Kool Kat of the Week: Madeline Brumby Battles the Atlanta Zombie Apocalypse, Scares at the Spookshow and Braves Bikers ‘n’ Bigfoot in DEAR GOD NO!

Posted on: Oct 12th, 2011 By:

As Halloween creeps close and THE WALKING DEAD returns to TV next Sunday, Atlanta Zombie Apocalypse (AZA) arises for its own second season with new sets and a new storyline at Safety Wolf, the vast paintball combat complex off Moreland Avenue, just south of I-285 (open Thurs.-Sun. nights through Oct. 31). Set in and around a two-story abandoned motel, this approximately 100,000-square-foot attraction was nightmared up by the maniacal minds of local horror Renaissance man/make-up artist Shane Morton (Silver Scream Spookshow, Gargantua, etc.) and Jonny Rej (Plaza Theatre). Not just your traditional walk-through haunts with jump-out monsters, AZA delivers a total immersion “experience” with a distinct plotline that lands visitors right in the middle of the zombie plague, interacting along the way with a variety of human characters from scientists and bureaucrats at the Center for Disease Development (CDD) (but can you trust them?) to commandos fighting the zombies with automatic weaponry (reminiscent of last year’s Mack and Johnson) to a twisted carnival of human scum who thrive in the chaos, reminiscent of John Carpenter’s ESCAPE FROM NEW YORK.  It’s sometimes hard to know who to trust but if someone says “run,” let’s just say you can be sure zombies are around and if you don’t, you may get bitten and infected with the plague yourself or worse eaten for your brains!

To get the scary scoop, ATLRetro caught up with Madeline Brumby, a brunette with a machine gun who is no mere scream queen but a key cast-member and also this year’s pinup girl for the “hero” side of the AZA. But that’s not the only place you can see this monster-loving maiden this October. She’ll also be acting in the 5th Anniversary Silver Scream Spookshow this Saturday Oct. 15 at the Plaza Theatre – and you know Prof. Morte and Co. will be pulling out all the tricks and treats given that it’s their Halloween show and the movie is a rare 35mm print of the Vincent Price/Lon Chaney Jr. (not to mention H.P. Lovecraft) 1963 classic HAUNTED PALACE (Read our Retro Review here). Then she’ll be taking to the streets for this Sunday’s Zombie Walk Atlanta, organized by Luke Godfrey (Splatter Cinema, Chamber of Horrors) and cosponsored by AZA, and again with the AZA group at the Little 5 Points Halloween Parade on Sat. Oct. 22. Finally Madeline also will be up on the Plaza’s big screen later this month (Oct. 22-27) as one of the stars of DEAR GOD NO!, a hard-edged/no-holds-barred homage to ‘70s grindhouse features about a hellraising motorcycle gang, a mad scientist and a sasquatch on the rampage. Yeah, the name makes total sense when you see the movie!

All of this sounds like horror heaven to us, so we had to make Madeline Kool Kat of the Week

AZA 2011 T-short design by Dave Cook.

ATLRetro: This year’s AZA has the same basic concept but a totally new pathway and set of characters—loved the R.I.P. Mack and Johnson graffiti on the back wall. Without giving too much away, what’s new and different?

Madeline Brumby: We are all extremely excited about the new format. Of course, I’m sad to see Mack and Johnson go, but this year’s show is the sequel to the Mack and Johnson story. The versatility of the AZA to create and continue an apocalyptic scenario is really what gives the unique feel to the experience this year. And for years to come!

One of the cool things about AZA is every character seems to have a back story. Who do you play, and what’s yours?

Definitely! We had a patron come through the other night who was totally impressed that we had “real” actors with “real” stories. I’m a resistance paramilitary character. My troopers and I are rebels fighting for the survival of the uninfected and the destruction of the Center for Disease Development.

Some of the zombies have pretty intense make-up—i.e. they’re not freshly dead. How long does it take the zombies to get into make-up and how many make-up artists are on the team?

As much as we try to make the apocalypse real, the AZA is still a show. With not much light, our zombies have to be highly detailed for a spine-chilling scare. The process is down to a fine science—taking about 7 minutes per zombie. We have a team of about eight artists, myself included, headed by Shane Morton. First they are outfitted and receive a prosthetic. Once the prosthetic is dry, they are base-coated, detailed with additional colors, blood-splattered and hungry for BRAINS!

What zombie movies and books were most influential in planning AZA, and did a certain TV show set in Atlanta and featuring the CDC influence AZA at all in this year’s planning?

Haha! That’s funny. Last night Shane and I watched THE WALKING DEAD for the first time, and I thought it was pretty weak. CGI blood is a NO-NO! Our blood gags are far more realistic and they’re LIVE! And I’m pretty sure we were using the CDC gimmick first(?) as our show opened before the first episode aired. As far as most influential, WORLD WAR Z, I AM LEGEND [Ed. note: original Richard Matheson novel, not Will Smith move], LAST MAN STANDING and ESCAPE FROM NEW YORK provide the main inspirations.

