ATLRetro’s Throwback to the 20th Century St. Valentine’s Day Guide 2016 – Our Top Picks for Gettin’ Comfy With Cupid, Retro-Style!

Posted on: Feb 10th, 2016 By:

by Melanie Crew
Managing Editor

Hey all you dapper fellas and glitzy gals! Cupid got your tongue? “Be Mine”, vintage-style this year and celebrate all that is vintage and Valentine’s in Retro Atlanta! Get romantic, retro-style and see what we have in store for you during this week of love and saucy seduction!2.14Venkman's

1. Crooners and Red Hot Jazz. Swing on by The Earl Smith Strand Theatre for Douglas Cameron’s 17-piece Big Band at 8pm (Feb. 12)! Rat Pack Now croons on down to the Red Clay Theatre (Feb. 12 at 8pm; Feb. 13 at 1:30pm)! Or jazz it up during the Emory Jazz Fest’s Big Band Night at the Schwartz Center for Performing Arts, featuring the Gary Motley Trio (Feb. 13) and includes free admission; performance at 8pm. Get lovey-dovey at Rialto Center for the ArtsValentine Love Concert featuring Michael Henderson, The Dramatics and Jean Carne, from 7-9pm (Feb. 14)! Venkman’s begins the day with their Valentine’s Day Brunch with the Higher Ground Jazz Duo, and follows that up with a Valentine’s Day Dinner featuring classical jazz with Le Grand Fromage and an a la carte menu prepared by Chef Nick Melvin (Feb. 14)! The Fox Theatre gets some soul and jazzes it up with their Valentine Celebration for Lovers & Friends featuring El DeBarge and Ken Ford (Feb. 14)!

12509808_10153171444695044_6348372291262665029_n2. Blackhearts Unite. It’s a night of murder ballads made popular by Nick Cave, Tom Waits, Nirvana and a whole lotta’ bloody maniacal mayhem at The Earl with their second annual Bloody Valentine’s event, featuring Kool Kat Aileen Loy with Till Someone Loses an Eye; circus shenanigans with The Thimberling Circus and more bloody romantic fun (Feb. 11)! Boogie down at The Star Bar’s Blackheart’s Ball, featuring The Midnight Larks, Shantih Shantih, Coma Girls, and Emily Marie Palmer & Kool Kat Jeffrey Butzer (Feb. 13)! Hey all you Kool Kittens and Kinky Kats! Grab your favorite guy or gal and rock on down to The Earl for their Sadie Hawkins Dance: Valentine’s Day Rock Show/Women’s Shelter Benefit featuring performances by Hymen Moments, Hank & Cupcakes, StarBenders and Kool Kat Kate Jan with SEX BBQ (Feb. 14)!12509526_950773688321079_8299033307681823085_n

3. Oh là là! Get sinfully seductive at 7 Stages during Kool Kat Katherine Lashe and the burly-Q gals of Syrens of the South’s 9th Annual Vixen’s Valentease Vaudeville & Variety Show (Feb. 12)! The Famous Pub welcomes you to the Spectacular! Come see what’s behind the red curtain at RITUAL’s Moulin Rouge Valentine’s Day Ball featuring The Black Sheep Ensemble and more! $10 gains entrance to this exciting extravaganza starting at 10pm (Feb. 12)! Or shimmy on down to the Shakespeare Tavern for Hearts A’Blaze Entertainment’s Pantheon of Divini-TEASE with Kool Kat Talloolah Love, Kool Kate Persephone Phoenix and more! (Feb. 13). Get a little naughty this Valentine’s Day at Paris On Ponce with Valentine’s Mischief with Madeline featuring a little jazzy cabaret with Suzy Sazerac & the Peels and Cat Vigor’s burly-Q troupe, Cat’s Kittens (Feb. 13)!

4. It’s Boogie Time. Boogie down because FUNKY GOOD TIME is coming to Aisle 5 for their Funky Good Time Valentine’s Dance bringing you the best Funk, Soul, Disco, Latin, Boogie, and R&B love songs on some piping 2.11Highlanderhot vinyl (Feb. 13)!

5. Art, Comedy & Theatre, OH MY! Blackhearts and anti-V-day miscreants, rock on down to The Highlander for their Broken Hearts & Bloody Valentines Art Show, delivering a night of multi-media art, including our pal Kool Kat Chris Hamer of Urbnpop and so much more (Feb. 11)! The Highwire Comedy Co. presents their Happy Valentine’s Day Mr. President comedy show at the Highland Inn Ballroom Lounge (Feb. 12)! The Red Light Café presents two THE VAGINA MONOLOGUES Valentine’s performances, benefitting One Billion Rising at 8pm (Feb. 12 & Feb. 13) at 8pm! Dig up some swell goodies for your sweet/blackheart and make your way to My Parents’ Basement for The Valentine’s Day Bizarre Bazaar featuring 13 local artists and designers, including Kool Kat Chris Hamer of Urbnpop, from 1-5pm (Feb. 13)! The Center for Puppetry Arts presents their Valentine’s Date Night (adults-only) with puppet shenanigans and complimentary desserts (Feb. 13)! The Cobb Energy Performing Arts Center transforms into a Parisian bohemian cabaret as the Atlanta Ballet presents “Moulin Rouge: The Ballet”, shaking a tail at 8pm (Feb. 13)!2.12ParkTavern

6. Medieval & Classic. And for all you knights in shining armor, get really retro and romantic with the royal one in your life and joust on down to Medieval Times for their Valentine’s Day Couples Package! $99 gets you 2 admissions, a photo, Valentine’s scroll, champagne in keepsake glasses, a light up rose and 2 admissions to the dungeon! Get classically romantic at Atlanta Symphony Hall as they present their Be Mine performance, featuring songs from the greatest young romances in classical music; Bizet’s “Carmen”; Puccinni’s “La Boheme” and more!

