ATLRetro’s Throwback to the 20th Century St. Valentine’s Day Guide 2017 – Our Top Picks for Gettin’ Comfy With Cupid, Retro-Style!

Posted on: Feb 9th, 2017 By:

by Melanie Crew
Managing Editor

Hey all you dapper fellas and glitzy gals! Cupid got your tongue? “Be Mine”, vintage-style this year and celebrate all that is vintage and Valentine’s in Retro Atlanta! Get romantic, retro-style and see what we have in store for you Strandduring this week of love and saucy seduction!

1. Crooners and Red Hot Jazz. Swing on by The Earl Smith Strand Theatre for Douglas Cameron and his 17-piece Big Band’s Fly Me to the Moon concert at 8pm (Feb. 14)! Rat Pack Now croons on down to the Red Clay Theatre, doors at 6:30pm (Feb. 15)! Or jazz it up during the Emory Jazz Fest’s free Big Band Night at the Schwartz Center for Performing Arts, featuring the Gary Motley Trio at 8pm (Feb. 11). Croon away with our Kool Kat “Big Mike” Geier and his King-sized Trio at The Vista Room (Feb. 10)! Venkman’s dishes out a Valentine’s Day Dinner featuring classical jazz with Le Grand Fromage and a Prix fixe menu by Executive Chef Nick Melvin, $65/person, begins at 5:30pm (Feb. 14)!

Earl2. Blackhearts Unite. It’s a night of murder ballads made popular by Nick Cave, Tom Waits, Nirvana and a whole lotta’ bloody maniacal mayhem at The Earl with their third annual Bloody Valentine’s event, featuring Kool Kat Aileen Loy with Till Someone Loses an Eye, W8ing4UFOs, a motley mix of musicians and performers and more bloody romantic fun (Feb. 10)!

3. Oh là là!  Get sinfully seductive at 7 Stages during Kool Kat ShakespeareTavernKatherine Lashe and the burly-Q gals of Syrens of the South’s 10th Annual Vixen’s Valentease Vaudeville & Variety Show (Feb. 11)! And if you just can’t get enough let Ms. Lashe and her burly-Q gals of Syrens of the South spice up your Valentine’s evening with their Tease Tuesday Burlesque: Hearts & Heartbreakers event, shakin’ it up at the Red Light Café (Feb. 14)! Or shimmy on down to the Shakespeare Tavern for Hearts A’Blaze Entertainment’s Vari-E-Tease! A Valentine’s Burlesque Show with Kool Kat Talloolah Love, Kool Kat Roula Roulette, Kool Kat Lola LeSoleil, Kool Kat Ursula Undress, DJ Doctor Q and more! (Feb. 11). Get a little naughty with a flock of flirty feathers this Valentine’s Day at Paris On Ponce’s 12th Annual Valentine’s Burlesque Show “Birds of Paradise” with two tantalizing shows each night, 7:30pm and 9:30pm (Feb. 11 & 12)! Or Strut your stuff and get kinky with Mary and Friends: Love is Love event at the Red Light Café (Feb. 10)!

StarBar4. It’s Boogie Time (Funk/Disco).  Get funky and groove on down to The Star Bar for Romeo Cologne’s Granny Panty Hootenanny, featuring the gals of the Clermont Lounge with DJ Quasi Mandisco (Feb. 11)!

5. Art, Comedy & Theatre, OH MY!  The Highland Inn Ballroom & Lounge dishes out a Ballroom Blitz Artist Market, featuring 20 vintage and more vendors from 5-10pm (Feb. 12)! Get wickedly weird this season of love and lust and pick up some local art goodies at the Euclid Avenue Yacht Club’s Lovecrafts: Valentine’s Edition from 1-6pm (Feb. 12)! Dig up some swell goodies for your sinister sweetie and make your way to My Parents’ Basement for their February Bizarre Bazaar featuring 10 local artists and designers, from noon-5pm (Feb. 12)! The Center for Puppetry Arts presents their Valentine’s Night Out (18+) with puppet shenanigans, complimentary desserts, a free Perfect Strangerscaricature of you and your love from 7-9:30pm, $20/person (Feb. 11)! Wax poetic at Center Stage for their Passion & Poetry Valentine’s event featuring spoken word and Broadway-esque performances at 7pm (Feb. 14)! Or be a pair of star-crossed lovers as the Shakespeare Tavern performs their special Valentine’s production of “Romeo & Juliet” at 7:30pm (Feb. 14)! For all our jaded lovers out there, you won’t want to miss Whole World Improv.’s Bitter, Lonely Valentine’s Puke Fest 2017 at 10:30pm (Feb. 11)! Laugh it up with Perfect Strangers Improv’s Perfect Strangers and Flying Giants event this Valentine’s Day at 8:30pm (Feb. 14)!

MT6. Medieval & Classic. And for all you knights in shining armor, get really retro and romantic with the royal one in your life and joust on down to Medieval Times for their Valentine’s Day Couples Package!  $110 gets you 2 admissions, a photo, handcrafted chocolates, champagne in keepsake glasses, and more!

7. Groovin’ Up Slowly.  Be a smooth operator and sail on down to Park Tavern in Piedmont Park for Yacht Rock Schooner’s evening of smooth and silly love songs! It’ll be an evening of smooth 70s and 80s love songs, so put on your dancin’ shoes and come aboard (Feb. 10); Doors at 7 pm! ATL Collective presents Sade’s “Love Deluxe” at Venkman’s; Doors at 8:30pm (Feb. 10)!

8. Lovin’ on the Silver Screen.  ‘Here’s looking at you kid!’ Take a peek at love and romance Old Hollywood-style 2.8at The Strand Theater as they screen Michael Curtiz’s classic romantic drama, CASABLANCA (1942), starring Humphrey Bogart and Ingrid Bergman at 8pm. Live organ pops variety show and sing-along featuring The Strand’s Mighty Allen Theatre Organ at 7:30 p.m. Tickets are $8 for adults and $7 for students, seniors, and military. Or if you’re lookin’ for a little late-night rendezvous with a few transsexual aliens, stick around and catch The Strand Theatre’s screening of Jim Sharman’s THE ROCKY HORROR PICTURE SHOW (1975) at 11:55pm, for $10 (Feb. 11)! Celebrate the  60th Anniversary screening of Leo McCarey’s AN AFFAIR TO REMEMBER (1957) at theatres across Atlanta (2pm/7pm) [Hollywood Stadium 24 (Chamblee); AMC Barrett Commons 24 (Kennesaw); Avalon Stadium 12 2.12(Alpharetta); AMC Sugarloaf Mills 18 (Lawrenceville)]; Cinemark Tinseltown 17 (Fayetteville); Perimeter Pointe 10; Regal McDonough Stadium 16 (McDonough); and AMC Southlake Pavilion 24 (Morrow) (Feb. 12 & 15)!

9. Cupid’s Culinary Delights!  Hula on over to Trader Vic’s and escape into the island atmosphere of love with their pre-fix Tropical Valentine’s Day Dinner, $60++ (Feb. 14). Grab your geeky guy or gal and make your way to Battle & Brew’s Valentine’s Day Dinner, featuring a Prix Fixe menu, $80/couple (Feb. 14)!2.11RLC

10. We Goth You Covered.  For the darkly romantic, The Oakland Cemetery offers their Love Stories Tour, complete with tales of loves past led by a Victorian-era clad docent. Tours last an hour, just long enough to meet a kindred spirit or even a new love! Get spooked and “Scream in the Dark” with Netherworld’s candlelit evening of ghosts and goblins and monsters, oh my (Feb. 11)! Get loved to death while traversing the land of passionate souls longing for love. (Feb. 11 & 12)! Gussy it up gore-style at the Red Light Café’s Valloween Dance Party featuring The Atlanta Rock ‘n’ Roll All-stars (Feb. 11)!

 

Category: Features, Tis the Season To Be... | TAGS: None

The Horrorshow! The Horrorshow! Our Top 10 Retro Reasons to Attend Days of the Dead Atlanta 2017!

