Weekend Update, July 15-17, 2011

Posted on: Jul 15th, 2011 By:

Friday, July 15

Veteran rock/Texas country singer-songwriter Steve Earle & the Dukes play the Atlanta Botanical Garden, while R&B performer and former Gap member Charlie Wilson is at Classic ChastainRandy Travis celebrates 25 years of “genuine country” at Cobb Energy Centre. Catch an IMAX movie and learn to salsa dance with Salsambo Dance Studio at Fernbank Museum of Natural History’s Martinis and IMAX. Vocalist Julie Dexter performs at Friday Jazz at The High Museum of Art from 5-10 p.m. Visit the galleries through the evening and enjoy food and cocktails. And the Plaza Theatre dishes out a Full Moon Midnight Encore of 1981 John Landis classic horror flick AN AMERICAN WEREWOLF IN LONDON. Read our Retro Review by veteran FANGORIA writer Philip Nutman here.

Saturday July 16

It’ll be honkytonk heaven at Star Bar with Shovels & RopeBareKnuckle Betties and bassist Joel Hamilton.  I hear there’ll be some table dancin’ going in, but for the full foot-stompin’ scoop, read our exclusive sneak preview with Kool Kat of the Week Julea Thomerson of the Betties here.

Also playing today at the Yaarab Shrine Center are the Atlanta Rollergirls. At 5 p.m., the Dirty South Derby Girlstake on Brewcity Bruisers, and at 7:30 p.m. it’s the Denim Demons vs. Apocalypstix. Help Daniel Timms, who was in a motorcycle accident, and Sussi “Chevy” Shavers, who was in a moped accident, recover from some serious medical bills at the Bone Breakers Ball at Elliott Street Pub and Deli. Performers include boylesque/burlesque beauties Fonda Lingue and Ruby Redmayne, and there’s a silent auction of cool art, tattoos, pin-up photography and more. Andrew and the Disapyramids stir up the surf at 529 Club with FishHawk and Winter Ransom. In case you missed our Extra Kool Kat of the Week feature with guitarist Joshua Longino, you can still catch it here. Two Atlanta classics, Michelle Malone and Col. Bruce Hampton are at Eddie’s Attic and The Five Spot. Fedora Blues performs at Fat Matt’s Rib ShackHolliday Brothers blues it up at Hottie Hawg’s. And, of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

The Serenaders.

Sunday July 17

The Serenaders serve up a retrobilly “dunch” gig between 1 and 4 PM at The Earl. At Eddie’s Attic, groove to Grammy Award-winning drummer Yonrico Scott‘s Band and legendary New Orleans mojo soul performer Coco Robicheaux.

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This Week in Retro Atlanta, July 11-17, 2011

Posted on: Jul 12th, 2011 By:

Monday July 11

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday July 12

It’s a full moon movie Tuesday as two 35 mm classics featuring creatures on the prowl return to the big screens of Atlanta two most Retro cinemas. Elizabeth Taylor slinks like A CAT ON A HOT TIN ROOF at the Fabulous Fox Theatre. Read Dean Treadway‘s review of the 1958 film based on the Tennessee Williams play of the same title, also starring Paul Newman and Burl Ives here, and be sure to be there by 7 p.m. for the Mighty Mo‘ organ singalong, cartoon and vintage newsreel. Then at 9:30 p.m. at The Plaza, Splatter Cinema presents AN AMERICAN WEREWOLF IN LONDON, the 1981 John Landis-directed cult favorite that introduced audiences to the full-body monster transformation with special make-up effects. Read Philip Nutman‘s review here.

Sultry and sexy ’80s torch-singer Sade performs with John Legend at Philips Arena. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. JT Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  July 13

Sade plays a second night with John Legend at Philips Arena. Vocalist Boz Scaggs sings American classics from Gershwin to Rodgers and Hart at Classic Chastain with former Doobie Brother Michael McDonald. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Deacon Brandon Reeves bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavernrespectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  July 14

The Craigger White Band bring back the spirit of ’70s rock at Kathmandu Restaurant & Grill in Clarkston. All Thursday shows at the Vietnamese restaurant are free and all-ages. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologneat Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Hunger Valley Boys.

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Retro Review: An American Werewolf in The Plaza

Posted on: Jul 11th, 2011 By:

By Philip Nutman
Contributing Blogger

Splatter Cinema Presents AN AMERICAN WEREWOLF IN LONDON (1981); Dir: John Landis; Starring: David Naughton, Jenny Agutter, Griffin Dunne; Special Makeup Effects: Rick Baker; Tues. July 12; 9:30 PM; Plaza Theatre; Trailer here.

Yugoslavia, 1969. Teenage PA/gopher, John Landis, was working on the Clint Eastwood World War II comedy caper, KELLY’S HEROES. While traveling to one of the movie’s many locations, the film crew came to a standstill at a crossroads as a large group of locals performed an ancient burial rite. The corpse that was the subject of all the attention was being buried due to local custom because the dead was believed to be a lycanthrope – a werewolf.

The image of this ritual and the experience stayed with Landis, the future director of THE KENTUCKY FRIED MOVIE (1977) and the huge box office successes NATIONAL LAMPOON’S ANIMAL HOUSE (1978) and THE BLUES BROTHERS (1980), finally finding its place in cinema history as the basis for the classic 1981 horror flick, AN AMERICAN WEREWOLF IN LONDON.

As the movie’s been so popular since it came out in the summer of 1981, you probably know the story: two clean-cut American college students decide to back-pack around England and make the mistake of going off the beaten path and end up being attacked by a werewolf. One dies; the other (David Naughton) is mauled and becomes a werewolf and the results aren’t pretty. As the body count goes up, the victims come back to haunt the lycanthrope. Tthe scene in a London soft-porn movie theatre is both creepy, amusing and disturbing as the mutilated victims urge the titular werewolf to kill himself and end the accursed chain of predator and victim.

David Naughton begins his transformation in AN AMERICAN WEREWOLF IN LONDON. Copyright 1981 Universal Pictures.

While Landis is a huge fan of the original Universal Pictures’ THE WOLF-MAN (1941), the director also is a natural comedian and decided to see if he could balance horror with comedy – which he largely succeeded in doing.

AN AMERCIAN WEREWOLF is first and foremost a fun movie. It’s also loaded with weirdness and more than a few shock moments. And Oscar-winning make-up effects artist Rick Baker’s pioneering use of prosthetic bladder technology made the werewolf transformations physically painfully to watch (no crap CGI here, folks!). A few months later, Joe Dante’s adaptation of a trashy horror novel, THE HOWLING, came out, and FX artist Rob Bottin (best known for John Carpenter’s version of THE THING) used the same principles. These two very different werewolf movies together heralded a new breed of cinematic wolfman. Gone were the old-fashioned in-camera effects, the lap dissolves as groundbreaking monster make-up trailblazers such as Jack P. Pierce (who created Karloff’s Frankenstein monster) had to work with back in the day. Baker and Bottin’s characters stretched, howled in pain – and physically expanded in front of your eyes for the first time.

Since ATLRetro doesn’t believe in plot spoilers, no more details here for the uninitiated. For the faithful, who probably grew up watching the flick on VHS or DVD, now’s the chance, thanks to the Splatter Cinema gang, to get your werewolf fix on the big screen at The Plaza.

Just be wary of naked men stealing your balloons…


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