7. Groovin’ Up Slowly. Be a smooth operator and sail on down to Park Tavern in Piedmont Park for Valentine’s Day Eve-Eve (Feb. 12) with Yacht Rock Schooner! It’ll be an evening of smooth 70s and 80s love songs, so put on Casablancayour dancin’ shoes and come aboard! Doors at 7 pm! ATL Collective presents Sade’s “Love Deluxe” at Venkman’s (Feb. 13)! $15 advance/$20 door. Doors at 9:30pm.

8. Lovin’ on the Silver Screen. ‘Here’s looking at you kid!’ Take a peek at love and romance Old Hollywood-style at The Strand Theater as they screen Michael Curtiz’s classic romantic drama, CASABLANCA (1942), starring Humphrey Bogart and Ingrid Bergman at 8pm. Live organ pops variety show and sing-along featuring The Strand’s Mighty Allen Theatre Organ at 7:30 p.m. Tickets are $8 for adults and $7 for students, seniors, and military (Feb. 13).

9. Cupid’s Culinary Delights! Hula on over to Trader Vic’s and escape into the island atmosphere of love with their Tropical Valentine’s Day special entrée, Hong Kong Sea Bass at $35/person (Feb. 13 & 14). Have a bloody fantastic time and snag a few tasty morsels during Blast-Off Burlesque’s Cardiac Arrest: Eat Your Heart Out Bake Sale at the Euclid Avenue Yacht Club from 1-5pm (Feb. 14). 2.14EAYC

10. We Goth You Covered. For the darkly romantic, The Oakland Cemetery offers their Love Stories Tour, complete with tales of loves past led by a Victorian-era clad docent. Tours last an hour, just long enough to meet a kindred spirit or even a new love! Get loved to death while traversing the land of passionate souls longing for love. Tours haunt 3-5pm! $16 adults/$10 students (Feb. 13 & Feb. 14)! Or for a pre-Valentine’s event (Feb. 11) get your bloody heart ripped out at Mary’s for their Goth Nite St. Valentine’s Massacre event! It’ll be a Goth throw down featuring classic Goth rock, synth pop, post-punk and even tunes from the New Romantic era!

 

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Kool Kat of the Week: Julea Thomerson on ‘Diesel Smoke & Dangerous Curves,’ Her Fellas, the Dear Johns and Honky-Tonkin’ it Up at the Star Bar

Posted on: Mar 10th, 2014 By:

Photo by JoLynn Still

by Melanie Crew
Contributing Writer

Julea Thomerson, guitar totin’, classic country-western music lovin’ high-energy southern gal and her Dear Johns will be causin’ a ruckus with a night of boot stompin’ rockabilly and country-western revival at The Star Bar this Friday, March 14! It’ll be a hootenanny and a half with her big rig honky-tonk ramblin’ pals, Cletis & His City Cousins [June 2012; see ATLRetro’s Kool Kat feature on Cletis Reid, here] releasing a rockin’ new CD, also featuring The Blacktop Rocketsslingin’ some revved up rockabilly to boot!

Julea is no newbie to Atlanta’s ‘roots’ music underground.  She’s been delivering her catchy vintage vocals and guitar pickin’ with a handful of Atlanta’s favorites, from Danny ‘Mudcat’Dudeck to Bill Sheffield to Nathon Nelson.  She was also a member of the all-girl, traditional country band, The Bareknuckle Betties, from 2010-2012.  After the Betties disbanded, she brought together a group of rockin’ fellas and created her current line-up of, Julea & Her Dear Johns.  The ‘Dear Johns’ are Spike Fullerton of the Ghost Riders Car Club [Feb. 2011: see ATLRetro’s Kool Kat feature on Spike, here] on guitar, Chad Vaillancourt lightin’ a fire on the upright bass and Gabe Pline on drums.  They’ve been gettin’ around town and revvin’ up Atlanta old-fashioned country and rockabilly-style at venues and events such as The Star Bar, The Earl, the Rockabilly Luau [Aug. 2013; see ATLRetro’s feature on the Rockabilly Luau here], the East Atlanta Strut and the Little Five Point Halloween Festival.  With her unique twangy vocals and boot-stompin’ kick assery, the sky’s the limit for Julea!

ATLRetro caught up with Julea for a quick interview about her love of traditional old-fashioned retro music made by trailblazin’ ladies who didn’t give a damn; her fellas, the Dear Johns; and her new weekly radio show, Diesel Smoke and Dangerous Curves.

And while you’re takin’ a gander at our little Q&A with Julea, take a listen to Julea & Her Dear Johns rockin’ out at The Star Bar with their revved up tune, “Rocket Dog” in December 2013 here.

How did you find your fellas, the ‘Dear Johns’ and become a band?

We started playing together about two years ago. I was playing shows with a few different folks after my previous band broke up and this was the configuration that stuck. I’ve known Chad (upright bass) for years. He’s my best friend and he’s taught me a lot about music.  I met Spike (guitar) at shows around town and always really enjoyed talking country music with him. I met Gabe (drums) the same way, but I also enjoyed talking with him because he’s a school teacher like me.

