us amazing insight to meaning behind certain  musical and dramatic moments.  My approach though is the same regardless of the piece.  I want to understand what the story is about or the theme of the story and how that theme relates to the characters. With this answered I can then go further into why characters behave and make the choices they do throughout the course of the opera.

What’s the score like?

The score is lyrical, beautiful, inventive and complex. But even in its complexity, it has a simple accessible style that makes it perfect both avid opera-goers and new audiences alike. The lyrics so skillfully crafted by Donald Sturrock are perfectly musicalized by Peter Ash that you are thrust into the story and the journeys of the characters. There is also plenty of humor that is brought out in the music. The grandparents’ snoring quartet is a prime example. Here are four people coming in and out of dreams, snoring and talking in their sleep. But as you can imagine four older people in one bed, there are bound to be other noises that occur.  We have dubbed this quarter as the “gastric” quartet.  This is the only opera that I have ever directed that I have had to instruct someone how to “pass gas.”

Michael Shell oversees a scene in THE GOLDEN TICKET. Photo credit: Charles Wenzelberg.

The description reads that “THE GOLDEN TICKET is a poignant tale about wishes coming true.” But there’s also a cautionary tale and quite a bit of dark humor in Dahl’s story. How does the opera approach the contradictions in the character of Willy Wonka and balance those two aspects?

I think the darkness is there both in the music but also in the portrayal of Willy himself.  Daniel Okulitch is brilliantly cast in this role. His childlike curiosity mixed with his intelligence and depth of feeling make him the perfect Wonka.

Are there any particular scenes/segments that you think will particularly delight fans of the book and movie(s)?

I think our depiction of the oompa loompas will make fans of the movie happy.  They are a unique take on these characters.  Very unique to the opera is their attitude about life in the factory and life in general.  They are, for me, the heart of the factory.

Apparently Donald Sturrock and Peter Ash, who created the opera, had a lot of trouble getting funding because the opera community had a problem getting a grip around an opera that would appeal to children. How have ticket sales been so far and are you concerned at all that your regular opera audience won’t embrace it for that reason?  

I hope that people who are patrons of opera already come to this with an open mind.  Very often people are turned off to new opera because they are comparing it to their favorite Puccini opera or their favorite Verdi opera. This comparison cannot be made nor would we make on Verdi if he were still composing today.  As we evolve as a society, our expression in artistic endeavors will change. If we don’t begin to accept these new pieces on their own terms and evaluate them in terms of story telling etc rather than if they are as good as TOSCA, we will kill the future of new opera and potentially the art form in general.

Photo courtesy of the Opera Theatre of St. Louis.

Turning the question around, what do you say to people who love the book and movie(s) but are nervous that they won’t enjoy the story as opera?

Any story brought to life onstage is going to require changes to bring it to life for live theater. So I would ask these fans of the book and the movies to come with an open mind and to follow the words of Willy Wonka and “Imagine.”

I think this opera is perfect for both avid opera-goers and people who are new to opera And families. The complexity of the orchestration and score makes it interesting for a music lover. The accessibility of the music’s overall harmony makes it perfect for people who are new to modern opera.  The humor and heart of the story make it perfect for all types of audiences including children.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , ,

This Week in Retro Atlanta, July 25-31, 2011

Posted on: Jul 25th, 2011 By:

Monday July 25

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday July 26

What’s in a name? Catchy coolness if you’re self-styled D.I.Y. rock ‘n’ roll band Swank Sinatra, playing tonight at Smith’s Olde Bar. Although their sound, fury and lyrics are inspired by Frank than “homeless people, pirates, ladies, shoes, ships, our hate of disco and breakfast.” Minor Stars and Kevin Dunbar Band open. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. JT Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  July 27

The Temptations and The Four Tops make it a mini-Motown reunion at Classic Chastain tonight. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard TavernDeacon Brandon Reeves bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavernrespectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdayspresented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  July 28

It’s a cinematic night of pure (& twisted) imagination for the whole family as The Atlanta Opera screens classic 1971 movie WILLY WONKA AND THE CHOCOLATE FACTORY starring Gene Wilder at The Atlanta Opera Center (1575 Northside Drive, NW, Bldg 300, Suite 350, Atlanta, GA 30318). Attendees may win two (golden?) tickets to the company’s production of THE GOLDEN TICKET, also based on the Roald Dahl novel, in March, 2012.