Posted on: Feb 3rd, 2017 By:

Days of the Dead will be celebrating its sixth spooktacular year at Sheraton Hotel Atlanta this Friday-Sunday Feb. 3-5. Our favorite part as always about this horror media convention is that it celebrates not just contemporary cinema but retro classics. In other words, there’s plenty to please both the gore-fan and the Famous Monsters Kid. Here are 10 of our top things to do this year.

blair_21) LINDA BLAIR. Duck and cover before she spits pea soup on you. Seriously, though, the star of THE EXORCIST (1973), SAVAGE STREETS (1984) and ROLLER BOOGIE (1979) deserves our utmost Retroexploitation respect, and we hear she’s sweet as pumpkin pie.

2) STRANGER THINGS. Look for a quartet of young stars from this spooky sci-fi back-to-the-‘80s hit Netflix drama including Noah Schnapp, Caleb McLaughlin, Gaten Matarazzo and Finn Wolfhard.  Get your photos signed and catch them onstage for a panel at 1 p.m. on Saturday.

3) SID HAIG AND BILL MOSELEY. Returning once more are two of the sweetest sinister guys in show businesses. Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Hear his reflections on an amazing career Sunday at noon. Quite frankly you and Bill Moseley scared the sh-t out of us in THE DEVIL’s REJECTS (2005), and since we’re not easily scared, for that we salute you both!

4) DOUG BRADLEY. The one and only real Pinhead returns to show you such sights, interpret your dreams and tempt you with autographs.  Hear his tales of terror on the set during an hour onstage Saturday at 2 p.m.

5) PJ SOLES & LYNN LOWRY. Forget their remake replacements. These ladies won our horror hearts as two of 70s/80s swellest scream queens for their turns in the original HALLOWEEN (1978) and THE CRAZIES (1973), but to us, PJ will always be Riff Randell eating pizza with the Ramones and toppling Principal Togar in one of our favorite cult movies ever, Roger Corman‘s unparalleled ROCK N ROLL HIGH SCHOOL (1979).

john_russo6) JOHN RUSSO wrote the screenplay for THE NIGHT OF THE LIVING DEAD (1968) and appeared in it as a zombie. Need we say more?! An undead living legend.

7) THREE FACES OF JASON. Kane Hodder, Steve Dash and C.J. Graham all donned the legendary hockey mask. Hear them recall their times of terror Friday at 8 p.m. and catch them all weekend in the autograph area. Seriously though, these are some sweet dudes and you don’t have to be afraid if they blow you a kiss. Well, maybe.

8) PROFESSOR MORTE, JAMES BICKERT, MADELINE BRUMBY & THE CASKET CREATURES. Another swell thing about Days of the Dead is how it’s embraced Atlanta’s local horror talent including four of our favorite ATLRetro Kool Kats of all time. Catch punk/horror local favorites the Casket Creatures in concert Friday night at 11 pm (Kool Kat interview here). Infamous director James Bickert (Kool Kat here) leads a panel on the making of FRANKENSTEIN CREATED BIKERS (2016) with cast and crew members including Atlanta’s favorite hold-no-prisoners fightin’ Scream Queen Madeline Brumby (Kool Kat here) Saturday at 4 p.m., and the movie screens at Midnight. The Silver Scream Spookshow’s Ghost Host with the Most Professor Morte, aka ATLHorror Renaissance man Shane Morton (Kool Kat here), will be scaring it up in the exhibit area with creepy creations for sale and at The Days of the Dead ‘80s Slasher Prom Saturday night at 11 p.m.

16388401_10102129650654939_171823735463528198_n9) SCARE-TASTIC SHOPPING.  Horror cons are the perfect place to stock up on both macabre movie memorabilia, cult classics on DVD and creepy clothing, costumes and accessories.

10) FRIGHTENING FILMS & MORE! The nonstop action includes a 48-hour film festival featuring new and classic indie horror shorts (both US and international), animation, features and con exclusives. Plus costume contests, SFX how-to panels, Haunt Acting 101, and much more!

Days of the Dead main con hours are Fri. Feb. 3 from 5 to 11 p.m.; Sat. Feb. 4 from 11 a.m. to 7 p.m.; and Sun. Feb. 7 11 a.m. to 5 p.m., with parties and films going late into the night on Friday and Saturday. Kids under 10 and military free. For more info, click visit the Days of the Dead Atlanta official website here.

Category: Features, Tis the Season To Be... | Tags: , , , , , , , , , , , , , ,

RETRO REVIEW: Pablo Larrain’s Noir-esque NERUDA Takes Us for a Wild Ride and Cuts to the Chase at the Landmark’s Midtown Art Cinema on January 27

Posted on: Jan 26th, 2017 By:

by Melanie Crewposter
Managing Editor

NERUDA (2016); Dir. Pablo Larrain; Starring Luis Gnecco, Gael Garcia Bernal, Mercedes Moran; Opens Friday, January 27 at the Landmark Midtown Art Cinema; Trailer here.

Oscar Award-nominated Director and Producer Pablo Larrain’s NERUDA released to select theatres in December 2016, after screening in the Director’s Fortnight  section at the 2016 Cannes Film Festival and cuts to the chase in Atlanta, January 27, at the Midtown Art Cinema. Larrain [JACKIE (2016)/dir. – His first film in English; THE CLUB (2015)/dir.; NO (2012)/dir.)] has created his niche as a filmmaker stepping outside the typical biopic box and granting his viewers a biting yet intimate and unfamiliar glimpse into the lives of prominent world-known personalities.   

NERUDA, written by Guillermo Calderon [THE CLUB (2015)] lures the viewer into a 1940s noir-ish absurd and fantastical chase into the Chilean political underground which centers on two seemingly opposite characters, Chile’s Communist “traitor,” “People’s Poet” and exiled Nobel Prize-winner Pablo Neruda (Luis Gnecco) and a romanticized straight-laced law enforcer Inspector Oscar Peluchonneau (Gael Garcia Bernal). Although Larrain’s film centers on a small slice of Neruda’s life, he uses Peluchonneau’s dreamy pursuit as a vigorous vehicle to carry the film from opening scene to el fin. Ever the poetic egoist and larger than life Neruda, played effortlessly by Luis Gnecco [Narcos”/TV series (2015); NO (2012)], who exclaims, “This has to become a wild hunt!” And so the viewer is swept away on a wild imaginative goose chase from town to town as the poet gives a collective voice to his suffering Chilean Communist comrades from afar. The thrill of the chase gives Larrain’s “Neruda” ample fodder to champion his cause as he barely escapes the clutches of his mustachioed arch nemesis, played ever so movingly by Gael Garcia Bernal [THE MOTORCYCLE DIARIES (2004); THE LIMITS OF CONTROL (2009); NO (2012)].

Mercedes Moran as Delia del Carril and Luis Gnecco as Neruda

Mercedes Moran as Delia del Carril and Luis Gnecco as Neruda

If Larrain’s objective is for the viewer to feel like they’ve stepped out of a time-machine into 1940s Chile and beyond, his use of antiquated yet absurdly fun film techniques unquestionably serves its purpose. His use of rear-projection during the car chase scenes for example is reminiscent of gangster and noir films of that time. Further, his unique visual style, utilized in his other works [THE CLUB (2015)] is characterized by blue and purple hues setting this story apart from the plethora of over-digitalized films that lack a distinct atmosphere, a distinct tone. Nevertheless, the genuine focus, the pure genius of NERUDA, is the cat-and-mouse chase narrative reminiscent of the film’s era, and more precisely the story that unfolds within the story. Larrain’s utilization of a mere snippet of Neruda’s flight from Chile’s brutal anti-communist crackdown constructs a vivid painting of the internal battle within a very self-aware and assured protagonist, the “People’s Poet.” In complete contrast to Neruda is Peluchonneau as the insecure, naïve and self-doubting narrator and antagonist. Calderon’s ability to depict both characters as completely separate entities with opposing personalities who could easily meld into one distinct being should one desire, gives the film a depth of character unlike most in the genre.