Were you involved in any of the planning and construction? What can you tell us about that – how does AZA come together and who are some of the key behind-the-scenes masterminds, whom readers might not know about?

I’ve been out on builds from January to October and helped with some big scares in the courtyard. The primary innovators are Jonny Rej (co-owner of the Plaza Theatre) and Shane, with the major help of Dusty Booze in the construction department.

What’s a cool piece of trivia about AZA that isn’t widely known?

It is HAUNTED!

Professor Morte (Shane Morton) and Madeline Brumby in Silver Scream Spookshow.

Can you share any history about the AZA site? It was an abandoned motel, wasn’t it?

It used to be one of the busiest trucks stops ofAtlanta. At some point the owners ran into financial trouble and it shut down. Pirates ransacked the place and absconded with all the copper! When the property was purchased by Safety Wolf, I think they found EIGHT dead bodies during clean-up in the motel.  Shane and Jonny sure found some scary stuff when they were cleaning…

In addition to the main AZA experience, there’s a photo op, the opportunity to shoot zombies with paintball weaponry and some tasty food vendors, aren’t there? What might readers want to know in advance about what else is going on?

What better way to remember your apocalyptic experience than a photo with a zombie and a weapon of choice! The Zombie Shoot is even better this year and don’t let your taste buds miss out on Jim Stacy‘s famous Palookaville eats! His pickle is amazing! (insert joke here)

You’ve also become a regular in the Silver Scream Spookshow. Can you give us a little sneak peek into this week’s stage show and what makes HAUNTED PALACE such a special treat?

We definitely have some comedy gold in store for this week’s show! It’s the 5th year anniversary, so we’ve got some of the older characters like Persephone (Plaza co-owner Gayle Rej) and some of the new ones like Quozzy mixing it up for a spooktacular monster mash with more onstage illusions than ever. The score of HAUNTED PALACE is what makes the movie special to me, so I’m excited to see and HEAR it in the wonderful Plaza Theatre.

Will AZA be in the L5P Halloween Parade this year? Just zombies or how does one decorate an undead float?

We’ll be there! Undead and Alive! I think the only “float” we’ll have is a blood-splattered car.

You’re also starring in DEAR GOD NO!, an over-the-top neo-‘70s exploitation film featuring tons of local talent and playing at the Plaza Oct. 22-27. Can you tell us a little bit about that movie and the part you play?

Jimmy Bickert‘s DEAR GOD NO! is the ultimate grindhouse film. It is disturbing, offensive, hilarious, horrifying and amazing. You can’t even call it a tribute. It was shot on super 16mm film and all the effects are practical. I play Edna Marco who is the daughter of the mad scientist that has created something terrible. She transforms from submissive to empowered. Developing her went beyond all expectations. I channeled some deep dark emotions into my character and it has definitely been one of my proudest roles.

DEAR GOD NO! pushed a lot of boundaries and isn’t for everyone. What advice do you have for who should see it, especially the gals?

Take it for the art that it is and expect to be offended.

You also are acting as one of Dracula’s wives in Rob Thompson’s highly anticipated DRACULA: THE ROCK OPERA, which premieres next April at 7 Stages. Do you have anything you’d like to share about that role and experience?

Well, it’s definitely a musical that isn’t lame. My poor brother didn’t realize that Dracula’s wives were semi-nude and felt a little weird seeing that much of his sister. Haha! But, I don’t think it bothered anybody else too much. From musicians, score, and performers, the show is oozing talent and potential. I hope we do play in Prague this summer.

Any other acting roles or creative endeavors that you’d like to share with ATLRetro readers?

I hear there’s going to be a sequel to DEAR GOD NO! Hopefully we start shooting in the Spring.

Finally, you lived in England and have a science degree from Georgia Tech. Not that it wouldn’t be our dream/nightmare job, but how did you end up being a B-monster attraction/spookshow/movie actress?

Life’s a journey, right?

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Vintage Vacation: Road Trips from Hell with Blast-Off Burlesque, Part 3: Barbilicious Gets Lost in Texas

Posted on: Sep 10th, 2011 By:

Barbilicious performs with LUST. Photo courtesy of Barbilicious.

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here! Only two more shows on Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the third of this three-part series, Barbilicious was having a great time on tour with her band LUST until she headed to a rather unusual gig in Canyon, Texas…

Road Trips with my band LUST have always brought surprises, victories, defeats, and just plain weirdness. We used to take an annual West Coast Tour and go from Atlanta to the West Coast and back. A big loop that rolls down to New Orleans, then up through TX, NM, AZ and CA. Texas is a HUGE state, so in between Houston, Dallas, Austin and our favorite El Paso, there are little entertainment-starved places like Canyon, TX.