Henry Porter, named after a legendary Dylan quote, bring their Western swing on DMT to Kathmandu Restaurant & Grill in Clarkston. Or is that post-rock mindset with 70’s AOR hooks? Or songs that Iggy Pop might could sing? Or the Eagles with credibility? Or CCR meets XTC? Heck if they even know for sure, but you can find out for free and eat some tasty Asian vittles at the same time.

Classic Tulsa Sound piano man Leon Russell opens for legendary folk rocker Bob Dylan at Chastain Park Amphitheatre. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze King and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features The Burning Angels.

Read the rest of this entry »

Category: This Week in ATLRetro | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Weekend Update, April 15-17, 2011

Posted on: Apr 15th, 2011 By:

Friday, April 15

The 75th annual Dogwood Festival begins at noon at Piedmont Park including a large juried fine arts market, continuous live music including New Orleans-style blues from Swamp Funk Quartet at 3:40-4:30 pm, kid’s village, food vendors, Friends of Dogwood tasting pavilion, rides on the vintage Seattle Wheel (read ATLRetro’s preview here), built for the 1963 Seattle World’s Fair, and a classic 1965 carousel, and more. Also happening this weekend is Sweetwater 420 Fest in Candler Park, also featuring an artists’ market and plenty of live music acts, including the Gimme Hendrix Band at 5:20 PM.

The Atlanta Braves celebrate Jackie Robinson Night in honor of the 64th anniversary of the legendary player’s debut in Major League Baseball, breaking the color barrier, with a pre-game reception and on-field ceremony featuring Hank Aaron before tonight’s game against the New York Mets. Rockabilly queen Wanda Jackson holds court at The Loft, while contemporary Atlanta rockabilly band Psycho Devilles descends into The Basement at 1245 Joseph Street. Danish duo The Raveonettes, at The Masquerade tonight, blend ’60s beat with ’80s alt-garage for a sound both Retro and original. Eighties alt-rockers Toad the Wet Sprocket hit Variety Playhouse. The Hollidays bring rhythm and soul to Sidelines in Marietta. Salsambo Dance Studio unleashes some Latin heat at Fernbank Museum of Natural History’s Martinis and IMAXJoe Gransden and Kenny Banks jazz up The Mansion on Peachtree. Saxophonist Brian Hogans headlines Friday Jazz at The High Museum of Art, including full gallery access (see ongoing for current exhibits) and a cash bar. Or go really retro with the Atlanta Opera‘s COSI FAN TUTTE at Cobb Energy Performing Arts Centre. In Mozart’s comedic masterpiece, two Italian officers boast of their fiancees’ faithfulness, only to have a clever friend put it to the test.

Saturday April 16

Vinyl-lovers rejoice! Today is Record Store Day so be sure and support your local indie record store, even if you decide to buy a CD! Decatur CD celebrates with sales, Community BBQ sliders, free beer, concert ticket giveaways, and Atlanta’s own King of Pops with scrumptious freshly made popsicles outside after 2 PM (weather permitting)! Other great Atlanta and Athens indie music shops will host their own celebrations, so get yourself to Fantasyland Records, Wax n’ Facts (live music), Wuxtry (live bands at the Athens location), Criminal Records (live music) and Full Moon Records.

The 75th annual Dogwood Festival continues all day at Piedmont Park including rockin’ blues from Lefty Williams at 5 PM and outrageous ragtime from Blair Crimmins & the Hookers at 6:30 PM. Read ATLRetro’s interview with Blair here. Meanwhile at Sweetwater 420 Fest, catch 7 Walkers featuring Bill Kreutzman of The Grateful Dead at 4:50-6:30 PM.

Mon Cherie’s The Chamber Reunion transports attendees back to Atlanta’s notorious ’90sGoth/Industrial/fetish club with live fetish performances, burlesque/Boi-Lesque,  aerial feats, go-go dancers, drag skits, body paint, a chocolate bar and more surprises to tickle your fancy tonight at The Masquerade from 9 AM late into the night. Mon Cherie provides an exclusive preview as this week’s Kool Kat.