Gnecco

Gnecco

Whether you are a fan of Pablo Neruda, noir, or one who delves deeply into the land of nostalgic filmmaking, NERUDA is a film well worth checking out. Larrain dishes out an unexpected tale filled to the brim with intrigue, ambiguity and a genuine love for his characters. It is highly recommended that you catch this beautifully crafted piece of cinema, featuring standout performances, in the cinema. As Larrain conveyed to DEADLINE’s Nancy Tartaglione, “It’s less a movie about Pablo Neruda than it is like to going to his house and playing with his toys.” (Dec. 2016)

Gael Garcia Bernal as Oscar Peluchonneau

Gael Garcia Bernal as Oscar Peluchonneau

Category: Features, Retro Review | Tags: , , , , , , , , , , , ,

ATLRetro’s Throw Back to the 20th Century New Year’s Eve Guide – Our Top Ten Vitally Vintage Eras for Toasting 2017

Posted on: Dec 29th, 2016 By:

by Melanie Crew
Managing Editor

Ring in a vintage New Year with ATLRetro!  Come celebrate what once was in 2016 and welcome with open arms what will be in 2017! Start the New Year off with a bang with all the hoppin’ shindigs we’ve dug up just for you!

1. Blues, Soul & Funk, Oh My!  For some classic blues and jazz, shimmy on down to Blind Willie’s for theirVenkmans Bluesy New Year’s Eve with the powerhouse vocals of The Fabulous Francine Reed! Doors at 7pm and $50 gets you guaranteed seating, party favors and a champagne toast at midnight! Fire up the blues at the Northside Tavern with Mudcat’s Rockin’ Blues New Year’s Eve Party featuring Danny ‘Mudcat’ Dudeck, Eddie Tigner, Lola, Albert White, the Atlanta Horns and more! Doors at 9:30pm!  Fat Matt’s Rib Shack dishes out the low-down dirty blues with Ross Pead & Friends this New Year’s Eve! Kool Kat Ruby Velle & The Soulphonics dish out a helluva night of rockin’ ‘50s and ‘60s Georgia soul at Venkman’s. Doors at 9pm! Get funky and ring in the New Year with a little old school funk ‘n’ soul at the Variety Playhouse with The Motet and the Roosevelt Collier Trio – “Jimi Meets Funk”, funkin’ it up at 10pm! And blues on down to Darwin’s Burgers & Blues for their New Year’s Eve Blues Bash with Little G Weevil! $10 gets you a champagne toast at midnight! Doors at 9:30pm!

StarBar2. Hey! Ho! Let’s Go!  Get rebellious and rock into the New Year with some old school punk, revved up rockabilly and plain ol’ retro-inspired rock-n-roll! Get mischievous at The Star Bar’s NYE Bash featuring The All Night Drug Prowling Wolves, Clashinista, The Midnight Larks and the Black Cat Rising! Doors at 8pm and free champagne at midnight! Get grungy and rock out ‘90s-style at The Earl with Royal Thunder and Beitthemeans at 9:30pm! Rev on down to McDonough’s Geranium Drop on the Square for a helluva night with Kool Kat Hot Rod Walt and the Psycho-DeVilles and more! Get rocked swamp-style with JJ Grey & Mofro and the Radio Birds at the Buckhead Theatre!

3. Folk Rockin’ Roots ‘n’ Foot-Stompin Bluegrass!  Rock into 2017 with theCity Winery Grammy Award-winning The Indigo Girls at City Winery! Ponder 2016 by getting to the root of it all! Ponder 2014 by getting to the root of it all!  For a New Year’s Eve filled with foot stompin’ Americana, blues and rock ‘n’ roll, make your way to Eddie’s Attic for two hoppin’ helpings of the sultry Michelle Malone and her New Year’s Eve show! First show at 7pm! Second show includes special guest Hannah Thomas and starts at 9:45pm!  Stomp on down to the Crimson Moon Café for a ruckus of a New Year’s Eve with Bluebilly Grit! Make your way to The Vista Room’s NYE Bash featuring Ed Roland (Collective Soul) & The Sweet Tea Project! Doors 9pm/$25!

Park Tavern4. Smooth Operator. Get ‘70s toasty and sail into 2017 with Yacht Rock Revue at Park Tavern during their all-inclusive shakin’ shindig at 9pm!

5. Life’s a Beach!  Hula your way into 2017 at Trader Vic’s New Years Eve in Paradise featuring the swanky Bogey & The Viceroy dishing out some soulful island tunes with a midnight champagne toast! Doors at 9pm!SOB

6. Jammin’ Psychedelia!  Groove on down to 529 for a night of psychedelic soul ‘n’ gritty garage rock with Gringo Star (Kool Kats Nick and Peter Furgiuele), Chief Scout and the Shepherds!  Get groovy with The Disco Biscuits at the Tabernacle at 7pm! And then jam it up at Aisle 5 with the Official Disco Biscuits NYE After Party featuring CIA and Space Kadet! Rock out and get down with Perpetual Groove at Terminal West! Runaway Gin rocks into the New Year paying tribute to Phish at Smith’s Olde Bar! Doors at 9pm/champagne toast at midnight! Rock out Allman Brothers-style with Tribute at the The Earl Smith Strand Theatre!

7. The Cure for Bananarama.  Eighties it up with Kool Kat Becky Cormier Finch with Denim Arcade at Wild Wing Café in Suwannee! Doors at 9:30pm! Let’s Dance! at Mary’s  in East Atlanta on Friday, Dec. 30th during their It’s Not NYE Party, featuring a Midnight Mass featuring a special tribute to George Michael, Prince and Bowie! Doors at 9pm!

RLC8. Roarin’ Twenties!  Celebrate the New Year in style! Grab your favorite guy or gal, get dressed to the nines and shimmy on down to the Red Light Café for their Gilded Age Gala, featuring live tunes by Suzy & The Peels, a Burly-Q feast with The Candybox Revue’s Kool Kat Talloolah Love, Sin Tillating, Annette Coquette, and music by MC/DJ Doctor Q! Doors at 7pm/$40!

9. Retro Geek-A-Rama!  Geek it up at the 2nd Annual New Year’s Eve Cosplayers Ball & Costume Contest at My Parents’ Basement featuring prizes, cash, house cash, toys, comics, and more! Get ruptured at Battle and Brew’s Rapture Masquerade New Year’s Eve Party! Doors at 8pm and $10 gets you Basemententry and a champagne toast at midnight!

10. Puttin’ on the Ritz and All That Jazz (And More)!  Get twisted into 2017 with a Double Decker NYE Party at The Basement! Shake a tail feather upstairs with a D.A.N.C.E. ‘90s/’00s Dance Party, and get down with Electric WesternsKeep on Movin! New Year’s Rock and Soul Dance Party! downstairs featuring a night chock full of  ‘60s rock-n-roll, soul, doo-wop and more! Be a VIP for NYE at the Red Phone Booth featuring a crooning good time with Mark Phillips and Magician Joe Turner! Or boogie on down to the Euclid Avenue Yacht Club’s Suck It 2016 NYE Dance Party, featuring DJs, party favors and a free champagne toast at midnight!

Category: Features, Tis the Season To Be... | TAGS: None

Vampire Clowns, Buckets of Blood and ’80s Cult Movie Mayhem: An Interview with Mitchell Altieri, Director of THE NIGHT WATCHMEN, World Premiere at Buried Alive Film Festival Thursday Nov. 17

Posted on: Nov 16th, 2016 By:

night watchmenTHE NIGHT WATCHMEN (2016) Dir: Mitchell Altieri. Starring James Remar, Matt Servitto, Tiffany Shepis. Opening Night Feature, Buried Alive Film Festival. Thursday Nov. 17. 9 p.m. 7 Stages. $12. Trailer here. ]]

Put together vampire clowns, buckets of blood, four bored security guys and their corporate gal crush and a trippy ’80s-sounding soundtrack set in Baltimore and you have THE NIGHT WATCHMEN, which has its U.S. premiere Thursday night at 7 Stages as the opening feature of the 2016 Buried Alive Film Festival. Which is to say that we enjoyed the hell out of it.