Canyon is a beautiful place located in Central TX, and cold as hell in February. After a wonderful show in Lubbock, TX, where we played for a couple of Black Metal dudes and their girlfriends in a room in a house, and had a grand tour of Buddy Holly‘s high school gym, we are looking forward to what Canyon would bring. Of course, we are pretty much broke, gas is expensive, and we need to get to the next place, so anywhere to play is always going to be better than not playing, right?

Dickie Van Dyke & Barbilicious. Photo credit: Derek Jackson.

Where’s the gig? It’s a little ambiguous, but we do have a phone number. After some phone tagging and crackly connections, we get directions. This was before smart phones and Google maps, so we get to pull out the ole’ paper one. Why that seems to be right in the middle of a State Park. Another call, wait don’t go there, go here instead. Why, that seems to be another State Park. It’s getting dark, and really cold, it’s 28 degrees, and yes, we’re playing in a State Park. Illegally.

There is more confusion, what gazebo will we be playing at? We need one with an outlet. There are no lights, the park is closed, it’s fucking freezing. After winding around the park, we finally pull up to a gazebo, where our headlights catch glimpse of a young punker pacing back and forth, all bundled up, and waiting for us to arrive.

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Vintage Vacation: Road Trips from Hell with Blast-Off Burlesque: World Tour Guest Star Jim Stacy Goes Fishing

Posted on: Sep 9th, 2011 By:

Frequent Blast-Off Burlesque Guest Star Jim Stacy whips up a seafood boil at Drive Invasion 2006. He also manages the Starlight Drive-In, owns the Palookaville corn dog food truck and stars in the PBS series GET DELICIOUS.

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here! Fri at 9 p.m., and Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the second of this three-part series, guest star and regular show contributor Jim Stacy (GET DELICIOUS!, Palookaville, AM Gold, Starlight Drive-In, etc) goes fishing in Florida with his dad. Let’s just say the weather started getting rough and the tiny ship was tossed. If not for the courage of the fearless crew…

I was about 9 years old and my family had gone to Daytona Beach, Florida for vacation. My Father and I decided to go Deep Sea Fishing, a ritual for he and I to this day. As we got further out and started catching fish the Captain came down and said a tropical storm was coming in but should pass to the south of us. We moved a few miles further out just to make sure the storm was well away from us and continued to fish our asses off.

The storm approached land where my Mother and siblings were safe in the Beach House awaiting a fish dinner. The storm had other ideas. It bounces off the shallows and comes at a beeline back towards us.

The Captain stows all gear as green and black asshole clouds bank up on us and we run. Skeedaddle as fast as the 40-foot cabin forward fishing boat will go. The storm gets us. We hunker in the Galley as we race at a 70° up the face of a wave, to crest it, race back down and have another wave smash over the bridge.

Jim Stacy plays with the Wizard of Oz, pictured here with real Munchkin Karl Stover, Blast-Off Burlesque & other Plaza friends. Photo Credit: ATLRetro..

So the waves smash out all the Galley windows and smash the coolers full of Lunch and Dinner. A steady tide of glass, broken wood, styrofoam, ice, fish and gear wash around my ankles as I see my new Chuck Taylor’s get deeper and deeper in the storm water.

We end up being 9 hours late getting back. My frantic Mother and brothers and sister are standing at the dock.

We lost all the fish.

 

Coming Soon: Vintage Vacation: Road Trips from Hell with Blast-Off Burlesque, Part 3: Barbilicious Gets Lost in Texas.

Read Part 1: Blizzard in North Carolina here.

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Vintage Vacation: Road Trips from Hell with Blast-Off Burlesque, Part 1: Blizzard in North Carolina

Posted on: Sep 8th, 2011 By:

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here,! Fri at 9 p.m., and Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the first of this three-part series, the entire Blast-Off gang braves a blizzard but our intrepid entertainers know the show must go on…

In January 2009, Blast-Off was heading to Asheville to put on two nights of a “best of” show at North Carolina Stage Company. We were psyched about it, because it was the first time we’d really taken the show on the road, rather than traveling to guest in other folks’ shows.

As the date approached, we kept an eye on the weather. It was January, after all. And as luck would have it, a snow – and ice – storm synched up with our travel plans. We were planning on heading up in two groups, one on Thursday evening and one Friday. The storm had a similar plan of attack.

Sadie Hawkins. Photo courtesy of Sadie Hawkins.