How did you get involved in the Atlanta ‘roots’ music scene? Was it easy or did you have to ‘pay your dues’?

I got involved in the roots music scene when I started singing with Mudcat and Bill Sheffield at the Northside Tavern back in 2007. I suppose I “paid my dues” in a sense – I went to a lot of open mics, and I would go to shows and wait around until the bars were closing down and most of the patrons were gone, because it was at that point that some of the performers I would go see would let me get up on stage with them and sing a song or two.  Things happened pretty quickly when I started writing songs however.  I put a band together and recorded an album that I never released, and then there was The BareKnuckle Betties, an all female traditional country band I played with for a few years. I think folks who have gotten to know me see that I really love country western music, and that my passion for acquiring and sharing what musical knowledge I have is genuine. The roots music community in Atlanta is full of wonderful, good people who support each other, and many of them have been very encouraging to me.

If you could build a dream band to play with, who would you pick to be in it and why?

I’ve never thought about it all that much.  I’m pretty happy with the way things are these days. I suppose it wouldn’t be terrible to have Grady Martin in my band though, since he’s the greatest country western & rockabilly guitarist of all time. I don’t think I would mind playing music with him at all.  As far as folks who are alive today, I’d say Chris Scruggs, Kenny Vaughan, and Deke Dickerson are doing a fine job carrying on the tradition of country western guitar greatness.

Can you tell our readers a little about your weekly radio show?

My weekly radio hour, “Diesel Smoke and Dangerous Curves,” will air on AM1690 on Wednesday evenings from 7-8 pm starting April 2.  I’m so excited to be contributing to this wonderful station.  My hour will probably have a hillbilly, classic country western and rockabilly focus, just because that’s what I love the most in my heart and what I have the most of in my record collection.  But I’m also planning to cover the genres of pre-war piedmont blues, ’40s and ’50s rhythm and blues, “popcorn” and northern soul, a smidge of garage and really just everything that is good and should be played on the radio.

I’ll be playing music from both male and female performers, but I do hope to focus a spotlight on many female artists who never got the spotlight they deserved. I’m also planning to interview some trailblazing women who were making great music back when folks were telling them there was “no place for women in country music.” I have a lot of records made by folks who were just as good as Loretta Lynn or Etta James but never got the recognition they deserved. My show will focus on those women and men.

Do you have any plans for an album with your ‘Dear Johns’?

Oh, yes.  I’m studio shopping at the moment. Looking for a good engineer with a good live room and access to a tape machine who’s not afraid to do everything live.  If you are that man or woman, please get in touch with me!

Did you start playing guitar and banjo as a little girl or learn later? Any story about how you got started?

I learned guitar when I was a teenager and I’m so glad I did. My mom really wanted me to try it, but I didn’t want to at first. I almost didn’t learn to play at all because I didn’t want to cut my long nails off.  I couldn’t imagine how different my life would be if I didn’t play guitar.  I’m so glad I didn’t let my stupid nails get in the way!

I learned banjo a few years ago when I bought one.  I’m not a “real banjo player,” but I enjoy messing around on it and I love how it’s changed the way I write music at many times.  It’s a wonderful instrument. I think everyone should have a banjo!

Who are some of your favorite vintage performers and influences?

SO many! Too many to name them all, but I’ll share a few.  I love Charline Arthur because she was so talented and she didn’t take any crap from anyone.  I love Ma Rainey because she used to start her performances inside a giant box done-up to look like a Victrola only to emerge from the box in the middle of the first song covered in gold necklaces and flashing her gold teeth.  I also love her because she could perform with a big ol’ band at minstrel shows and opera houses without a microphone.  I love Lottie Kimbrough because her voice sounds like butter and makes me teary-eyed.  I love Lorrie Collins because she is the greatest rockabilly singer of all time, and because she sang about what she wanted to no matter what kind of reputation it would give her.  I love Mimi Roman because she is a New York Jewish sharp-shooting cowgirl country western singer who toured with Ronnie Self and Goldie Hill, and also because she’s a very nice lady who has been kind enough to talk with me and has been very encouraging to me about my music. You’ll hear from all these gals and more on my radio program, “Diesel Smoke and Dangerous Curves.”

Any special plans for Friday’s show at The Star Bar?

I’ll be playing some new tunes with the fellas, and I’ve also worked up a fun duet with Dave Weil from The Blacktop Rockets.  Also, my pals Cletis Reid and Johnny McGowan have put together a new CD that they’ll be releasing that night. If you like truck-driving country, you’ll want to come on out and pick one up!

What’s next for Julea and Her Dear Johns?

Definitely hoping to get into the studio and record an album soon.  Hopefully we’ll keep playing cool shows and I’ll keep writing new songs.

We all know that the life of a musician can get hectic.  What do you do on a regular day when you’re just being Julea?

I teach first grade at an arts-integrated elementary school in the Atlanta area.  It can be a challenging job, but I love it so much.  I’ve taught second, third and fourth grade in the past as well.  If I’m not teaching, or playing music, or writing music, then you can probably find me at the record store.

Who are some of your favorite female local artists?