We caught up with director Mitchell Altieri to go behind the coffins and see how something this crazy and retro got made in the 21st century. Oh, and what it was like working with James Remar of THE WARRIORS!

ATLRetro: How did you guys get the idea to mix clowns with vampires?

Mitchell Altieri: Hello Anya, thanks for having me at ATLRetro. When I was hired to direct the film, the script was already written. Ken Arnold and Dan DeLuca came up with the story and Dan and Jamie Nash wrote the script. The script went thru a few different drafts and incarnations and when I came on board there were no clowns in the script, but during pre-production Dan and Jamie mentioned that they had a version with clowns. And I was like, “yes, please.” It just really fit with the fun story we were filming!

Anything else you’d like to add about THE NIGHT WATCHMEN’s genesis?

Go see it! It’s a real fun ride, with lots of action and scares but I’d like to let the movie to speak for itself.

The movie has an ‘80s horror movie vibe down to the soundtrack. How intentional was that, and do you have a particular affinity to ‘80s horror movies, and maybe some favorites?

Yes, it was definitely intentional! I love those ‘80s horror films that you rented on VHS from the local video stores, films like THE NIGHT OF THE COMET (1984), FRIGHT NIGHT (1985) or KILLER CLOWNS FROM OUTER SPACE (1988). And that’s what I wanted to do with our film, make it super fun and scary, even silly at points like those ‘80s films.  

Loved the soundtrack. Can you talk a little about it?

Our composer Kevin Kerrigan out of London, ate it up… he had a blast scoring the music! He was so excited to do such a retro score. And the guys who wrote the original songs, Fake Figures, loved it just as much. They are an actual band that wrote and recorded these songs while on tour, so it was a fun break for them. I really wanted the score and soundtrack to make you instantly get that 80s feeling, even though it’s a film set in present day, I want the audience also think that it can easily take place in the 80s.   

Mitchell Altieri with Tiffany Shepis, Diona Reasonover, Cheryl Staurulakus, Rain Pryor & Donald Imm. Photo credit: Herbert Mann.

Mitchell Altieri with Tiffany Shepis, Diona Reasonover, Cheryl Staurulakus, Rain Pryor & Donald Imm. Photo credit: Herbert Mann.

There’s a hell of a lot of blood in this movie. How much did you go through?

Let’s just say we ran out of blood like five or six times. We used a lot. I don’t think I’ve ever run out of that much blood before.

Hopefully this isn’t too spoilery but the main five characters could have just been stereotypical, they had little touches to them that both defied the usual tropes and enhanced the humor. And you scored a great ensemble with a real chemistry who seemed to be having a great time. Anything you’d like to share about that?

Yeah, I agree. I really value strong characters in films. Even if it’s a straightforward film, you can never go wrong with interesting, bold characters. I was very pleased with the cast. Ken, Dan and Kevin Jiggetts all have worked together many times before so it was dynamic when they worked against Kara Luiz who plays the journalist and Max Wilbur, the young rookie. I challenged them and they challenged each other and had a great time with it.

Again without giving too much away, the film is full of fun scenes. What was the most fun to actually film and why?

There were a few scenes I remember just laughing out loud and not being able to stop laughing. It was mainly when the actors just started riffing off each other, adlibbing, etc, The entire crew would be in stitches from laughing. Well, you can really laugh out loud during a take, so you would look around and people’s faces would be buried in their jackets or whatever they had in their hands so they wouldn’t ruin the scene. That was always fun. I personally ruined a scene or two from not being able to stop laughing but it comes with the territory I guess.

(L to R) Kevin Jiggetts, Dan DeLuca, Kara Luiz, Max Gray Wilbur, Ken Arnold. Photo credit: Robert Neal Marshall.

(L to R) Kevin Jiggetts, Dan DeLuca, Kara Luiz, Max Gray Wilbur, Ken Arnold. Photo credit: Robert Neal Marshall.

Did you face any challenges while making the movie?

A film is a challenge from beginning to end. It is exhausting work! But for this particular set, the most challenging thing I faced was I got sick. We shot in Maryland and it was their worst winter in 76 years. I never have been sick on set but I guess the cold got me this time. But as a director on set you don’t really get sick days, so I had to push through. It was brutal. I was very thankful for an amazing crew that helped pick up the slack those few days.

OK, being a big THE WARRIORS  fan, gotta ask James Remar shared any anecdotes on the set?

I’m a huge fan of THE WARRIORS as well, so yes it was very cool to have him on set. I mean he was Ajax! He would tell great stories about different films, and how the sets were, or working with different people. We all got a good kick out that.

What’s next for you?

I’m attached to a couple projects right now that I can’t really talk about, but I also did five feature films in a row, one a year basically, so I’m also enjoying taking a little time off, traveling and just plain relaxing!!

 And finally, your favorite flavor of cannoli? 

Question should be which flavor don’t I like. Thank you for the interview. I appreciate it.

Category: Features, Retro Review | Tags: , , , , , , , , , , , , , , , , ,

A Lot More Fear and Loathing: 2016 Buried Alive Film Festival Expands to Five Days of the Best Global, US and Local Indie Horror!

Posted on: Nov 15th, 2016 By:

buriedalive2016The 2016 Buried Alive Film Festival is bigger than ever, expanding to five days (November 16-20) with 10 features and 75 short new independent horror films from the around the globe at 7 Stages Theatre in Little Five Points.

“Everything about this year takes Buried Alive to a new level–the same high-quality horror movies but more of them, and our move to 7 Stages means a whole new level of entertainment, dining and bars for attendees and filmmakers alike,” says Blake Myers, Buried Alive’s festival director and ATLRetro Kool Kat. “We’re excited also that Atlanta Pro AV will be supplying the most pristine image quality of any projectors on the market today.”

The 11th annual festival features nine brand new movies, including two hit films from SXSW, Bobby Miller’s THE MASTER CLEANSE (starring Johnny Galecki and Anjelica Huston) and ANOTHER EVIL directed by Carson D. Mell (screenwriter, EAST BOUND AND DOWN and SILICONE VALLEY). The opening night feature is the U.S. premiere of vampire-clown-’80s-cult-homage (ATLRetro got a sneak and we loved it!THE NIGHT WATCHMEN from director Mitchell Altieri (THE HAMILTONS) featuring James Remar (THE WARRIORS), Matt Sevitto (THE SOPRANOS) and Tiffany Shepis (TROMEO AND JULIET). (Read an exclusive ATLRetro interview with Mitchell here). Other feature films include HERE ALONE, a survivor’s story of a quiet and bleak existence in a decimated future directed by Rod Blackhurst (AMANDA KNOX Netflix Series), and FOUND FOOTAGE 3D, which provides a great new twist on the found footage genre from director Steven DeGennaro and producer Ken Henkel (TEXAS CHAINSAW MASSACRE, EATEN ALIVE).

night watchmenThis year BAFF features will go beyond the usual horror narratives and also include a documentary and an animated sci-fi movie. SYMPATHY FOR THE DEVIL: THE TRUE STORY OF THE PROCESS CHURCH OF THE FINAL JUDGEMENT  is a documentary about “one of the most dangerous satanic cults in America” from director Neil Edwards, featuring interviews with John Waters, George Clinton and original cult members. NOVA SEED is a fully 2D hand drawn science fiction  adventure directed and animated by Nick DiLiberto.

Buried Alive also continues to show its love for the Georgia horror scene. This year’s festival also has more local films than ever with six shorts and two features James Bickert’s 35mm Grindhouse epic FRANKENSTEIN CREATED BIKERS and Tim Reis’s amphibious werewolf BAD BLOOD: THE MOVIE which will be our closing night feature on Sunday.