Barbilicious and Dickie Van Dyke were first to make the journey from Atlanta to North Carolina. They made it just ahead of the storm. Sadie Hawkins had been in Washington, DC for her day job. It was snowing there, too, and she was playing the weather delay game with Delta. Finally, a flight got through, and she made it home just as Atlanta’s weather started to get exciting. She was scheduled to drive up to Asheville with her partner – and Blast-Off’s sound man – Bryant. The goings were slow, but they made it up there in the wee hours.

Now, when team Blast-Off goes to Asheville, we stay in a cabin in the woods. Seriously. Disastrid’s mother has a rustic place at the base of a mountain, off of a curvy road and next to a babbling creek. It’s remote enough that there’s no cell service. It has power and water – and a landline phone.

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Weekend Update, Aug 5-7, 2011

Posted on: Aug 5th, 2011 By:

Friday, August 5

All-time great wrestling promoter Jerry Jarrett will be at the Plaza Theatre to meet and greet, sign his recent book and introduce 7:30 p.m. screenings of MEMPHIS HEAT: THE TRUE STORY OF MEMPHIS WRASSLIN’ tonight, Saturday and Sunday. The new documentary tells the wild and wooly tale of mid-South wrestling, from the ‘50s carnival days of Sputnik Monroe and Billy Wicks to the raucous ‘70s and ‘80s with the rise of Jerry Lawler, Jimmy Hart and promoter Jarrett. Can’t make the 7:30 p.m. screening? It’s also on at 9:30 p.m. all three nights. Read an interview with Jarret by ATLRetro friend and Wrestling with Pop Culture blogger Jonathan Williams in this week’s Creative Loafing here.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in DRACULA:THE ROCK OPERA at 7 Stages.

Last February Atlantans had the marvelous macabre opportunity to get a sneak peek at HAUS VON DRACUL, the first act of DRACULA: THE ROCK OPERA, conceived by and starring Rob Thompson; performed by local talents such as Chris Love as Jonathan Harker and the Little Five Points Rockstar Orchestra; and featuring make-up and sets by Shane Morte of Silver Scream Spookshow fame. To refresh your memory, read ATLRetro’s feature on Love here and our review of the production at 7 Stages here. For just $15, you can support some of Atlanta’s top alternative talent in prepping this show for its world premiere next April, as well as scream to some one-of-a-kind performances tonight during Black Metal Burlesque: A Hell Raising Fundraiser at 7 Stages. A pre-party starts at 9 a.m., with show at 10 a.m. featuring performers from the show, the Little Five PointsRock Orchestra, The Chameleon Queen, body suspension by Loki Shane DeFrieceMacabre Puppets‘ Chris Brown (Scarlett’s Web) as Rotzo the Clown, and much more from body-painting to a raffle. For a scary sneak preview, check out our interview with Kool Kat of the Week actor/stuntman Justin Welborn here.

New York’s Felix and the Cats swing down to Fat Matt’s. Canadian rocker Bryan Adams takes audiences back to the ’80s in his Bare Bones Tour to Frederick Brown Jr. Amphitheater in Peachtree City. Rock further back to the ’70s with Revival: An Allman Brothers Experience with Lefty Williams and Benji Shanks at Vinyl at Center Stage. Catch an IMAX movie and listen to cool jazz and sexy soul by vocalist Sarah Belladae at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday August 6

Catch an opening reception for August and Everything After: A URBNPOP art show, a solo art show featuring the wonderfully quirky pop culture-inspired works of artist Chris Hamer at Rev Coffee (1680-B Spring Road, Smyrna, 30080) from 8 to 10 p.m. Read ATLRetro’s Kool Kat profile of Chris here.

Travel back to the late ’70s/early ’80s at Deja vu Discotheque – The Dance Party of the Decade, a reunion party for The Limelight, Atlanta’s Studio 54, at Center Stage tonight. In addition to grooving to favorite dance music of the era by original Limelight DJs, attendees will be treated to a recreation of the club’s spectacular Moving Lightshow and many other over-the-top experiences reminiscent of the legendary venue. Read our sneak preview with memories of the original Limelight from Scott Cloud and KP Hendry here. Doors open for VIPs at 8 p.m, general admission at 9 p.m., and a silent auction benefits the Starlight Children’s Foundation of Georgia. Tickets are available here.

Billie Holliday sings the blues in STRANGE FRUIT.

Explore the dark side of the South via the soundtrack of the haunting Billie Holliday song in STRANGE FRUIT, a documentary directed by Joel Katz that weaves together jazz geneaology, biography, performance footage and the history of lynching, in the latest entry in the High Museum of Art‘s Radcliffe Bailey Film SeriesTheophis “Thee” Smith, associate professor of religion at Emory, will lead a discussion following the 8 p.m. screening at the Woodruff Arts Center.