There are so many cool women in Atlanta playing really good music. Buffi Aguero (Tiger! Tiger! & The Subsonics) inspires me, as does Aileen Loy (Till Someone Loses An Eye) [March 2013; see ATLRetro’s Kool Kat feature on Aileen, here], Katy Graves and Jennifer Leavey (from Catfight!) [May 2012; see ATLRetro’s Kool Kat feature on Katy, here], Suzanne Gibboney (Tiger!Tiger!, LUST and Catfight!), Adron, Cameron Federal (Little Country Giants) Caroline Engel (Caroline & The Ramblers) [July 2012; see ATLRetro’s Kool Kat feature on Caroline, here], Lindsay Rakers, and so many more!  My friend Andy Deaver-Edmonstone (from The BareKnuckle Betties) has a great new band called the Burnt Mountain Benders that I can’t wait to hear. I’ve also gotten really into Kira Annalise‘s music here recently.  She writes amazing songs.

Can you tell us something you’d like folks to know about you that they don’t know already?

I very much prefer mono recording over stereo.  In fact, I detest the whole concept of stereo recording. I think it’s ruined many great songs.

All photographs are courtesy of Julea Thomerson and used with permission.

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Third Time’s The Charm: Revival Stars, Legends and Rising Ingenues Add Spice to Southern Fried Burlesque Festival

Posted on: Mar 18th, 2013 By:

Stars both of the Burlesque Revival and of classic tease arrive in Atlanta this week for the third annual Southern Fried Burlesque Festival Thurs. March 21-24 at  the Wyndham Atlanta Galleria. Bras off to Syrens of the South Productions, and in particular Katherine “Lashe” Neslund, with assistance from Ursula Undress, who had a dazzling dream to start a festival in Atlanta.As a lover of classic burlesque but appreciative of the creativity that revival performers show, ATLRetro has to say that the big evening shows at the first two SFBFs were among the best in Atlanta. We loved the chance to see some of the nation’s and Southeast’s best, including legends that sizzled stages in the ’60s and ’70s, without traveling to New York, the West Coast or the Burlesque Hall of Fame. Aspiring performers can take classes taught by these talents on topics ranging from costuming to performance to the history of the art form, as well as shop from a host of vendors selling everything from pasties to vintage items.

Just a quick glance at the line-up suggests this year will be just as good performance-wise, if not even better. First, we have to admit that we’re pretty excited to see Portland, Oregon’s Russell Bruner, reigning King of Burlesque, after getting a peek at him during our own Kool Kat Kitty Love‘s first Sultry Sunday of the year back in January. Male exotic dancers may be notoriously boring, but dressed in a pin-stripe seersucker suit, top hat and debonair moustache, let’s just say Russell wasn’t just sexy but sassy–really capturing the spirit of the tease in ways that most male dancers simply don’t. Of course, that underlines the essential difference between burlesque, or in this case “boylesque,” and striptease/exotic dance. Burlesque comes from vaudeville and variety and is all about having fun–which, well, they say gals love a guy with a sense of humor.

Russell Bruner

OK, yeah, that was a lot of getting hot and bothered about Russell. SFBF 2013 also features a bevy of lovely ladies. Friday night’s all-star Free Range Burlesque will be headlined by Miss Exotic World 2010 Roxi D’lite, who also stars in BURLESQUE ASSASSINS, a Canadian comedy/action indie feature film which will have its Atlanta debut at SFBF. Set in a 1950s Burlesque theatre, it stars top burlesque performers from around the world and and follows a trio of sexy super-spies as they seduce their way within killing distance of a trio of villainy hell bent on global Cold War domination. How can one not want to see a movie whose description provocatively teases: “WITNESS the fatal fan dance of Koko La Douce! BEHOLD the brutal boa striptease of Bombshell Belle! SEE Bourbon Sue, a bad girl with a taste for booze, boys and Rock & Roll. Experience the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!” Catch the trailer here.

Known for having the “mouth of a sailor” and the “voice of an angel,” Cora Vette will be on hand as pageant mistress of ceremonies on Saturday night. She performed for more than one million guests over three years as Tanya in MAMMA MIA! at the Mandalay Bay Hotel and Casino in Las Vegas. She now runs a burlesque company called Black Box Burlesque and also has a troupe of male burlesque performers called Cora Vette’s Hot Rods. In fact, she may be one of burlesque’s most diverse talents, having also written two burlesque musicals, the critically acclaimed Victorian comic burlesque operetta, LEADVILLE OR BUST! and a pot opera called REEFER MANIA: DENVER’S GONE TO POT.

Cora Vette.

Notorious for her costumes, 2012 Southern Fried Burlesque Queen, Denver’s Orchid Mei, returns. She gracefully combines traditional Chinese dance with influences from classic burlesque femme fatales and has performed with the Dresden Dolls. Also back are last year’s best group, New Orleans’ Slow Burn Burlesque! Atlanta’s own lovely Talloolah Love and Knoxville’s Kisa Von Teasa will be featured performers at the Southern Scorcher showcase, hosted by Minette Magnifique‘s Baroness vonSchmalhausen which also includes Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

late night Saturday. SFBF’s legends this year are Canada’s Judith Stein and Detroit’s Toni Elling, who will both be performing Friday. And that’s not even counting Atlanta’s New Orleans Jon, who emcees on Friday; all the way from Stockholm, Sweden, Adoria Amoria – if you had any doubt that the revival had reached Scandinavia; Knoxville’s Sweet Little Psycho Kisa Von Teasa, and many more.

Here’s a quick rundown of SFBF daily highlights:

Thursday March 21

SFBF kicks off with a happy hour mixer, which also will double as the monthly meet-up of the Atlanta Burlesque & Cabaret Club from 6 p.m. to 8 p.m., then get a sneak peek at burlesque’s future stars at the Just Hatched Newcomers Showcase and watch the Atlanta premiere of BURLESQUE ASSASSINS at 10 pm.