New to this year’s festival will be the BAFF Sinema Challenge, a challenge for local filmmakers to make a horror film in 13 days. Production starts on November 1 and the films will screen on the festival’s opening night, Wed. Nov. 16, at 8 p.m. We’re super excited to have Mindy De Chiciro, co-creator and exclusive programmer for Turner Classic Movies (TCM) weekly late-night cult movie showcase TCM Underground, as our Kool Kat of the Week. Read our exclusive interview here.

sympathyOne of the real strengths, and our favorite part, of Buried Alive Film Fest is the shorts program. This year brings seven shorts sets presenting 75 new films that will enlighten and disgust you to the fullest extent. A few highlights from the selections include Calvin Reeder’s THE BULB about two strangers experiencing an alien phenomenon through the public access in a motel room, the American premiere of Finnish animator Tomi Malakias’ VOODOO RIGHTS and the award-winning THE STYLIST by director Jill Gevargizian making its Atlanta premiere. The festival also includes a few animated shorts such as the stop motion masterpiece, UNDER THE APPLE TREE, by Erik van Schaaik, and the amazing strangeness of James Siewert’s THE PAST INSIDE THE PRESENT.

Finally, no respectable horror film festival would be complete without screening a classic, and ATLRetro loves the one they picked. On Saturday night at 10 p.m.,  BAFF will be showing the 40th anniversary digitally remastered bluray of Brian DePalma’s CARRIE, the 1976 classic adaptation from Stephen King’s novel starring Sissy Spacek, William Katt and P.J. Soles. The screening will be hosted by Atlanta’s award-winning Blast Off Burlesque, who will stage one of their signature TabooLaLa events including a performance inspired by the film before the screening. With a ´70s photo-op and costume contest…let’s just say, there will be blood.

foundfootageThe 7 Stages Theatre is located at 1105 Euclid Ave NE, Atlanta, GA 30307. Individual program tickets are $12, and five-day festival passes are just $120.

For more information and the complete Buried Alive Film Festival schedule, visit www.buriedalivefilmfest.com. View the official BAFF bumper here.

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ATLRetro’s Haunted & Hellacious Halloween Guide 2016

Posted on: Oct 26th, 2016 By:

by Melanie Crew
Managing Editor

Calling all ghouls and gals! Come see why we think you should raise hell in ATLRetro this Halloween season!

1. Head Rolling Tunes! Get sinister All Hallows Eve weekend with a helluva lot of rancid rock ‘n roll! Rock out10.29StarBar ghoul-style at The Star Bar with Elzig (Elvis meets Danzig), The Crush and B.S.O.L. (Oct. 27)! Or celebrate 25 hellacious years with their 25th Anniversary Bash rocking out with Pretty Vacant (Sex Pistols tribute); Horror Business (Misfits tribute); and Nameless Nameless (Nirvana tribute) (Oct. 28)! And you must boogie on down during their 25th Anniversary Rock and Roll ‘70s Disco Party & Halloween Bash featuring The Biters (as The Disco Bitches), Dinos Boys, Bad Spell and Gunpowder Gray (Oct. 29)! Get horrorified at the Clermont Lounge  as Captain & Maybelle present a Halloween Shock ‘n’ Roll Sideshow featuring terrifying tunes by Fiend Without A Face, Kool Kats the Casket Creatures and special guest Reggie Bugmuncher (Oct. 27)! Or get rocked with Mac Sabbath and Black Juju at The Loft (Oct. 29)! The BadAsh Allstar Team hosts a Halloween Monster Jam at 5 Seasons Brewing (Oct. 29)! Get monstrous and go, go Godzilla on down to the Variety Playhouse for a night with the Blue Oyster Cult (10/29)! The Earl gets sinister and delivers a night of honkytonk rock ‘n ‘roll with their Halloween Party featuring The Goddamn Gallows, Gallows Bound, The Vaginas and Stump Tail Dolly (Oct. 31)!

2. Fangtastic Films!  Catch RiffTrax Live’s screening of Herk Harvey’s CARNIVAL OF SOULS (1962) at theatres across Atlanta at 8pm [Avalon Stadium 12 (Alpharetta); Perimeter Pointe 10; Hollywood Stadium 24 (Chamblee); AMC Barrett Commons 24 (Kennesaw); Regal McDonough Stadium 16 (McDonough); Carnival of SoulsCinemark Tinseltown 17 (Fayetteville); and Georgian Stadium 14 (Newnan)] (Oct. 27 & 31)! It’s a night of ectoplasmic proportions at Venkman’s with a free screening of Ivan Reitman’s GHOSTBUSTERS (1984) at 7pm (Oct. 27)! Or make your way to ASO Symphony Hall for a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) with a live performance of the award-winning soundtrack by the Atlanta Symphony Orchestra at 8pm (Oct. 28)! Venkman’s dishes out a Cartoon Brunch featuring a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) (Oct. 29)! Or spend the evening with Vincent Price with a screening of Andre DeToth’s HOUSE OF WAX (1953) at The Plaza Theater, running Oct. 28 through Oct. 29! And don’t forget to Time-Warp it up with some uber musically-inclined transsexual aliens at as they continue their tradition of screening THE ROCKY HORROR PICTURE SHOW (1975), featuring the live cast of Lips Down on Dixie at midnight, with special Halloween treats (Oct. 28-29)! Get bewitched with a screening of Kenny Ortega’s HOCUS POCUS (1993) at dusk at Atlantic Station during their “Spooky Film Fest” (Oct. 28)! Videodrome and JavaVino (JavaDrome) present another rare treat with a screening of David A. Prior’s SLEDGEHAMMER (1983) at 8:30pm (Oct. 28)! Get twisted with Kool Kats, The Hess Family with a complimentary screening of Horror Hotel Season 2’s “LIFE AFTER MEN” at Studio Movie Grill in Alpharetta from 6pm to 12am (Oct. 27)!

3. Dance with the Dead and BOOgie down!  It’s Halloween hysteria at Avondale Towne Cinema during Kool Kat Shane Morton, a.k.a. ghost host with the most, Prof. Morte’s Monsters of Mock Dance Party featuring Stephen Skipper’s Rolling Stones Tribute, Van Heineken and OC/DC at 8pm (Oct. 28)! Or rattle 10.28Avondaleyour bones during Fernbank Museum of Natural History’s Martinis and IMAX’s Fright Night Halloween Party, dripping with devilish drinks, costume contests and more (Oct. 28)! Spook on down to The Beacon’s Halloween Haunted House Warming Party featuring a haunted house, costume contest, food trucks and rockin’ tunes with Smithsonian (Smiths tribute), Anna Kramer & The Lost Cause and the Rock*A*Teens (Oct. 29)! Make your way to The Howard House in Kirkwood for the 11th Annual Scarendipity Halloween Bash featuring Voodoo Visionary, Mayhayley’s Grave and so much more (Oct. 29)! Rock on down to the Masquerade for their 6th Annual Boos & Brews Halloween Party (Oct. 29)! Make your way to Club Famous for Coffin Classics Halloween: Goth, Darkwave, Industrial with Kool Kat VJ Anthony (Oct. 29)! Grab your favorite boil or ghoul and rock on down to the Red Light Café’s Halloween Prom featuring Roadkill Debutante, Burning Truck and Till Someone Loses an Eye (Kool Kat Aileen Loy) (Oct. 30)! Radio Cult dishes out a “Japanese-Anime” themed Halloween bash at Deep South Deli & Pub (Oct. 28)! Get your ghouls, goblins and ghosts fix at Skyline Park ATL’s Haunted Heights Halloween Bash featuring acrobatics, THRILLER zombies, live DJ, themed cocktails, midway games and more from 8pm-12am (Oct. 29)! Boogie down to Opera Nightclub for their Atlanta Horror Story Halloween Spectacular, featuring costume contests, special drinks, prizes and more (Oct. 29)! Do the Monster Mash at the Euclid Avenue Yacht Club’s annual Halloween Dance Party (Oct. 29)!