Ghost Riders Car Club headlines a very special Retro honky tonk evening at Star Bar with Anna Kramer & the Lost CauseAndy Vaughn & the Driveline, and New Orleans’ Dirty Bourbon River Show. If you missed ATLRetro’s Kool Kat interview with GRCC’s Spike Fullerton, here’s a link. It’s a trilogy of rockin’ country ’70s-inspired fun when Gasoline BrosLo Country and AM Gold invade VinylSteely Dan is at Classic Chastain. Maretta’s Dry White Toast plays funk rock at Fat Matt’s Rib ShackFelix & the Cats swing over to Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 7

Interstate plays blues “dunch” between 1 and 4 PM at The Earl. One of the best alternative bands with its roots in the ’80s, The Goo Goo Dolls, play with Michelle Branch at Verizon Wireless Amphitheatre. And ’70s rockets Steely Dan are at Classic Chastain. And don’t forget Jerry Jarrett and MEMPHIS HEAT at The Plaza! See Friday for details.

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Kool Kat of the Week: Raising Hell with Justin Welborn at Friday’s BLACK METAL BURLESQUE Fundraiser for DRACULA: THE ROCK OPERA at 7 Stages

Posted on: Aug 4th, 2011 By:

Last February, composer/musician Rob Thompson and The Little 5 Points Rockstar Orchestra drove a stake into our preconceptions of rock opera as a dead-and-buried art form and put the bite back into vampire lore at 7 Stages with HAUS VON DRACUL, PART 1. If you’ve been stuck in your coffin and missed hearing about it, check out ATLRetro’s interview with actor Chris Love, who injected hard rockin’ passion into the often-staid role of Jonathan Harker, and our review here.

Now Rob and the rest of that crazed and creative team are hard at work on the terrifying second act of what’s now titled DRACULA: THE ROCK OPERA which will have its premiere run at 7 Stages from April 19-May 13, 2012. However, as anyone in the arts knows, even a labor of creative love needs some cold hard cash to make it to the stage. So raise the curtain on BLACK METAL BURLESQUE, a one-of-a-kind fundraiser this Friday at 7 Stages featuring not just cast members and the Little 5 Points Rockstar but other notorious local talent such as The Chameleon Queen, Loki Shane DeFriece (Prentice Suspensions), Macabre Puppets’ Chris Brown (Dad’s Garage’s SCARLETT’S WEB), , set designer/make-up artist Shane Morton (Silver Scream Spookshow), and many more. Tickets are just $15 and the show is at 10 p.m., but a pre-show party kicks off at 9 p.m. and continues after the show.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in last February's performance of HAUS VON DRACUL at 7 Stages.

For a sneak preview of this sexy, surreal and sinister evening, we turned to actor and stunt artist Justin Welborn, one of the mad masterminds behind the fearsome festivities and no stranger to the world of horror. In addition to performing at most of Atlanta’s theaters, he directed Sensurround Stagings’ production of Clive Barker’s THE HISTORY

Justin Welborn in THE SIGNAL. Magnolia Pictures, 2007.

OF THE DEVIL, is a founding member of Black Knight Stunts, and starred in the independent horror movie THE SIGNAL, which screened at Sundance in 2007. More scary screen credits include THE FINAL DESTINATION (2009), DANCE OF THE DEAD (2008), and THE CRAZIES (2010). Oh, and Justin does yoga, drinks Jamesons and his favorite movie is COOL HAND LUKE (1967).

How did you get involved in DRACULA: THE ROCK OPERA and what’s your role?

I am assisting Del Hamilton (Artistic Director of 7 Stages) with the direction and artistic production design of DRACULA. It’s strange how I got started with this whole three ring circus, i,e. The Little 5 Points Rock Star Orchestra. I’ve worked with, for and at 7 Stages for many years, and I’d seen the Rock Star guys and gals do their Iron Maiden show and their Pink Floyd Tribute, and always had an amazing time. I knew they had done JESUS CHRIST SUPERSTAR and HAIR, and so when Heidi Howard (Education Director/Production Manager, 7 Stages) asked me to come in and help coordinate the stunt work and violence in their 666 CHRISTMAS WITH THE DEVIL show, I was more than excited to help. I found the whole Devil crew to be very eager, slightly disorganized and maybe a little drunk. I loved it. And the show’s finale was like nothing I’d ever seen at an Atlanta theater in 12 years! Just mad!

The Krampus float in last year's L5P Halloween Parade.

I came in again the next year for A KRAMPUS CHRISTMAS and ended up spending more time directing for real, rather than just stunts. The more I gave, the more they gave back. We began to figure out how this theater world and their music world could mesh and synthesize into something new and fun for everyone. So when I was asked to help with DRACULA, I jumped at the chance for another go! I didn’t know what I’d be doing for sure, but right from the start, I began directing and troubleshooting in a kind of cooperative effort to make the best show possible. I wasn’t in charge, but at a certain point I was given—by unspoken agreement more or less—great license to help create and direct the show. I was really quite honored at how much trust they put into me.