Friday March 22

The festival teases into full gear with classes and vendors during the daytime, the Free Range International Showcase headlined by Roxi D’lite and featuring performances by local and national stars at 9 p.m. and an after-party at 11:30 p.m with music by Till Someone Loses An Eye featuring Kool Kat Aileen Loy and Good Golly Svengali.

Judith Stein.

Saturday March 23

Take classes and shop the vendors’ market during the daytime, then see some of the south’s and nation’s finest compete in the Southern Fried Burlesque Pageant, at 8 p.m. It’s hosted by Cora Vette with farewell performances by last year’s winners Orchid Mei and New Orleans’ Slow Burn BurlesqueThen close out the night with the Southern Scorcher Showcase at 11:30 p.m. featuring Talloolah Love, Kisa Von Teasa, Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

Sunday March 24

Get your final shopping done and catch up with the performers before they leave town.

To purchase advance tickets and peruse the full class and event schedule with performer bios, visit www.southernfriedburlesquefest.com/. And for the latest updates and extras, be sure to friend SFBF on Facebook and follow on Twitter

All photographs are courtesy of Southern Fried Burlesque Festival and the performers pictured.

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Kool Kat of the Week: Freaks, Geeks and Playing with Teeth: Aileen Loy Is Ready to Sing the Music of the Devil…Well, Till Someone Loses An Eye

Posted on: Mar 6th, 2013 By:

Aileen Loy, performing with Till Someone Loses an Eye at the Star Bar on Jan. 10, 2013. Photo credit: Jolie Simmons.

ATLRetro has had our eye on Atlanta visual and performance artist Aileen Loy for a long time, and now seems like the perfect time to catch up since her band Till Someone Loses An Eye will be playing Sunday March 10 in a three-month second Sunday series at the Corner Tavern in Little Five Points. The unique nine-person ensemble also will be opening for self-described “rockabilly-porno-metal with a country twist” Fiend Without a Face  and Ricer on Wed. March 6 at the Star Bar. Other band members include  Sam McPherson and Michael A. Robinson (L5P Rock Star Orchestra/DRACULA THE ROCK OPERA); Meredith Greer (The Chameleon Queen); Steve McPeeks (Art of Destruction)Frank Anzalone (Walk From the Gallows)Brigitte Warren (Wicked Geisha Ritual Theatre); and Dee Dee Chmielewski (DRACULA).

To call Aileen an eclectic talent would be an understatement for her passions definitely are eclectic and her talent unquestionable. Her singing voice is unexpectedly deep for a woman and has often been compared to Tom Waits. her costumes are always the very spirit of Bohemian and often feature bones, whether she is in full Mexican skull-face Day of the Dead regalia or  a skintight black pants fronted by a human pelvis and skeletal legs. Still to call her a goth would be selling her short. She certainly displays a passion for the macabre, but she also equally embraces the playful, including the recent Renaissance of carnival/circus culture and even a gypsy steampunk edge. Till Someone Loses An Eye lists its influences as Waits, Nick Cave and Gogol Bordello and its interests as “rusted metal, old time circus culture, cheese sandwiches, small rocks, freaks, geeks and miscreants.”

When she is not making music, Aileen crafts cool, creepy jewelry using prosthetic eyeballs and teeth, and she has experimented in film and just about every type of artistic media. If that’s not multi-talented, we don’t know what is. But enough talking about Aileen, let’s get talking to her.

ATLRetro: Seeing your artwork and listening to your music, we can imagine you being closer to Wednesday Addams than Cindy Brady as a little girl. How old were you when you started down the path to the darker side of creativity, and what pulled the trigger?

Aileen Loy: That’s a fair cop – I was a pretty serious and awkward little girl. I’m not sure how to answer the rest of that question but there was probably a library card involved.

Aileen Loy plays a mean harmonica with Till Someone Loses an Eye at the L5P Halloween Festival 2012. Photo credit: Stephen Priest.

Who/what were some of your early inspirations musically and visually that still influence your work today?

Johnny Cash, Tennessee Ernie Ford, a lot of classical music. My parents had a weird assortment of albums when I was growing up, so I’d go from listening to SONGS OF THE GUIANA JUNGLE, Lord Kitchener, those odd Reader’s Digest collected works of *insert western classical composer or awesome polka guy, here*, lots of Bollywood, Johnny Mathis and a good dose of Kitty Wells, Dolly, Willie Nelson. Rock and roll was kind of special because I got to discover that on my own. Those were the albums we played when the folks were at work or at my friend’s house. Dad went on a “Rock and roll is the music of the devil; we must burn all rock albums and rid the world of it’s horrible influence” phase, so most of my albums stayed in my room hidden safely behind the Mozart and Ravi Shankar. It was an odd time.

Why do you think circus and carnivale culture has made such a comeback and is seemingly in a renaissance in the independent arts scene from burlesque to steampunk to modern-day proud-to-be-freaks shows?

Good question and I don’t really know. I’ve always been drawn to it because it seemed like a magical amorphous place, where one can, not only be exactly what one is, but is encouraged and expected to be fully that – to gain power and reflect competence and heart through what others might view as “freakish.” It’s a place where no one expects tidy and convenient truths. Fantastic stuff. I think I definitely would have felt safer in there as a kid.

Your vocals have often been compared to Tom Waits, which is unusual for a woman. Did you work to create your unique singing voice or did it just come natural?