4. Gothic & Ghastly.  DJ Silkwolf and DJ Merlot will drag you to Hell at Mary’s during their Goth Nite Printfeaturing death rock, post punk, goth anthems and more at 9pm (Oct. 27)! The Atlanta Symphony Orchestra gets phantasmal with their Phantom of the Orchestra event at 3pm (Oct. 30)! Haunt on down to the Historic Oakland Cemetery for their annual hour-long Capturing the Spirit of Oakland 2015 Ghost Tours, featuring music, a fortune teller and more! Come on out and tiptoe through the graves, make a few new spirited friends and hear the hallowed tales of some of their eternal residents, running from 5:30pm to 10:30pm, through Oct. 30! Or spook on down to the Fox Theatre as they get haunted during their annual Fox Theatre Ghost Tours, chilling your bones through Oct. 30!

5. Horrifying Hikes ‘n’ Haunts.  Nightmares are what this season’s9.23 all about! So, spook on down to Netherworld Haunted House in Norcross and spook it up through Nov. 1 (7:30pm-10:30pm week days; 7pm-midnight weekends)! Get terrified at Sinister Suites Hotel of Horror in Griffin, GA, spooking through Oct. 31! A little blood splatter never hurt ya, so trek on down to Carrolton, GA for a helluva lot of haunted hillbillies ‘n’ dead rednecks at Camp Blood, horrifying through Oct. 31! Put on your horrorific hiking boots and make your way to the Dolls Head Danse Macabre Halloween Hike at Constitution Lakes, hosted by The Georgia Conservancy from 7-11pm (Oct. 30)!

6. Thrilling and Chilling Theatrics, Art ‘n’ Parades.  Creep on down to The B Complex for the Art Exhibition and Performance sleepy hollowReception for “Will You Be My Nightmare” at 6:30pm (Oct. 27)! Or wake the dead at the Michael C. Carlos Museum’s Mummies & Mixers event featuring music, costumes, as classic Boris Karloff film and more from 7-9pm (Oct. 27)! Be the Headless Horseman’s next victim and get your bones chilled at Serenbe Playhouse’s thrilling presentation of their immersive spooky attraction and show, THE SLEEPY HOLLOW EXPERIENCE, haunting through Nov. 6 (Wed-Sun at 8pm; Fri-Sat at 10:30pm)! It’s a night of murderous clowns and gut splitting laughter as 1Up Comedy presents the Roast of Pennywise the Clown/Stephen King’s IT at the Highland Inn Ballroom Lounge (Oct. 27)! Spook on down to the Buford Highway Halloween Parade and Pop-Up, from 5-8pm (Oct. 29) Make your way to the Atlanta History Center for the Day of the Dead Festival featuring traditional dance, crafts, authentic Mexican food and more (Oct. 30)! Terminus City Tattoo (Duluth) delivers a day full of tricks, treats and tattoos with their 2016 Halloween Bash featuring $50 Halloween tattoos (12-7pm), followed by a killer bash kickin’ off at 8pm, with a costume contest and more (Oct. 29)! Or catch “The Ghastly Dreadfuls” spooking it up with creepy stories, frightful songs and devilish dances at the Center for Puppetry Arts, haunting through Oct. 29!10.27Clermont

7. Tricks, Treats & A Witchin’ Good Time! Cast a spell and make your way to the Mable House Arts Center’s Hogwarts Halloween at 6pm and 8pm (Oct. 28)! Spook on down to Callanwolde Fine Arts Center for their “Halloween Night on Callanwolde Mountain” family-friendly party featuring trick-or-treating, live music with the Callanwolde Concert Band featuring Matthew Kaminski, costume contests and more (Oct. 28)! Maniacal laughter ensues during The Village Theatre’s Halloween Improv House Party featuring an improvised Salem Witch Trial and more (Oct. 29)! Spook on down to the Ponce City Market for their A Haunting on Ponce: Eat, Drink and Be Scary, horrifying through Oct. 31!

8. Decaying Eighties.  Eighties it up at Venkman’s with a Totally ‘80s Costume 10.29TerminalParty featuring Members Only (Oct. 27)! Get strange at Criminal Records during their “Stranger Things: Vol. 1 Soundtrack” Listening Party with special guest Randall P. Havens (Mr. Clarke), a costume contest and more at 7pm (Oct. 28)! BOOgie on down to The Music Room for DJ Jaycee’s Edgewood “Thriller” Michael Jackson Tribute and costume party (Oct. 28)! ATL Collective delivers an evening of rotting flesh as they raise the dead with their performance of Michael Jackson’s Halloween classic, “Thriller” at Terminal West (10/29)! Kool 10.29BasementKat Becky Cormier Finch and Denim Arcade deliver a rockin’ ‘80s Halloween Party, featuring a costume contest, a “Thriller” dance class and more at the Wild Wing Café in Suwannee (Oct. 29)!

9. Get Funky and Groove Like a Ghoul!  Put on those dancin’ shoes groove like a ghoul at The Basement as they get down with forty thousand years of funk during their Keep on Movin’ Halloween Dance Party (10/29)! Get terrified from beyond the grave with Here Come the Mummies at City Winery (Oct. 31)!

 

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The Horror! The Horror! Our Top Reasons to Spook on Down to the 3rd Annual MONSTERAMA CONVENTION

Posted on: Oct 3rd, 2016 By:

by Melanie Crew10.7
Managing Editor

What are you doing this weekend? We’re monster mashing it up with a helluva killer Kool Kat extravaganza and more at the 3rd Annual MONSTERAMA CONVENTION, creeping and crawling into town this weekend, Oct. 7-9 at the Atlanta Marriott Perimeter Center!

1) THE GOLDEN BRUNCH OF MONSTERAMA! Have an intimate and devilishly delicious brunch with Monsterama special guest and Hammer, Bond, Harryhausen film star Caroline Munro Friday from 10am – 1pm!

2) CTHULUAU! Cthula on down (If you dare!) to the hotel pool on Friday night at 7pm and get lei’d up with mermaids, music and dancing, oh my! Hosted by Mike Gordon and Peter Cutter creators of TIKI ZOMBIE!

3) SILVER SCREAM SPOOK SHOW! Kool Kat Shane Morton, a.k.a. ghost host with the most, Professor Morte and the Silver Scream Spook Show featuring the Go-Go Ghouls and Monsterama guest, Caroline Munro, a.k.a. “Stella Star” will get intergalactic with a live show followed by a screening of Luigi Cozzi’s STARCRASH (1978) on Saturday beginning at 4pm!

14433161_1191990034190405_7596388003487999022_n4) FANGTASTIC FILM!  It’s monster movie madness with screenings of horrorific classics including Mario Bava’s CALTIKI, THE IMMORTAL MONSTER (1959); William Witney’s THE CRIMSON GHOST (1946); E. Elias Merhige’s SHADOW OF THE VAMPIRE (2000); F. W. Murnau’s NOSFERATU (1922) featuring a life soundtrack performed by Valentine Wolfe; Roger Vadim’s BARBARELLA (1968); Robert RodriguezFROM DUSK TILL DAWN (1996), an adults-only screening of Denis Sanders’  INVASION OF THE BEE GIRLS (1973) and so much more! Antonio Margheriti’s CASTLE OF BLOOD (1964) in 16mm and so much more slaying cinema!

5) SPOOKTACULAR GUESTS! Catch some killer guests including James Marshall (TWIN PEAKS – see our Kool Kat feature coming soon!); Zach Galligan (GREMLINS; WAXWORK); Caroline Munro (AT THE NosferatuEARTH’S CORE; STARCRASH); Suzanna Leigh (LUST FOR A VAMPIRE); Trina Parks (DIAMONDS ARE FOREVER; THE BLUES BROTHERS); Kool Kat and monster artist extraordinaire Mark Maddox; horror novelist and filmmaker John Farris (THE FURY); horror history expert and documentarian, Kool Kat Daniel Griffith of Ballyhoo Motion Pictures; Kool Kat Shane Morton, ghost host with the most, a.k.a. Professor Morte; glamour ghoul Kool Kat Madeline Brumby and so much more!