On any other night, The Chamber Reunion would win hands down the most exotic extravaganza in town, but tonight isn’t any other night. Creative competition comes from The Artifice Club, which presents The Clockwork Carnival, a steampunk circus featuring a night full of gypsies, fire eaters and other curiosities at The Goat Farm. Featured acts include The Imperial OpaHot Toddies Flaming Cabaret, the amazing aerial feats of Blast-Off Burlesque‘s Sadie Hawkins, Thimblerig CircusPyro Salto of Birmingham, AL, music by DJs Doctor Q and The Davenport Sisters, and more. Also featured is a Vendor’s Market Caravan, photography sessions, The Circus Contraption Contest with prizes awarded for the most creative device you would need to work at a carnival, and a steampunk costume contest to crown the King and Queen of the Carnival. Festivities start at 4 PM and also last into the very wee hours of the night, we suspect. For ATLRetro’s sneak preview with Doctor Q himself, click here.

In Atlanta Rollergirls action at the Yaarab Shrine Center, the Dirty South Derby Girls take on the Tampa Tantrums at 5 PM, followed by a whole lotta shaking going on as the Denim Demons and the Toxic Shocks skate it out for a chance at a first win of the season. The Psycho Devilles rockabilly it up at Dixie Tavern in Marietta. Variety Playhouse turns the clock back and invites you to dig out the shoulder pads for The Reagan Rock Prom featuring “The Greatest ’80s Soundtrack Songs of all Time.” Music, dancing, a prom king and queen contest and refreshments. Better Than The Beatles pays tribute to the Fab Four at Jerry Farber’s Side Door. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday April 17

Spend a lazy Sunday at the Dogwood Festival at Piedmont Park, catching bands such as easy-going, all-American Jackson County Line (2 PM). Or Sweetwater 420 Festival winds down with several bluegrass acts. Gentleman Jesse serves up the blues “dunch” between 1 and 4 PM at The Earl. Catch the final matinee performance at 3 PM of the Atlanta Opera‘s COSI FAN TUTTE at Cobb Energy Performing Arts Centre. At night, legendary blues musician Taj Mahal plays Variety Playhouse.

Ongoing

Leave it to the mad geniuses at Dad’s Garage to transform a beloved children’s classic into a bloody puppet musical. SCARLETT’S WEB features all your favorite characters from Wilbur the pig to Templeton the rat but adds some splattery special effects. Never mind, it’s all in fun though, they say, and definitely recommended only for anyone old enough to appreciate adult humor. Opened April 14 and runs Thurs., Fri. and Sat. nights at 8 p.m. through May 7.

Henri de Toulouse-Lautrec died in 1901, but it’s not a stretch to say that his vibrant posters and prints of showgirls, nightclub stars and the café culture influenced the 20thcentury romantic view of Paris and still inspire today’s burlesque performers. The High Museum of Art’s dynamic new special exhibition, TOULOUSE-LAUTREC AND FRIENDS: THE IRENE AND HOWARD STEIN COLLECTION, runs through May 1. Also at the High through May 29 is the MOMA-organized HENRI CARTIER-BRESSON: THE MODERN CENTURY, another blockbuster exhibit showcasing a photographer and photojournalist who captured on film many of the seminal moments  of the 20th century from World War II to the assassination of Ghandi, China’s cultural revolution to civil rights and consumer culture in America.

Tune back in on Monday for This Week in Retro Atlanta. If you know of a cool happening coming up, send suggestions to ATLRetro@gmail.com.


 

Category: Weekend Update | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

This Week in Retro Atlanta, April 11-17, 2011

Posted on: Apr 12th, 2011 By:

Last week was fairly quiet when it came to Retro-inspired activities in Atlanta, So ATLRetro took a bit of a rest. This week starts slowly, too, but once Saturday hits, even I’m not sure what to do. Let’s just say EVERYTHING happens all at once and ATLRetro revs back up, too, with a bunch of special features including a bedazzling look back at last month’s Southern Fried Burlesque courtesy of the tantalizing Talloolah Love, an exclusive preview of Saturday night’s The Chamber Reunion courtesy of Kool Kat of the Week Mon Cherie, the Dogwood Festival celebrates its 75th anniversary with two vintage amusement rides, and more.