I’ve always had a little froggy voice, and the vocalists that I really loved had such huge resonance. You could feel them in your chest! So, yeah of course I wanted to sound like them. That would be me, age 5, trying my damnedest to sing Johnny Cash, and eventually I could. I had a voice therapist tell me that I have the physiology for it . My vocal cords are similar to a male’s. Otherwise I wouldn’t have been able to train that low.

Aileen Loy fronts Till Someone Loses An Eye at 7 Stages during Day of the Cupcake, Oct. 8, 2012. Photo credit: Jolie Simmons

Tell us about Till Someone Loses an Eye, your latest band. Why the name? And what makes this band special and unique musically?

I thought the name was funny. It could be a threat, an eventuality, or an aspiration. The band is personally interesting to me because everyone has such a widely different back story and vibe from one another, and it informs the music in a pretty cool way.

At an Artifice Club performance in fall 2012. Photo credit: James Curtis Barger.

You list some of your collaborators as “heads of mischief.” What do you mean by that?

I was being glib when I wrote that, just trying to fill a page and get it up. But now it’s very apparent to me that it’s absolutely true on its face, no explanation needed. Lovely troublemakers, all of them.

You’re playing twice this week. Wed. March 6 at Star Bar and then Sunday march 10 at Corner Pub, which is going to be a once-monthly event on second Sundays. Do you have any special plans for either show? Why should folks come out?

Wednesday’s show we’re playing with Fiend Without a Face and Ricer, two reasons right there to come. Second Sundays, we have the whole night to do whatever we want. We could play two full sets just us, or have another band open, or musicians sit in for a song or two. This Sunday, the band, Tulsa, is coming through from SXSW and will be doing an early opener set at 8:30.

A vintage stag pocketwatch sporting a prosthetic eye designed by Aileen Loy.

What are you up to in the visual arts right now? Last time I checked you were making beautiful jewelry involving teeth.

Still plugging away, trying to up the scope of the teeth jewelry a bit and take it to a logical conclusion, not sure what that is. I’ve got a few new projects brewing, but it’s still to foggy to talk about them with any kind of intelligence.

What artistic or musical accomplishment are you most proud of so far, and why?

I’m just happy I’m doing it. Neither was particularly supported when I was growing up, so I kind of always found my own way around. Definitely, a late bloomer.

Finally we had to ask. What’s your favorite whiskey and why?

Is there ever a bad whiskey?

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Kool Kat of the Week: The Flaming Heart: A Tribute to Buster the Human Blowtorch, aka Todd Kelly, as The Chamber Holds a Second Reunion

Posted on: Nov 24th, 2012 By:

Todd Kelly and Torchy Taboo.

By Torchy Taboo
Contributing Writer

“Todd was a Fire God on stage blowing his Soul of Fire for the world to see.”– Bry-baby, Chamber regular

 Back by popular demand, Mon Cherie has put together Chamber Reunion II, another gathering of the misfits who frequented one of Atlanta’s most notorious nightclubs, on Sat. Nov. 24 in Hell at The Masquerade. [Ed. note: read our Kool Kat interview with Mon Cherie on her Chamber memories and the first reunion here] It just wouldn’t be The Chamber without the presence of its favorite fire-breathing clown. However, due to his previous dinner arrangements with P. T. Barnum, Gypsy Rose Lee and Freddie Mercury, Mr. Todd Kelly will not be on the bill. I thought a tribute was in order.

Todd “Buster the Human Blow Torch” Kelly walked into my world in 2000. He strolled up to me in the Star Bar and introduced himself. His face was familiar; he had been in the front row of most of my Dames Aflame shows wearing a bright yellow motorcycle jacket. It caught my eye. My roommate had been hanging out with him in the witching hours after the “legal hours of operation” of a variety of Atlanta bars…the tales of mischievous behavior (to say the least) had been numerous at that point. Diminutive of stature, yet a flamboyant and verbose one-man cult of personality, not unlike myself, we became immediately lifelong comrades. He spent the evening regaling me with the amazing details of his fiercely colorful life.

Todd worked as fire performer and pyrotechnician for a myriad of bands including My Life With The Trill Kill Kult, Glitterdome and Impotent Sea Snakes (iss) just to name a few. He traveled constantly and spent the better part of 2001 in California where he became engaged to another performer from iss. Alas love’s misfortune brought him back to Georgia by the beginning of 2002. We took up right where we left off. Neither of us the type to waste much time, within days of his return, we began dating. He set the tone for our story by showing up for our first date in a knee-length REAL snake-skin jacket. He took me to The Chamber and promptly changed into his stilts and 7-foot-long silver sequined pants, tailcoat and top hat.

When Todd was not on the road, he worked a regular gig at The Chamber, either on stilts or doing his fire act, which I assisted as “safety” waiting back-stage with his fire-box full of fire-extinguishing paraphernalia in case of mishap. He taught me how to blow fire, and since we were both known for our snake acts as well, we soon began performing together. He was the consummate showman, yet never minded if my skimpy costumes upstaged his signature leather pants. But that’s who he was with everyone.

“The first time I saw Todd perform was at The Chamber. When he strode onto stage to the anthemic, ‘Du Hast,’ the energy in the room elevated immediately and then hung, palpable and frozen, in mid air. The audience, knowingly or not, fed him their every expectation, desire, anxiety, and Todd took it all in and let it go in a wildly cathartic and decadent rush of fire – a fine mist of fuel over an open flame. His act, although straightforward, was a bold, arcane ritual, and Todd was the Magus, sans turban, clad only in tight, red leather pants. In that room, he was more than fire-breather. He harnessed the frenetic energy of the room and focused it outwards into blazing spectacle. He was the transformer.” – Aileen Loy, creative impresario.