The first act, titled HAUS VON DRACUL, premiered at 7 Stages last February. Is the second act’s script and music completed or at what stage is at now?
The second act is still in development but is coming along swimmingly. Rob Thompson, the creative mind before and behind our vampire opera, has been working on this project for almost two years, and as I understand it, is approaching a completed score. I think we’re still trying to figure out what we want to do with the end. We are using Bram Stoker’s book as our cornerstone, but translating that into music and a stunning visual stage show takes some real ingenuity.

Considering it’s a rock musical about a vampire, Black Metal Burlesque sounds like the perfect theme for a fundraiser. Any story behind how the idea came about?
Rob told me one night at Java Lords that he wanted to do a fundraiser based on Venom’s BLACK METAL album that would include burlesque girls and live suspension acts. Then he described a few possible numbers. So I took what he said, weighed some options and the favors I had left in town, and decided if not now, when? I wanted to keep the DRACULA buzz rolling, and help support a theater I believe in. Plus the excitement from the group only intensifies every time we up our game and really keep challenging ourselves with what we can do artistically when we work together. It’s very exciting to see these artists working toward a common goal with people they normally wouldn’t get a chance to perform around.

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This Week in Retro Atlanta, Aug. 1-7, 2011

Posted on: Aug 2nd, 2011 By:

Monday August 1

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday August 2

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Crosstown All Stars play Southern rock and blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday  August 3

Tennessee Tease Burlesque Invades the Cult Movie! combines two great Retro traditions on one stage at The Shelter. Doors are at 9, show at 10, and tickets are $10 to see this sexy troupe from Memphis which features titillating dancers, vocalists, comedians and fire performers.

The Beach BoysBrian Wilson sings solo at Classic Chastain tonight. Spend An Evening with Dolly Parton at Verizon Amphitheatre at Encore Park. MOTO, aka Masters of the Obvious, plays punk New Orleans style at Star Bar with Barreracudas and self-described “Cooter” rockers Tornado Town. It’s a soulful night when Ruby Velle Trio takes the stage at Eddie’s Attic. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven. 

Thursday  August 4

Whiskey Belt.

It’s another honky tonk night at Star Bar with Whiskey Belt. Dirty Bourbon River Show fuses roots, blues, jazz, zydeco and more into something they call New Orleans gypsy folk circus rock at Twain’s. Frankie’s Blues Mission is at The Five Spot. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features alt-bluegrass Judge Talford Band.

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Kool Kat of the Week: Pin-Up Girl Cosmetics Owner Kellyn Willey Talks Sexy Eye-Liner and Sells Lemonade for a Great Cause

Posted on: Jul 6th, 2011 By:

Kellyn Willey, owner of Pin-Up Girl Cosmetics. All photos courtesy of Kellyn Willey.

Warning. If you drive down Boulevard near Grant Park on Friday between 2 and 9 p.m., Kellyn Willey doesn’t want you to get distracted by the bevy of beauties selling lemonade in front of the red storefront of Pin-Up Girl Cosmetics and wreck the car. Instead, stay safe and beat the heat by stopping a while to sip some refreshing juice and support animal shelters and nonprofit rescue groups.

While Kellyn didn’t found the boutique which aims to help any gal capture the glamorous look of the movie stars of the ‘30s, ‘40s and ‘50s, but since 2009 when she took over as owner, she’s been living a dream come true. She was hired as a make-up artist/shop girl with little responsibility in 2007, but her talents in photography and graphic design helped persuade her boss not just to promote the then-just-23-year-old to manager but eventually to take over the entire business. In just a couple of years and proving that Retro style is timeless and recession-proof, Kellyn moved Pin-Up Girl Cosmetics to Grant Park, tripled the square footage and partnered with Christine Starr Cookus’s Lucky Starr to sell vintage clothes on site as well.

ATLRetro caught up with Kellyn recently to find out more about Ernie’s Lemonade Stand and what’s new with Pin-Up Girl Cosmetics, as well as get a few make-up tips and keep up with her upcoming misadventures in her alter-ego as Madame Willey of burlesque troupe Minette Magnifique.

What’s Ernie’s Lemonade Stand and why should ATLRetro readers be sure to drop by on Friday?

Ernie’s Lemonade Stand is the brainchild of myself, Jillian Udelson and Liz Henderson—two major advocates for rescuing animals on a local and global scale. I was just speaking with them a few weeks ago at a photo shoot I was doing with Jillian and Liz’s pit [bull], Dash, about how I have an annual lemonade stand, complete with genuine pin-up girls as servers, in front of my shop to bring in extra business. We just thought giving it an actual cause to support was an exciting way to bring new attention to it.

Is that also a good time to take a look around the shop? Anything new you’d like us to notice?