6) TWISTED TELEVISION!  Get terrified T.V.-style  throughout the weekend and catch screenings of Gene Roddenberry’s made-for-TV movie, SPECTRE (1977); THE OUTER LIMITS – “The Sixth Finger”; STAR TREK – “The Man Trap” and “Cat’s Paw”; MAN FROM ATLANTIS – “Crystal Water” and “Sudden Death”; THE WILD, WILD WEST – “The Night of the Iron Fist”; made for TV movie, THE QUESTOR TAPES (1974); and you won’t want to miss a super rare Kolchak Double Feature (THE NIGHT STALKER/THE NIGHT STRANGLER) in 16mm and so much more!

10.8Monsterama7) MONSTER MAKEOVERS!  Get gore-gous with monster make-up galore as part of this year’s Makers Track! SFX man Kyle Yaklin, Kool Kat Shane Morton and Chris Brown share the secrets of the monster trade with their “Raising Cthulhu” event, where they’ll build a Lovecraftian Creature costume and promise a true teaching moment when they pass on their knowledge of the Necronomicon and how to summon the Old Ones! Get spooktacular with a “Gore Gore Girls – Special Effects for Kids” event featuring mom/daughter duo, filmmaker Dayna Nofke (Tiltawhirl Pictures) and ultra spooky Vivi Vivian! And don’t forget to stick around for a creeping cornucopia of frightful faces and monster masks!

8) DEADLY DEALERS! Horror cons are the perfect place to stock up on both classic horror memorabilia, cult

Professor Morte

Professor Morte

classics on DVD and creepy clothing, costumes and accessories. Vendors this year include Creature connoisseur and effects artist, Kyle Yaklin (See our Shop Around feature on Kyle here), Cult TV Man, Eraserhead Press and all the toys, collectibles and monstrous goodies you can get your ghoulish little hands on!

9) MONSTER PROM! Hey all you boils and ghouls, get frightfully funky at this year’s Monster Prom, Saturday at 9pm! Dust off the old rat-infested tux, clear out the cobwebs, shine up your shoes and get ready to do the Monster Mash, and maybe even Time-Warp into the wee hours of the morning, hosted by Professor Morte!

Monsterama main con hours are Fri. Oct. 7 from 4 to 12 a.m.; Sat. Oct. 8 from 9 a.m. to 12 a.m.; and Sun. Oct. 9 from 9 a.m. to 5 p.m. For more info, visit www.monsteramacon.com.

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RETRO REVIEW: What Keeps a Musical Alive? 7 Stages Feeds Audiences a Dark, Fresh Take on THREEPENNY OPERA

Posted on: Sep 16th, 2016 By:
The wedding of Mackie (Aaron Strand) and Polly Peachum (Stephanie Lloyd) with cinematic insert of Mack's trio of cohorts (Jed Drummond, Tad Cameron and Evan Hynes) showcasing the all-stolen posh furniture. Credit: Stungun Photography.

The wedding of Macheath (Aaron Strand) and Polly Peachum (Stephanie Lloyd) with cinematic insert of Mack’s trio of cohorts (Jed Drummond, Tad Cameron and Evan Hynes) Credit: Stungun Photography.

THE THREEPENNY OPERA; directed by Michael Haverty and Bryan Mercer; Play by Bertolt Brecht; Music by Kurt Weill and translated from German by Marc Blitzstein; Starring Aaron Strand, Stephanie Lloyd, Kevin Stillwell, Don Finney. 7 Stages. Sept. 9-25, 2016 (EXTENDED TO OCT. 2!). Tickets here.

Atlanta doesn’t have the theatrical reputation of many comparable American cities, but with THE THREEPENNY OPERA (Sept. 9-25), 7 Stages proves once again that this city can and does produce innovative, provocative performances of the sort one expects to see Off-Broadway. This production, envisioned and co-directed by Michael Haverty and Bryan Mercer, is quite simply a must-see if you like Brecht and Weill, value drama that provokes, disturbs, and makes you laugh like Hell, and/or don’t believe Atlanta produces theater at the level of New York.

Set in working class Victorian London, THREEPENNY tells the cautionary tale of MacHeath, aka “Mack the Knife,” a brutal but charming thief and murderer, as well as the many women who love him. The rest of the cast of characters include beggars, criminals, whores, and corrupt police officers. First performed in Berlin in 1928, it was Brecht’s attempt to adapt and update John Gay’s 18th century BEGGAR’S OPERA into a socialist satire of both the profit motive and the mode of musical theater itself right down to a perhaps (or perhaps not) unexpected ending.

From the moment Nicolette Emanuelle (read our Kool Kat of the Week interview with her here) emerges, dressed almost only in an accordion, and belts out the eponymous song, “Mack the Knife” in deep, guttural tones, the visceral, unrelenting tone is set. Let’s say definitively that this ain’t Bobby Darin’s homogenized hit. One can’t help but be reminded of CABARET though that was written much later,. The comparison is appropriate given that while the setting is London, Brecht conceived THREEPENNY in Weimar Germany with a jazz-influenced soundtrack. And thanks to subversive drama such as THREEPENNY, in 1933, Brecht and Weill would have to flee their home country in the wake of Hitler’s rise to power.

Polly Peachum (Stephanie Lloyd) and Macheath (Aaron Strand). Credit: Stungun Photography.

Polly Peachum (Stephanie Lloyd) and Macheath (Aaron Strand). Credit: Stungun Photography.

This THREEPENNY shows more spunk and further establishes its 1920s setting, along with embracing Brecht’s expressionistic theory of theater, by mimicking silent film at various points, including a cast titles segment at the beginning. The characters parade live in front of a period-consistent unsteady camera with the resulting black-and-white footage projected onto the rear stage wall. THREEPENNY works better with a minimalist set and lower production values (vis-a-vis the abject failure of the big-budget 1989 Broadway revival with Sting which I unfortunately saw but mercifully remember nothing about). In this case, the camera is used a number of times during the show not only to compensate for a limited budget but also to enhance the theatrical experience in creative ways. I won’t divulge the details so as not to spoiler.

While the cast was consistently strong in the preview performance I saw, several actors stood out. THREEPENNY can be made or broken by who plays Mack the Knife. I can say thankfully that Aaron Strand is no Sting. And don’t be fooled by his pretty face. Strand takes the role of bastard by the balls and rides it all the way unabashedly, from displaying a full grasp of the nuances of the play’s dark and biting humor to enthusiastically embracing Mack’s raw sexuality, even endowing a rock n roll edge at points that makes the role feel contemporary without compromising Brecht’s vision. Brecht never wants us to empathize with his characters, but we need to sense Mackie’s extreme charisma despite his inherent sociopathy. The directors have admitted  tossing a nod towards this year’s presidential race, and it’s hard not to see some parallels in a man who can say or do anything and still be loved by many. “What keeps a man alive? He lives on others.” Indeed.

Also memorable are Mr. JJ Peachum (Kevin Stillwell) and especially his wife, played in drag by Don Finney. The Peachums run a lucrative and, to them anyway, respectable business training professional beggars and taking a share of their earnings. If Mackie is a capitalist, the Peachums could be community organizers of sorts especially when later in the play they assemble an army of beggars to disrupt the queen’s coronation. They aren’t pleased at all when their daughter Polly abandons the family business to marry Mackie and take it upon themselves to get him arrested and hanged. Stillwell is an earnest Mr. Peachum who hits all the ironic humor of his character, but Finney is a show-stealer–effusive, maternal, dominant, and absolutely hilarious. In other hands perhaps placing a man in the role would simply be a gag, but Finney sets fire to the stage and easily matches Mack as a formidable adversary.

Mrs. Peachum (Don Finney). Credit: Stungun Photography.

Mrs. Peachum (Don Finney). Credit: Stungun Photography.