“Long before joining up with the Impotent Sea Snakes and when I first moved to Atlanta, I met Todd Kelly. We were both fixtures at The Masquerade and part of the core family of friends that hung out and/or worked there. We enjoyed many times together. I adored him. I just did not realize how beloved he was (to others) until I signed up with the band. We traveled the U.S.A. and Canada – this close quarters living bonds people in ways that can never be broken. ” – Mon Cherie, Chamber performer and promoter, and organizer of The Chamber Reunions I and II

“I never had to give Todd much direction. I’d tell him the theme for the event, and he would deliver. He was a natural at sideshow.” – Howie Stepp, manager at The Chamber

“Todd was one of the kindest, gentlest souls I’ve ever had the privilege of knowing. I got to know him through working with him at The Star Bar and in the band Greasepaint. He had an incredible gift for being empathetic and understanding while still being objective and non-judgmental. In the few years I had the honor of knowing him, he left a lasting impression. There are not many days that pass that I don’t think of him and miss him. The world would be a far richer place if Todd Kelly was still in it.” – Joel Burkhart, musician and fellow member of Greasepaint, co-founder of the band AM Gold.

Todd Kelly and Torchy Taboo.

“Todd had the soul of a rock star and helped me become one, in my own mind at least. He could steal the show and be totally humble in the same breath, blow you out of the water and totally supportive at the same time. I’ll never forget or be able to repay his support of my photography and my singing. If I listed the people he introduced me to or the doors he opened for me, you would think I was name dropping or bragging… or you knew him too.”  – Keith Martin, photographer, musician and singer/guitar for The Stumblers.

“Todd Kelly was a jack of all trades who mastered every trade he tried. He was willing to do anything to help a friend and was so well liked you felt like the ugly girl whenever you were out with him. A rock star who gave up the stage to help a brother, we hosted Yer 15 Fuckin’ Minutes karaoke together three nights a week and worked even longer hours together after our regular schedule. A gentle soul, he even took time out to stilt walk and breathe fire for my son’s 8th birthday. Little known fact, I stole the name ‘Blue Rat’ for a headshop I opened on Cheshire Bridge, the “R-A-T” stands for “Rotknee, Alex and Todd.” I promised him we’d open something we could put our name on. Rest in peace, brother, I finished what we started. Loved that man, still do.” – Rodney Leete, wild-man on the mic, musician and emcee, Atlanta’s Best Amateur Comedy, Yer 15 minutes of Fame Karaoke. 

Torchy Taboo and Todd Kelly.

My favorite story Todd ever told me was about how he’d injured his hands very badly while trying to rescue his 15-foot-python, Junior, from a burning tour bus. When he found that his injuries made it impossible to hold his fire torches a few days later at his next booked show, he duct-taped them to his wrists and went on. Ever a man of his word, the show must go on.

Even after parting ways, we remained fiercely loyal to one another, sharing responsibility for our pets during each of our extensive tour schedules and even working together a few more times. Todd Kelly left us in 2004. He is remembered dearly by everyone who ever knew him.

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The Little Death: Absinthe Makes a Truly Scrumptious Recipe at The Day of the Cupcake

Posted on: Oct 4th, 2012 By:

Our top pick for Saturday Oct. 6 is a truly scrumptious tribute to one of our favorite Retro treats. Willy Wonka would appreciate the World of Pure Imagination that is the Sugar Dolls‘ annual Day of the Cupcake celebration. The confectionary-inspired festivities begin at Sacred Heart Tattoo ( Little Five Points location) from noon to 7 p.m. with $50 cupcake tattoos, sugar skull decorating & contest, free cupcakes, games and live performances. Then at 7 p.m., the fun moves to  The Five Spot where a $15 cover ($10 with cupcake tattoo) gets you $5 Lucid Absinthefree masks for early arrivals and music by bands Christ, LordToy Devils and Till Someone Loses an Eye featuring Aileen Loy, as well as special guests The Thimblerig CircusThe Chameleon QueenClay Crockerof Prentice Suspensions and aerial performances by: Lori VanVoorhis, Mara Chanin, Aileen Loy and Alexis Gorsuch. And of course, the Cupcake Eating Contest will be back as well! There’s also an art auction, and eccentric garb is encouraged but not required! The entire day and evening supports Aid Atlanta. Still don’t get what it’s all about. Read more about The Sugar Dolls and last year’s Day of the Cupcake here.

In the mood to eat cupcakes and drink absinthe, now?!  To get in the holiday spirit ahead of time, here’s a special adult cupcake recipe from The Sugar Dolls to tantalize your tastebuds…

The Sugar Dolls

“The Little Death”

Cupcake recipe with “Lucid Absinthe’ “

Cake Ingredients

  • 2 cups sugar
  • 1-3/4 cups all-purpose flour
  • 3/4 cup Cocoa or  DARK Cocoa ( depending on how much of a bite you want)
  • 1-1/2 teaspoons baking powder
  • 1-1/2 teaspoons baking soda
  • 1 teaspoon salt
  • 2 eggs
  • 1 cup milk
  • 1/2 cup vegetable oil
  • 2 teaspoons vanilla extract
  • 1 cup boiling water