Absolutely, my newest vendor, Lucky Starr, who sells incredible vintage apparel for both men and women at unbeatable prices is having her huge SUMMER BLOWOUT SALE! It’s 25% OFF everything she has and we will also be doing the same in my shop with various vintage-inspired corsets size S-XXL, stockings, ruffle panties, hair accessories, jewelry and even cosmetics!

How’s it going having Lucky Starr as a partner? You’ve been together now for six months, rights?

I <3 Christine, owner of Lucky Starr! I can’t imagine having my business without her. She adds a flavor of authenticity to my boutique which truly gives our customers that feeling of being swept away to Paris and stumbling into a tucked away, chic yet naughty little boutique with everything you’ve been looking for as a fashionable woman, since you were a young girl.

How did you first get interested in glamorous make-up and hair? Is it a love that goes back to childhood dress-up or did someone inspire you?

My mother really. She is still the most glamorous woman I know and she takes such amazing care of herself. She taught me that you CAN have it all as a woman. You can have a career, family and be beautiful all at the same time. Her biggest secret to her success was waking up early. She always taught me to wake up early—like two to four hours earlier than wherever you have to be first in the morning—and take care of YOURSELF FIRST! Whether it’s doing your hair, makeup, working out, eating a balanced breakfast, meditating or all the above. The morning time is the best time for “me-time”.

 

 

 

Kellyn in her Madame Willey persona poses with some members of Minette Magnifique.

 

 

 

Does Pin-Up Girl Cosmetics only do appointments or are walk-ins welcome, and about how much does it cost to have a makeover?

We mainly are by appointment only, but we accept walk-ins for all beauty services. The one and only PinUpGirl! Makeover costs $85 and includes full vintage hair styling, makeup, brow sculpting, false lashes and a spa quality skin prep. During the warmer months, we also apply a flexible sealant spray to your makeup after it’s completed to hold it in place for hours and hours against perspiration, humidity and smudging at no extra charge.

What’s the most fun makeover you’ve done and why?

I love giving makeovers to people who never have the opportunity to treat themselves. I guess one of my more fun makeovers was a client in her 60s who was a teacher, a breast cancer survivor and had been growing her hair back from the numerous chemotherapy treatments. She just came out radiant, and her smile blossomed the second I got her on set. There’s nothing more rewarding than seeing clients enjoying to look in the mirror at themselves and simply smile.

Who are your clients—burlesque queens, theater performers or just ordinary women who want a little glamour in their lives? Do you have a typical client?

All the above. Our most popular client, on average, is in their mid-30s and looking to glam up their life with something more unique and tailored to their personality. Unlike many other beauty bars, my staff and I really get to know our client, even if they are only with us for a few minutes. We give the client what they are looking and make them feel self-assured.

Who’s your favorite vintage pin-up girl and why?

The incomparable Rita Hayworth. She knew how to turn it on, and she made it all look so easy. She could either be soft and innocent with her wide eyes and bright smile making you feel so joyful and carefree like in her musical, COVER GIRL, with Gene Kelly. Or she can smolder and sizzle with her luscious curves and quick yet perfectly timed hair flips in GILDA. She really teaches us women how fun it is to be a woman, and when you are having fun, you are confident and confidence is so very sexy!

What’s the biggest make-up mistake women make when trying for a vintage look and how can you correct it?

The cursed black cat eye. The look that we see Dita wear as her signature style. So many woman don’t find the right type of liner or the curve of the wing off the eye lid is too curvy or large. My best trick to fixing this common mistake is using a felt-tip liquid eye liner. My favorite liner for the perfect cat eye is by NYX Cosmetics called “Super FAT Eye Marker” sold at ULTA. It’s around $6 and HUGE and takes me less than 30 seconds for the perfect cat eye. If you don’t like a fat line or have smaller eyes, this product also comes in a “skinny” marker. It’s the BEST felt marker liner I’ve ever used and lasts all day, even in the heat. It’s so gentle that I can even line the bottom lash-line of my eyes. It’s instant sex appeal.

Performing with Minette Magnifique.

We have a few private events this month, and next Saturday, July 16, Miss Darcy Lemmonier and Luna Lynxx are performing in the Shakespeare Follies at 7 Stages. It’s going to be a great show and the girls have some new pieces to share. Many more shows and appearances to come in the fall.