Monday April 11

An acclaimed musician whom B.B. King says has “soul,” D.B. Rielly takes rock and country back to its roots at Smith’s Olde Bar, with back-to-the-basics, ’70s-rock-inspired Saturn 5 and alt-folk Little Brave also on the bill. Northside Tavern hosts its weekly Blues Jam.

Tuesday April 12

Splatter Cinema travels back to 1985 with A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE at 9:30 PM at the Plaza Theatre. While ATLRetro reviewer Mark Arson admits the first sequel may not be the most creative of the Krueger movies, it still features a lot of fun scares, and you know the Splatter gang will dream up a photo op that will haunt your sleep.

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. J.T. Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits. Or go really retro with the Atlanta Opera‘s COSI FAN TUTTE at Cobb Energy Performing Arts Centre. In Mozart’s comedic masterpiece, two Italian officers boast of their fiancees’ faithfulness, only to have a clever friend put it to the test.

Wednesday April 13

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Deacon Brandon Reeves and Danny “Mudcat” Dudeck bring on the blues at Fat Matt’s Rib Shack and Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

Thursday April 14

ATHENS BURNING, a documentary about the history of the historic Georgia Theatre, a key venue in the college town’s famous music scene, screens at The Plaza Theatre at 7:30 PM. Cowboy Envy strums up some mighty fine traditional and original Western tunes at Atlanta’s tastiest new concert venue, Kathmandu Kitchen and Grill, formerly Pho Truc, in Clarkston from 8-10 PM. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Watch the classic Gregory PeckAudrey Hepburn romance-on-a-motorscooter movie ROMAN HOLIDAY (1953), drink some wine, hear Free Poems on Demand, and check out PASSIONE ITALIANA: DESIGN OF THE ITALIAN MOTORCYCLE during MODA‘s Thursday night Drink in Design from 6-8 PM. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge.  Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

Read the rest of this entry »

Category: This Week in ATLRetro | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Weekend Update, Feb. 24-27, 2011

Posted on: Feb 24th, 2011 By:

As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5. All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

Read the rest of this entry »

Category: Weekend Update | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Joanna Schmink Finds the Right Fit for Atlanta Opera’s PORGY & BESS

Posted on: Feb 23rd, 2011 By:

It’s Monday morning before opening night for the Atlanta Opera‘s PORGY & BESS, George Gershwin’s self-dubbed “American folk opera” about a disabled beggar who falls head over heels for a tough guy dockworker’s girl in Catfish Row, a Charleston, South Carolina gullah community. To say that the Atlanta Opera’s costume shop is busy would be an understatement. Seated at a big work table, Stitcher Brett Parker pins and bastes a chorus member’s circa 1930s purple dress. Across from him, Synithia Cochran, First Hand, makes final adjustments to a pink frock. On another surface to the side, Patricia McMahon, Costume Shop Manager, irons a red satin bodice yet to be attached to a dress for leading lady Laquita Mitchell, who plays Bess. And costume assistant Michele Kennedy adjusts a suit on a cloth dressmaker form.

Supervising the whole shebang is Costume Coordinator Joanna Schmink, who has worked with the Atlanta Opera for 18 seasons. For PORGY & BESS, most of the wardrobe were rented as a package from the Houston Grand Opera. Director Larry Marshall had played dope peddler Sportin’ Life in that company’s 1995 PORGY & BESS production and really liked the look, says red-headed Schmink, casually dressed in an airy black and white top and jeans, pointing to several racks in an adjoining room. The clothes on them are a mixture of vintage and more contemporary that resembles a ’30s look sufficiently from stage, all labeled to indicate the character or chorus member who will wear them. The availability of all these costumes in one batch in many ways made the job easier for the five-person costume team, but it certainly didn’t mean there wasn’t plenty to do. For example, when the lot arrived at the start of January, Schmink discovered that all of the Bess dresses looked too worn for use and had to be recreated.

Read the rest of this entry »

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , ,

This Week in Retro Atlanta, Feb. 21-27, 2011

Posted on: Feb 21st, 2011 By:

It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

Read the rest of this entry »

Category: This Week in ATLRetro | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

© 2019 ATLRetro. All Rights Reserved. This blog is powered by Wordpress