Heat oven to 350°F
Put liners into your cupcakes pan. Stir together sugar, flour, cocoa, baking powder, baking soda and salt. Add eggs, milk, oil and vanilla; beat on medium speed of electric mixer 2 minutes. Stir in boiling water (batter will be thin) You may want to use a piping bag to put your batter into you liners, fill liners half way.
Bake 30 to 35 minutes
Cool completely
Lucid Ganche

  • 12 ounces chocolate, chopped into small pieces
  • 1 cup heavy cream
  • optional 1/4 cup Lucid Absinthe’

Place chocolate pieces in a large bowl. Heat heavy cream on medium high until it comes to a boil then slowly add your chocolate while maintaining a stir once melted take off heat and add in your absinthe, let cool.  While that cools you will need to hollow out the center of your cupcakes, then slowly pour the ganache into the center of each cake.
Now to frost!
Lucid Mocha Frosting

  • 1 cup unsalted butter, softened
  • 3 1/2 cups confectioners sugar
  • 1/2 cup cocoa powder
  • 1/2 teaspoon table salt
  • 1 teaspoons vanilla extract or 1/2 teaspoon almond extract
  • 2 tablespoons milk or heavy cream
  • 2 tablespoons dark fresh brewed coffee
  • 1/4 cup Lucid Absinthe’

Cream butter for a few minutes in a mixer, Sift  confectioners sugar  and cocoa into the mixing bowl once incorporated add remaining  ingredients.  If your frosting needs a more stiff consistency, add a little more sugar. If your frosting needs to be thinned out, add additional Absinthe if your feeling frisky  or dark coffee if you need more bite and kick. Either way Whip the mess out of that frosting give it the good beating you want it to give you.  Frost cupcakes.  If you would like a garnish for your cupcakes, make another batch of ganche and once cool, drizzle it a top your tasty treats with a chocolate covered espresso bean or two.

 

 

 

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Let Them Eat Cupcakes! The Sugar Dolls Bake Up a Scrumptious Saturday in L5P!

Posted on: Oct 5th, 2011 By:

When ATLRetro heard that The Sugar Dolls were throwing their 2nd Annual Day of the Cupcake party on Saturday Oct. 8, we couldn’t think of a more delicious way to officially kick off our latest weekly feature, the Wednesday Happy Hour & Supper Club. While a holiday just for this Retro sweet sounds scrumptious enough, this quintet of beautiful bakers (Alexis Gorsuch, Lena Kotler, Crystal Chambers-Goggin, Jessika Cutts and Kelli Graham) has cooked up an entire day of activities, starting from noon to 7 p.m. at Sacred Heart Tattoo in Little Five Points and then continuing late into the night at Java Lords ($5 cover; proceeds to Atlanta Bully Rescue). They’ve tempted you with everything from boobalicious chocolate confections to flaming strawberries at Blast-Off Burlesque shows, Mon Cherie spectaculars, Rockabilly Luau, but Saturday will be all about celebrating the cupcake through activities, art and music. You’ll lick your lips for cupcake-inspired games, a Sugar Skull decorating room so you’ll be all set for the Day of the Dead, tasty tattoos, live bands (including Six Shot RevivalThe Sneaky Hand and The Claymores), karaoke, burlesque, pin-up hair-styling with Cherry Dame, a pin-up contest and, of course, cupcakes!

In fact, the idea of spending a day celebrating this timeless treat made us so hungry that we asked the Sugar Dolls if they’d be so sweet as to add ATLRetro to the menu as a sponsor. We’re thrilled to say that we passed their taste test, especially since we’ll be serving up a tasty new look at the end of this week, courtesy of Derek Art, too. That it’s Anya99’s birthday two days later is just icing on the cake, and she really loves icing, so while you’re dropping by for cupcakes, be sure to say hi. We’ll also be selling our first batch of ATLRetro T-shirts, so if you dig what we’re doing, consider buying one and supporting our humble efforts to keep Retro Atlanta alive.

With an all-day event, it’s sometimes hard to know when’s the best time to show up, so we asked Alexis to clue us in on all that’s cooking on Saturday. Of course, we couldn’t resist a few questions about the perennial appeal of the cupcake and the secret recipe behind the Sugar Dolls’ secret origin and success.

For a while, cupcakes seemed to have a bad reputation as being cheap alternatives instead of a real cake and mostly just for kids, but lately this quintessentially Retro treat is not just back in style, but as The Sugar Dolls have shown, can come in all sorts of creative flavors, even in adult versions such flaming with a drop of liqueur. What do you think accounts for their comeback?

Trends in fashion loop around so many years and I have been told on numerous occasion, it is due to nostalgia. “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” By Coco Chanel.  So what is more nostalgia than food, needless to say sweets? You nailed it on the head with the fact that cupcakes are Retro, but aside from that they have given us a sweet and simple way to step back to the past yet enjoy where we are and look forward to the future! I love how some of our sweets take me back to being a little girl, but the same cupcakes are the most elegant wedding display or engaging party favor. So much diversity in these simply amazing treats and people are really starting to recognize the possibilities and fun at reasonable budget. So honestly it is a nice handful of things that has really allowed these sweet cuppies to bloom into their own world.

We can’t think of a better name for a cupcake company than The Sugar Dolls. How did you gals get together and what made you start baking?

Thank you, we are pretty fond of the name too! Well, baking is such a sweet family tradition for so many folks, and all of the Dolls have some great memories and continue to make them together and with our families. We all met at different walks in our life but seem to have come together to make something bigger than ourselves. We want to share our love and experiences with you, and baking is the sweetest outlet to share those things and give in the many ways we would like.

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