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Kool Kat of the Week: Rockin’, Rollin’ and Raisin’ Japanese Monsters with Shane Morton at the Starlight Drive-In

Posted on: Jun 2nd, 2011 By:

What’s more Retro than watching a classic horror movie at the drive-in? Lucky Atlantans will get that rare opportunity this Sunday June 5 when the annual ROCK ‘N’ ROLL MONSTER BASH invades the Starlight Six Drive-In, one of the country’s last remaining drive-in movie theaters. Even better, the eerie all-day extravaganza also features a frightening fantastic line-up of bands, a Miss Monster Bash contest, vendors of spooky merchandise, custom hearses and not just one but three Japanese horror classics, GODZILLA 2000 (1999), HOUSE (1977) and RINGU (1998). Gates open at 10 AM, live performances start at 2 PM, the movies roll from dusk into the wee hours of the morning, and for those who want to party all weekend, there’s even a Monster Bash Pre-Party on Saturday night (June 4) at the Star Bar with even more bands.

ATLRetro caught up with Shane Morton, the Silver Scream Spookshow‘s Ghost Host with the Most Professor Morte, musician (Super X-13/Gargantua/etc.), painter, tattoo artist, SFX artist, actor, all-around horror Renaissance man, and one of the mad masterminds behind ROCK ‘N’ ROLL MONSTER BASH for a scary sneak preview…

How did the ROCK ‘N’ ROLL MONSTER BASH get started?

Billy Messina, Ben Armstrong and Tim Dolph of Netherworld fame were the original mad scientists that brought this thing to life.  Atlanta’s horror community deserves its own horror-themed DRIVE INVASION! they would always contact me for help in the rock ‘n’ roll dept. Billy and Ben are just too busy with netherworld—in my opinion, the greatest haunted house attraction in the world—so Tim, Jim Stacy [Starlight manager/ Palookaville mastermind/Greasepaint/AM Gold/etc.) and I took it over four years ago.

Professor Morte sings with the Silver Scream Spookshow band at Monster Bash 2009.

What’s the band line-up this year, and why should we be excited about it?

This is a great rockin’ line up this year with something for everybody! Spooky Partridge is a fun family band—[as in] Addams Family, ha!—that play a lot of punk covers along

LUST. Photo courtesy of Barb Hays.

with cute originals. The drummer is just a li’l kid, but he’s already one of the best in the city with all the stick spins and showmanship kicking already. It’s amazing to watch! Radio Cult is also a very visual band—almost like a fem-fronted ‘80s Van Halen! Big fun and way over the top! LUST needs no intro as they put on legendary and hilarious shows! [see ATLRetro’s Kool Kat interview with Barb Hays for more about LUST]. I love these gals like sisters, so it’s always a pleasure to have them on the bill. The Brimstones are New York City’s greatest spooky garage band. Trust me, when you see Justin’s Farfisa [organ] solos while in a headstand, you’ll know why they are so famous! Super X-13, ‘nuff said. This line-up of music is gonna tear your face off and rip up the pavement!

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Kool Kat of the Week: Talking Taboo-La-La, Tura Satana, Travel, Truckin’ and The Rapture with the Beautiful “Barbilicious” Hays of Blast-Off Burlesque

Posted on: May 18th, 2011 By:

ATLRetro wishes Blast-Off Burlesque would put on a few more full shows— these seven delectable dolls and one groovy guy are way too much clever and creative to be on stage just twice a year now and we miss them at the Silver Scream Spookshow. But this talented ensemble is thankfully tiding Atlanta over with Taboo-La-La, a sexy vintage movie series with extras, at the Plaza Theatre. They kicked off with SHOWGIRLS in March, but this month’s show on Saturday May 21 is even more of a special treat as they present a rare chance to see exploitation classic FASTER, PUSSYCAT! KILL! KILL! on the big screen (read ATLRetro’s exclusive review by Mark Arson here). Of course, it’s a Blast-Off production, so that’s just the tip of the fun from Tura Satana lookalike, beefcake boy and all-girls arm-wrestling contests to a shrine to recently deceased B-movie siren Satana and a silent art auction fundraiser for a documentary celebrating her life.

Dickie Van Dyke and Barbilicious. Photo credit: Derek Jackson.

To find out more, ATLRetro asked Barb Hays, aka Barbilicious, for a sneak peek behind the naughty plans and got her to spill a few sexy secrets. If you’ve been to a Blast-Off Burlesque performance—and shame on you, if you haven’t—you know each has a unique personality. For Barbilicious, it’s her big smile and a certain mischievious glint in her eyes that’s likely to grab your attention first. She’s the wacky comedienne who adds that extra “oh, my,” whether in an ensemble dance sketch where everyone is dressed in banana suits or steering a giant plastic bubble around stage in homage to Jane Fonda as Barbarella in the company’s Sci-Fi-A-Go-Go show last year.

 

Barb also drops a few tantalizing hints about future happenings involving an all-Blast-Off photo shoot next week, Blast-Off’s September show, her punk band LUST and the debut of Burt and the Bandits, her newest collaboration with the multitalented Jon Waterhouse (read ATLRetro’s profile of Jon here), at the East Atlanta Beer Festival also this Saturday.

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