For all the darkness in THREEPENNY, as noted, Brecht injected a lot of humor. A special nod should also go to Adam Lowe, who plays not only the clumsy Filch, who applies to Peachum and needs some serious education in begging, but also Tiger Brown, the esteemed police chief of London. Tiger and Mackie served together in the military, and Tiger has been, at least thus far, protecting Mackie from arrest. Their boisterous nudge-nudge-wink-wink rendition of “Army Song” is a show highlight. A call-out should also go for slapstick mastery by Mackie’s trio of henchmen–Readymoney Matt (Jed Drummond) who reminded me in voice, if not hair, of VENTURE BROTHERS’ Pete White, Crookfinger Jake (Tad Cameron), and Bob the Saw (Evan Hynes).

Among the ladies in the cast, Stephanie Lloyd is an appropriately pretty and savvy Polly Peachum, madly in love with Mackie and to whom he leaves the control of his shady business when on the run from the law. The production makes an interesting choice by having her, rather than Jenny the prostitute and Mackie’s original lover, sing “Pirate Jenny” (perhaps the play’s second best known song), a change which I am uncertain about maybe because Lloyd’s voice hits a much higher pitch than the deep-throated Lotte Lenya (composer Kurt Weill’s wife), who played Jenny in both the 1931 German film adaptation and the 1954 Off-Broadway revival which debuted Mark Blitzstein’s translation of Weill’s lyrics, the best-known translation also used in this production. However, casting Dorothy V. Bell-Polk, who resembles Grace Jones, as Jenny is an intriguing surprise. And Jessica De Maria brings the right balance of passion and disgust to Tiger Brown’s daughter Lucy, Mackie’s other “wife” who is considerably less dainty. (As a side note for those who don’t know, a young Bea Arthur played Lucy in the 1954 rendition and Lucy was played by a man, Brian Charles Rooney, in the 2006 Broadway revival which toyed with Mackie’s sexuality and featured Alan Cumming as Mack and Cyndi Lauper as Jenny).

A big hand should also go to DeeDee Chmielewski, 7 Stages’ longtime costume designer, for her monochromatic black and white designs which blend well with the expressionist cinema ambiance,, as well as the simple props and sets designed to maximum effect by Melisa DuBois, and lighting design by Rebecca M.K Makus. And of course, the band. As with 7 Stages’ DRACULA, THE ROCK OPERA (Read ATLRetro’s review here), the musicians are onstage but woven seamlessly into the action. In sum, 7 Stages shows yet again how to maximize a parsimonious assemblage of performers, with my only possible regret being that there weren’t more beggars to march on the coronation.

Move fast and don’t miss this THREEPENNY because while the characters may be perennially stuck in their low societal positions, Atlanta theater runs are always short. As with DRACULA, one wishes this production could hang around for a while and build an audience. 

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ATLFF Q&A with GUARDIANS OF THE GALAXY Director James Gunn and Actor Michael Rooker: “Atlanta has treated us really, really well!”

Posted on: Apr 12th, 2016 By:

atlffguardiansBy Andrew Kemp
Contributing Writer

James Gunn’s GUARDIANS OF THE GALAXY VOL. 2 is now filming in Atlanta, and last week’s Atlanta Film Festival took advantage by booking a screening of the original GUARDIANS movie with a Q&A after with Gunn and actor Michael Rooker. If you heard about this event, it may have been in context of the grumpy final exchange between Gunn and a fan who asked Rooker if his GUARDIANS character, Yondu, was a just a copy of his racist redneck Merle from THE WALKING DEAD. But prior to that hiccup, the Q&A had been a lovefest between Gunn, Rooker and a roomful of appreciative fans. Here are some highlights from the rest of the session:

Gunn on taking the time to do the Q&A: “One of the reasons we wanted to come do this today is because, really, Atlanta has treated us really, really well so far. We have an amazing crew, many of whom are from Atlanta; the majority of them are from Atlanta. And it’s nice to be able to come and do something with you guys and give a little thanks for what you guys have given us. So we really just appreciate being here, and really the hospitality of the city in general. “

rocketOn GUARDIANS 2: “It’s been a lot of hard work, honestly. It’s a much bigger film. Also at the same time, a much more intimate film, more character-driven in certain ways, so it’s just a lot of work. And everybody has been on their game. The new cast members… Kurt Russell has been incredible. And Pom Klementieff… who plays a new Guardian has been just, she blows me away. She’s really been perfect.”

On directing actors: “It’s kind of like going through a dark cave and you’re looking for those moments of truth, which means that you’re kind of working together , you’re holding hands, you can’t always see exactly where you’re going, but you’re trying to find those true moments. So that often means that I’m having people do things again and again and again and again and again.”

On moving from indie films to blockbusters: “I don’t think I was ever scared of the scope. I feel like I’ve always wanted to do huge movies, so I think that I’ve always been working towards that. I’ve always been afraid of ‘are people going to like the movie,’ ‘is the movie going to make money?’ There are times on the first movie where I’d wake up at 3 a.m. and go ‘Oh no, am I making PLUTO NASH (2002)?’”

Rooker on people dressed up as GUARDIANS characters: “It’s better if they’re undressed.”

Gunn joking about Rooker: “We’ve done four movies, two webseries, two reality shows, a video game… it’s really my penance for my success. He is the cross I carry on my back. ‘OK, you can have all your dreams and your money and whatever, but you have to work with Michael Rooker.’”

Rooker on acting with pop songs: [After Gunn describes playing the pop songs on set as they’ll appear in the film] “It’s going, the music’s going. And then you hear ‘action.’ But by the time you hear ‘action,’ you’re already into the music. I’m telling you, it’s so hard to not bop along.”

Gunn on convincing the studio to hire Rooker: “There were a couple of people I had to fight for on the first movie. I had to fight for [Rooker] real hard and I had to fight for Dave Bautista. It was an uphill battle….Especially because you have these guys who are, like, 50ish year old guys, there’s a lot of them, a lot of really big actors around that age that would die to be in a Marvel project. So he’s not just auditioning against all of these other no name actors, they have to trust me to hire him over a bunch of A-list actors or guys who are just out of being A-list actors. So that’s what they had to put faith in.”

Guardians-of-the-GalaxyGunn on Rocket Raccoon: “Rocket is my inner child. The whole movie to me was based on Rocket. Marvel came to me with this movie, I thought ‘you guys are crazy,’ this sounds like an insane idea. I was driving home from the meeting and I’m like, ‘OK, let’s say there was really a talking raccoon. How would that exist? And it was really that scene is everything, GUARDIANS was built out of that, so I have a very strong emotional connection to Rocket…. Rocket is really a combination of a lot of people. I write the character. My brother Sean does all the acting on set. Bradley [Cooper] comes and does the voice. We have a whole team of animators who help with the acting there. So there’s a lot of control I have, a lot more attachment to Rocket and to Groot in that respect.”

On SUICIDE SQUAD (2016) and other movies emulating GUARDIANS’ humor: “If it’s sincere, I think that’s great. For me, honestly, the reason why GUARDIANS was successful, and I believe the reason a movie like DEADPOOL (2016) was successful is because we really are sincere about it. This is the real stuff. Everything in this movie is something I believe in. I believe in those characters. Some people think I’m crazy. Because I love that raccoon. I mean, as much as I would love my own child. Really, it’s a little bit insane. But I love those characters so much, and I love that story so much, and I love that I was a kid that was not a normal kid and felt very alone. And luckily I had some artists out there, who I could listen to their music or watch their films, whether it was David Cronenberg movies or Alice Cooper’s music, where I thought ‘goddamn I’m not the only weirdo in the world.’ And to be able to make a movie that speaks to those people, that speaks to people that feel like they’re alone or like they’re outcasts or that don’t have friends or have screwed-up families and need that connection with other living beings, that they can feel some small part of that through seeing GUARDIANS, that is why I make the movies. And that is the only reason I make them.”

Andrew Kemp is a screenwriter and game designer who started talking about movies in 1984 and got stuck that way. He can be seen around town wherever there are movies, cheap beer and little else.

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